I just want to shoot somebody."--Mike Hammer Everybody loves a mystery, and nobody solves them like Mike Hammer. While other detectives bend and manipulate the law, Hammer holds it in total contempt, seeing it as nothing more than an impediment to justice, the one virtue he holds in absolute esteem. Now, the no-holds-barred private eye returns, along with his gorgeous secretary, Velda, and a collection of New York City characters, in two fully dramatized "theater-of-the-mind" audio adventures. "Dangerous Days" and "Oil and Water." "Dangerous Days" - When Hammer rescues a crazed young woman clad only in a medical gown, he's flung into the shadowy world of secret ops and international terrorism. New York is the target, and Mike Hammer is the only man who can prevent a massive catastrophe. But will he find out who the real enemy is before it's too late? "Oil and Water" - The one woman Mike Hammer might have married is back in town. But when she's murdered after making an appointment with her ex-lover, Mike winds up investigating a massive conspiracy involving a powerful oil company. Hammer thinks he's close to the truth, but has he been played for a sucker all along? Narrated by Stacy Keach, the acclaimed actor who starred in the original Mike Hammer TV series, these new mysteries are written by the writers of that show and enhanced with a full supporting cast, sound effects, and music. Even the show's jazzy theme song is back to set the gritty tone for each episode.

    With an iron-fisted police chief on his tail and a ruthless mob captain at his throat, he'll need his wits, his fists, and his father's trusty Vietnam war hatchet to hack his way through a toxic jungle of New Jersey corruption that makes the gator-filled swamps of home feel like the shallow end of the kiddie pool.

    The three novels included in this volume are Musical Chairs, Frequent Flyer, and Elvis, Jesus & Coca-Cola.

    Set in an exotic atmosphere of a by-gone era, Pistolwhip is a marvelous tale crafted with a crime noir feel and an artistic style reminiscent of the best European graphic novelists.

    Will it be enough to reconcile with his wife? Save his son from the life? Or will it end up getting them all killed?

    Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    When a prominent New Orleans judge is brutally murdered, former Detroit cop Quentin Archer is handed the case. His enquiries will lead him into a world of darkness and mysticism which underpins the carefree atmosphere of the Big Easy. Interrogating crooked police officers, a pickpocket, a bartender with underground contacts and a swamp dweller, Archer uncovers some troubling facts about the late judge's past. But it's only when he encounters a beautiful young voodoo practitioner that he starts to make headway in the investigation.Voodoo queen Solange Cordray volunteers at the dementia centre where her mother lives. When she starts reading the mind of one of her patients, she learns that a secretive organization known as Krewe Charbonerrie may be behind the murder of the judge. And the second murder. And the third . . .

    As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer’s block, and hours of Internet backgammon. Bored to Death was originally published in McSweeney’s Issue 24 and is the centerpiece of Ames’s collection of essays and fiction, The Double Life Is Twice as Good. Bored to Death Artwork © 2009 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

    Duke Rogers finds himself in a racially charged situation. The case might have to wait... The immediate problem: getting out of South Central Los Angeles in one piece during the 1992 Rodney King riots and that's just the beginning of his problems.Private investigator Duke Rogers finds an old "friend" for a client. The client's "friend," an up and coming black actress, ends up dead. Duke knows his client did it. Now, feeling guilty, he wants to find the client/killer. He starts his mission by going to the dead actress' family in South Central L.A. - and while there the Rodney King riots ignite. And while he tries to track down the killer he must also deal with the racism of his partner, Jack, and from the dead woman's brother, Warren. He must also confront his own possible latent racism - even as he's in an interracial relationship with the murder victim's dead woman's sister.

    I don't know what it is, but it works that way for man and animal alike. I've seen some peculiar things on a hot day too. I've seen a scorpion sting itself to death. It just keeps drivin' its tail into its body again and again. A little killer killing itself. And what a man'll do on a hot day. A man could get his self killed just for rubbing shoulders with another. . . ."A loner, a drifter, a gambler--John Stewart asks little of life. But when his '64 Mustang busts a radiator hose in the middle of the empty Nevada desert, he prays to God, Buddha, L. Ron. And rolls into the tiny town of Sierra. Where he finds . . . nothing. A gas station whose former owner is lying low in the cemetery. A strip of barren, dust-blown store fronts. A truck stop cafe with more flies than customers.Stewart wants out. Sucker-punched in a rigged poker game, he's got to get to Vegas to settle a debt. Or else.Then in walks Grace, a seductive knockout who can read fortunes in faces. In the next twenty-four hours, Stewart becomes ensnared in a web of dirty double-crosses, cold propositions, and desperate souls--deadly ground where murder is just one gasp away.A stunning, fast-paced novel, Stray Dogs unfolds with unrelenting tension, memorable characters, and shocking twists of plot. John Ridley has created a hypnotic story that is pure noir, from its first page until its shattering climax.From the Hardcover edition.

    The Sussmans live in a posh building on the Upper East Side. When Joey DePino loses his job and is threatened by his bookies and loan shark, he involves the Sussmans in a sick, desperate plan to pay off his gambling debts. But ad exec David Sussman has his own problems trying to stop his suddenly psychopathic mistress from ruining him, and he won't go down without a fight. As the lives of the DePinos and the Sussmans become increasingly intertwined, Joey and David plunge their families into an amoral world where anything is possible and nothing is personal. Part crime novel, part unflinching satire of compulsive gambling, eating disorders, and cold-blooded evil, Nothing Personal firmly establishes Jason Starr as one of the most exciting young noir novelists around.

    After the burial – on a whiskey-soaked night on the town – Jack’s brother disappears. When his brother is found comatose on the edge of death, Devlin resolves to avenge the wrong – no matter what it takes, no matter where the trail leads, even if he has to descend into the lawless underworld of New York City after-hours clubs where violence reigns, sex and drugs rule the night, and corruption kills. AND JUSTICE FOR ONE tells a dark, violent story set in 1980’s New York during a time when lawlessness and corruption pulsed intently under the city’s civilized veneer. Those times and places are gone now, but today’s readers can experience them in this intense, thoroughly-researched novel. This is the second edition of the acclaimed debut novel in the Jack Devlin “One” series, re-edited by the author, John Clarkson. The New York Times said AND JUSTICE FOR ONE "Packs a savage punch". Kirkus Reviews called it, "Dark, sexy, tough, and fast." Amazon reviewers called it: “The best action novel I have ever read!”, “Well-written, hot, furious, fun.”, “A helluva a good read, loaded with action.”If you missed AND JUSTICE FOR ONE the first time around, don’t miss it this time!Author's Note This novel was first published in 1992. I don't remember exactly when I began writing it. I do remember the two events that inspired the story. The first event occurred in 1976 when I visited an after-hours club in downtown Manhattan. The second event came in 1979. A six-year-old boy named Etan Patz disappeared on a spring morning in New York's SoHo district, igniting the worst fears of parents around the country. It happened during a two-block walk to his school bus stop. Somewhere in the back of my mind those two events brewed for years. What if someone you loved vanished? What would you do to find them? And what if it turned out that the mysterious, hidden world of after-hours clubs had something to do with the disappearance? At some point in the late eighties, those two events became the inspiration for my first novel. I hardly remember writing it. My sense is that it came out in a sudden rush. And selling it to a publisher happened quite fast. I landed an agent, George Wieser, very quickly. And it seems like George sold it to Crown with in a few weeks. Thank you, George! I do remember spending a very long time editing the book under the guidance of Peter St. John Ginna. He was patient with me. He made it a much better book. I still appreciate his efforts. In the original author's note, I also thanked my wife Ellen for her patience. A good deal of the research for And Justice for One started at four in the morning. All these years later Ellen is still patient with me, but more importantly,she still loves me, and I her. The others I thanked in the first edition were "the people who made it possible for me to enter the world of after-hours clubs, particularly a friend named Tommy Burns. When I asked how I should acknowledge him in the first edition, he said use T.B., 'Bartender to the Stars.'" Tommy rarely took anything very seriously. Obviously, all the after-hours clubs described in this book no longer exist. But all of them except for one which is a composite of three clubs, existed very much as described. It was a wild time in NYC. A time before cell phones and the internet and Uber. A time long gone. So, what prompted me to re-publish And Justice for One? Since its publication in 1992, I have persisted in writing crime thrillers, despite about a ten-year break after the first five. All five of those novels are out of print, but readers often ask me how they can get them. This is an attempt to make that easier. It has also provided me with the opportunity to polish the book. Nothing substantive, but lots of nips and tucks. This new edition is still what I consider a raw, rather impetuous novel from an unformed writer just starting out. Maybe that's the best kind. Hope you enjoy it.

    The story was rescued from an old floppy disc and first published in 2008, in a special, 10th anniversary edition of Crossroad Blues. To Atkins' surprise, that edition earned an Edgar Award nomination for the forgotten Nick Travers tale. The story shows Nick at his best: in New Orleans, at JoJo's Blues Bar, helping an old friend, challenging the powerful, and getting in way over his head.

    And much more.As Dashiell Hammett closes his final case as a private eye, the details of which will later inspire his most famous book, he acquires at a police auction the bogus object of that case, an obsidian falcon statuette.  He casually sets the memento on his desk, where for a decade it bears witness to his literary rise. Until he gives it away. Now, suffering writer’s block, the famous author begins to wonder about rumors of the falcon’s “metaphysical qualities,” which link it to a powerful, wish-fulfilling black stone cited in legends from around the world. He can’t deny that when he possessed the statuette he wrote one acclaimed book after another, and that without it his fortunes have changed. As his block stretches from months to years, he becomes entangled again with the scam artists from the old case, each still fascinated by the “real” black bird and its alleged talismanic power. A dangerous maze of events takes Hammett from 1930s San Francisco to the glamorous Hollywood of the 1940s, a federal penitentiary at the time of the McCarthy hearings, and finally to a fateful meeting on New Year’s Eve, 1959, at a Long Island estate. There the dying Hammett confronts a woman from his past who proves to be his most formidable rival. And his last hope.