Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    Brimming with humor, irony, and insights about the unpredictable nature of life, the unbearable beauty of fate, and the power that one moment, or one decision, can have to transform us, I Knew You'd Be Lovely delivers that rare thing—stories with both an edge and a heart.

    The first half of the book chronicles Marion Clark, a “company wife”, who repeatedly packs the household and accompanies her husband around the globe with a “melancholy view before her of what seemed like endless houses with endless garages and endless kitchen windows.” In the stories that follow, her adult daughter, Rebecca, dutifully attempts to fulfill her mother’s thwarted aspirations, yet hers is a world viewed with a slightly off-kilter eye, one that invokes Michelangelo in the Sistine Chapel, Mohammad’s faithful followers at Topkapi Palace, as well as the landscapes of Italy and Jamaica, Istanbul and Paris. Ironically, if Marion had no free will, Rebecca has an excess. This mother and daughter, each uniquely of her own generation, remain locked, firmly, in longing.

    These people tell us the truth–not only about themselves, their relationships, and their lives, but about ourselves as well. A Perfect Stranger powerfully and affectingly examines the complex, intricate network of experiences that binds us to one another. These stories are tender, raw, lovely, fine–and they reaffirm Roxana Robinson’s place at the forefront of modern literature.

    A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away, the mythic figures of our childhoods and the source of so much of our wonder are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans. Re-imagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

    In the short story collection Beautiful Blemish, Sampsell dives deep into the human psyche to reveal the layers of secret desire, loneliness and hope buried in our hearts. The stories in Beautiful Blemish display an American voice that mixes humor, experimentation, and unflinching pathos to full effect.

    A collection of stories by Sandra Cisneros, the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom.

    A traveling salesman consigned to a late-night bus ride. A prison inmate stripped of everything but his pride. A teenage runaway. Mismatched lovers. In his debut collection of short fiction, award-winning novelist Craig Lancaster returns to the terrain of his Montana home and takes on the notion of separation in its many forms - from comfort zones, from ideas, from people, from security, from fears. These ten stories delve into small towns and big cities, into love and despair, into what drives us and what scares us, peeling back the layers of our humanity with every pag

    In The Land of Unlikeness, Clive, a failed artist, divorced and grappling with aging, returns to his Michigan family's farmhouse to spell his sister's caregiving of their mother for a month. The return to familiar ground provides a groundswell of upheaval in Clive's 20-years long life patterns. In The River Swimmer, Thad, an Upper Peninsula island farm boy struggles to cope with life out of the water, and coming of age on dry land. The River Swimmer is a porrait of two striking and richly drawn characters, written with Harrison's wit, and revelatory insight into the human condition.

    A group of men spend a weekend hunting for mushrooms in the wilderness where they grew up and where some still find themselves trapped. An aging environmentalist takes out his frustration and anger on a singular, unsuspecting target. One woman helps another get revenge against a man whose crime extends far beyond him to an entire community. Together, the ten stories in this dazzling, surprising collection evoke a landscape that will be instantly recognizable to anyone who has traveled the back roads and blue highways of America, and they completely capture the memorable characters who call it home.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    This funny, touching, and surprising novel follows Bess on her cross-country odyssey to learn about her oft-wed fiancé from the eight ex-spouses who came before.Stolls, an acclaimed author of Young Adult novels and winner of the Parents’ Choice Gold Award brilliantly explores the very grown-up world of male-female relationships and family dynamics in the delightful, unforgettable new masterwork of contemporary women’s fiction.

     Here are twelve new stories that take dead aim at the secrets of womanhood, arcing from youth to experience. Each one of Thompson's indelible characters -- lovers, wives, friends, and mothers -- speaks her piece -- wry, angry, hopeful -- about the world and women's places in it.The brat --The five senses --It would not make me tremble to see ten thousand fall --The family Barcus --Lost --The inside passage --Holy Week --A normal life --Hunger --The woman taken in adultery --Pie of the month --Throw like a girl

    Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is a poignant novella from Anita Brookner. 'I rather hope I shall die at the hairdresser's, for they are bound to know what to do. At least that is what I tell myself.' Solitude is a familiar burden for Elizabeth Warner. She lives in a basement flat near Victoria and leaves the house only to go shopping and to have her hair done - until a chance encounter at the hairdresser's brings unexpected change. At the Hairdresser's is a deeply moving, unflinchingly observed story about trust and betrayal by one of the greatest writers of contemporary fiction.

    A lonely woman reflects on her failed marriage and the single act of violence, years buried, that brought about its destruction. In these eight beautifully written, achingly poignant, and occasionally heartbreaking stories, the fine line between right and wrong, good and bad, love and violence is walked over and over again.In "Good Girl," a depressed widower is forced to decide between the love of a good woman and the love of his own deeply flawed son. In another part of town and another time, thirteen-year-old Ellen, the central figure of "Theory of Realty," is discovering the menaces of being "at that age": too old for the dolls of her girlhood, too young to understand the weaknesses of the adults who surround her. The linked stories "Parts" and "Proof of God" offer distinct but equally correct versions of a brutal crime--one from the perspective of the victim's mother, one from the killer's.