But every wish has a consequence, and the White family finds they are completely unprepared for what comes next. The Monkey’s Paw is a classic horror tale that gives new meaning to the phrase “be careful what you wish for.”The Monkey’s Paw has become a classic horror story and has been adapted numerous times, including into episodes of such popular television series as The X-Files, The Twilight Zone, Buffy the Vampire Slayer, The Simpsons: Treehouse of Horror, Are You Afraid of the Dark?, and Tales from the Crypt.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

    Contents: 1 • In a Season of Calm Weather • (1957) • short story by Ray Bradbury 7 • A Medicine for Melancholy • (1959) • short story by Ray Bradbury 16 • The Wonderful Ice Cream Suit • non-genre • (1958) • short story by Ray Bradbury 39 • Fever Dream • (1948) • short story by Ray Bradbury 46 • The Marriage Mender • (1954) • short story by Ray Bradbury 51 • The Town Where No One Got Off • (1958) • short story by Ray Bradbury 59 • A Scent of Sarsaparilla • (1953) • short story by Ray Bradbury 66 • The Headpiece • (1958) • short story by Ray Bradbury 74 • The First Night of Lent • [The Irish Stories] • (1956) • short story by Ray Bradbury 81 • The Time of Going Away • (1956) • short story by Ray Bradbury 88 • All Summer in a Day • (1954) • short story by Ray Bradbury 94 • The Gift • (1952) • short story by Ray Bradbury 97 • The Great Collision of Monday Last • [The Irish Stories] • (1958) • short story by Ray Bradbury 104 • The Little Mice • (1955) • short story by Ray Bradbury 109 • The Shore Line at Sunset • (1959) • short story by Ray Bradbury (variant of The Shoreline at Sunset) 118 • The Day It Rained Forever • (1957) • short story by Ray Bradbury 129 • Chrysalis • (1946) • short story by Ray Bradbury 150 • Pillar of Fire • (1948) • novelette by Ray Bradbury 188 • Zero Hour • (1947) • short story by Ray Bradbury 198 • The Man • (1949) • short story by Ray Bradbury 210 • Time in Thy Flight • (1953) • short story by Ray Bradbury 215 • The Pedestrian • (1951) • short story by Ray Bradbury 220 • Hail and Farewell • (1953) • short story by Ray Bradbury 228 • Invisible Boy • (1945) • short story by Ray Bradbury 237 • Come Into My Cellar • (1962) • short story by Ray Bradbury (variant of Boys! Raise Giant Mushrooms in Your Cellar!) 254 • The Million-Year Picnic • [The Martian Chronicles] • (1946) • short story by Ray Bradbury (variant of The Million Year Picnic) 264 • The Screaming Woman • [Green Town] • (1951) • short story by Ray Bradbury 278 • The Smile • (1952) • short story by Ray Bradbury 284 • Dark They Were, and Golden-Eyed • (1949) • short story by Ray Bradbury 299 • The Trolley • [Dandelion Wine] • (1955) • short story by Ray Bradbury 303 • Icarus Montgolfier Wright • (1956) • short story by Ray Bradbury

    Lovecraft in June 1920. In the tale, an unnamed narrator relates the story of how a law forbidding the killing of cats came to be in a town called Ulthar.The Cats of Ulthar was a personal favorite of Lovecraft's, who was an ardent cat lover.

    Now readers will have a chance to hear from the book's most controversial character—Julian. From the very first day Auggie and Julian met in the pages of the #1 New York Times bestseller Wonder, it was clear they were never going to be friends, with Julian treating Auggie like he had the plague. And while Wonder told Auggie's story through six different viewpoints, Julian's perspective was never shared. Readers could only guess what he was thinking.Until now. The Julian Chapter will finally reveal the bully's side of the story. Why is Julian so unkind to Auggie? And does he have a chance for redemption?

    The other masterly essays in this collection include classics such as "My Country Right or Left", "How the Poor Die" and "Such, Such were the Joys", his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies, and a spirited defence of English cooking. Opinionated, uncompromising, provocative, and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.

    In struggling to escape from their thwarted lives and to achieve human 'tenderness', the characters embody and continue the major preoccupations of Lawrence's work as a whole.Love Among the Haystacks provides an early illustration of the intensity and innovation which made Lawrence one of the most distinctive and important of twentieth-century writers.

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    These are but some of the men and women who fill this searingly imaginative and emotionally taut collection of short stories by Mark Haddon, that weaves through time and space to showcase the author's incredible versatility.     Yet the collection achieves a sum that is greater than its parts, proving itself a meditation not only on isolation and loneliness but also on the tenuous and unseen connections that link individuals to each other, often despite themselves. In its titular story, the narrator describes with fluid precision a catastrophe that will collectively define its victims as much as it will disperse them—and brilliantly lays bare the reader's appetite for spectacle alongside its characters'. Cut with lean prose and drawing inventively from history, myth, fairy tales, and, above all, the deep well of empathy that made his three novels so compelling, The Pier Falls reveals a previously unseen side of the celebrated author.

    'If she concealed so much and knew so much one must prize her open with the first tool that came to hand - the imagination'. Virginia Woolf's writing tested the boundaries of modern fiction, exploring the depths of human consciousness and creating a new language of sensation and thought. Sometimes impressionistic, sometimes experimental, sometimes brutally cruel, sometimes surprisingly warm and funny, these five stories describe love lost, friendships formed and lives questioned. This book includes "The Lady in the Looking Glass", "A Society", "The Mark on the Wall", "Solid Objects" and "Lappin and Lapinova".

    Read on for more from this exceptional character. Please note: This story includes language that some might find offensive.

    One night a mysterious Turk asks him to attend his wife, who has cut her lip on a poisoned dagger. The Turk insists that amputation offers the only hope of recovery. Anxious to pocket the proffered gold, and impatient to get to his mistress, Stone dismisses his professional misgivings. He excises the lower lip of the veiled, drugged woman--only to find that he was tricked into disfiguring Lady Sannox herself. Lord Sannox (disguised as the "Turk") thus gains his revenge, with his wife morally chastised (and forever after in seclusion), and Stone's "great brain [thenceforth] about as valuable as a cap full of porridge."

    But it is also a product of the times in which she grew up—dark, grotesque, often surprisingly bawdy, and a far cry from the polished, sparkling novels of manners for which she became famous. Drunken heroines, babies who bite off their mothers’ fingers, and a letter-writer who has murdered her whole family all feature in these highly spirited pieces. This edition includes all of Austen’s juvenilia, including her “History of England” and the novella Lady Susan, in which the anti-heroine schemes and cheats her way through high society. With a title that captures a young Austen’s original idiosyncratic spelling habits and an introduction by Christine Alexander that shows how Austen was self-consciously fashioning herself as a writer from an early age, this is a must-have for any Austen lover.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    This inexpensive volume comprises "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate." Publisher's Note.