From her beginnings as a wunderkind producer of pirated stage productions for six-year-olds, through her spirited adventures watching self-satisfying monkeys, throwing up on Chinese food deliverymen, and stalking Leo DiCaprio, here are the goofy highs and horrifying lows of life as Kelly Oxford.

    At twenty-three, after leaving graduate school to pursue her dreams of becoming a poet, Joanna Rakoff moves to New York City and takes a job as assistant to the storied literary agent for J. D. Salinger. She spends her days in a plush, wood-paneled office, where Dictaphones and typewriters still reign and old-time agents doze at their desks after martini lunches. At night she goes home to the tiny, threadbare Williamsburg apartment she shares with her socialist boyfriend. Precariously balanced between glamour and poverty, surrounded by titanic personalities, and struggling to trust her own artistic instinct, Rakoff is tasked with answering Salinger’s voluminous fan mail. But as she reads the candid, heart-wrenching letters from his readers around the world, she finds herself unable to type out the agency’s decades-old form response. Instead, drawn inexorably into the emotional world of Salinger’s devotees, she abandons the template and begins writing back. Over the course of the year, she finds her own voice by acting as Salinger’s, on her own dangerous and liberating terms. Rakoff paints a vibrant portrait of a bright, hungry young woman navigating a heady and longed-for world, trying to square romantic aspirations with burgeoning self-awareness, the idea of a life with life itself. Charming and deeply moving, filled with electrifying glimpses of an American literary icon, My Salinger Year is the coming-of-age story of a talented writer. Above all, it is a testament to the universal power of books to shape our lives and awaken our true selves.

    But on her forty-sixth birthday she decided to stop running and start reading.Catalyzed by the loss of her sister, a mother of four spends one year savoring a great book every day, from Thomas Pynchon to Nora Ephron and beyond. In the tradition of Gretchen Rubin's The Happiness Project and Joan Dideon's A Year of Magical Thinking, Nina Sankovitch's soul-baring and literary-minded memoir is a chronicle of loss,hope, and redemption. Nina ultimately turns to reading as therapy and through her journey illuminates the power of books to help us reclaim our lives.

    Pedalling along curvaceous country lanes or freewheeling through valleys and vineyards – earning your supper in this sleepy corner of France is nothing short of a privilege.Tony and Ludmilla have landed a job with a specialist cycling and walking holiday company in the South of France … but that’s not something we can hold against them for too long!They head off to the mediaeval marvel of Cordes-sur-Ciel in the Tarn – a region so achingly beautiful and laden with history and mystery they have to pinch themselves to be sure such a place really does exist.When their cyclists turn up for a week’s pedal-powered adventure they will need a reliable back-up service when they puncture a tyre or come face to jowl with a ‘devil dog’ intent on devouring their panniers. And when their walkers take the wrong trail and find themselves humming Bonnie Tyler’s ’70s hit ‘Lost in France’, they too will need a timely rescue. Well, that’s the theory …

    Within the confines of this restrictive culture, Rossi's big city dreams take root. Once she makes her way to Manhattan, Rossi's passion for cooking, which first began as a revolt against the microwave, becomes her life mission.The Raging Skillet is one woman's story of cooking her way through some of the most unlikely kitchens in New York City—at a "beach" in Tribeca, an East Village supper club, and a makeshift grill at ground zero in the days immediately following 9/11. Forever writing her own rules, Rossi ends up becoming the owner of one of the most sought-after catering companies in the city. This heartfelt, gritty, and hilarious memoir shows us how the creativity of the kitchen allows us to give a nod to where we come from, while simultaneously expressing everything that we are. Includes unpretentious recipes for real people everywhere.

    Surfing only looks like a sport. To initiates, it is something else entirely: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life. Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter. Barbarian Days takes us deep into unfamiliar worlds, some of them right under our noses—off the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships annealed in challenging waves.Finnegan shares stories of life in a whites-only gang in a tough school in Honolulu even while his closest friend was a Hawaiian surfer. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful folly—he drops LSD while riding huge Honolua Bay, on Maui—is served up with rueful humor. He and a buddy, their knapsacks crammed with reef charts, bushwhack through Polynesia. They discover, while camping on an uninhabited island in Fiji, one of the world’s greatest waves. As Finnegan’s travels take him ever farther afield, he becomes an improbable anthropologist: unpicking the picturesque simplicity of a Samoan fishing village, dissecting the sexual politics of Tongan interactions with Americans and Japanese, navigating the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity.Barbarian Days is an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little understood art. Today, Finnegan’s surfing life is undiminished. Frantically juggling work and family, he chases his enchantment through Long Island ice storms and obscure corners of Madagascar.

    The author, who has defended Karen Silkwood and Randy Weaver among others, recounts his life growing up in Wyoming and the tragic event that caused him become an attorney.

    Yes his family had Friday-night dinners, and yes they kept a kosher house, but somehow it was never the most important part of his identity. He wasn’t even sure what he was supposed to be believing in. And yet he had to contend with the responsibility of his ancestry. That’s what first struck me about this book—how tradition and expectation sit heavily on one’s shoulders, and how Greene offers a fresh new voice for the generations of Jews who were born after the Holocaust.

    A willingness to let the world show you things that you play back as you grow as an artist. Talent is cheap. Me: ok i will ponder these things. I am a carr.Dad: that should matter quite a bit, actually not the name but the guts of what that name means.A celebrated journalist, bestselling author, and recovering addict, David Carr was in the prime of his career when he collapsed in the newsroom of The New York Times in 2015. Shattered by his death, his daughter Erin Lee Carr, an up-and-coming documentary filmmaker at age twenty-seven, began combing through the entirety of their shared correspondence--1,936 items in total.What started as an exercise in grief quickly grew into an active investigation: Did her father's writings contain the answers to the questions of how to move forward in life and work without your biggest champion by your side? How could she fill the space left behind by a man who had come to embody journalistic integrity, rigor, and hard reporting, whose mentorship meant everything not just to her, but to the many who served alongside him?In All That You Leave Behind, David Carr's legacy is a lens through which Erin comes to understand her own workplace missteps, existential crises, relationship fails, and toxic relationship with alcohol. Featuring photographs and emails from the author's personal collection, this coming-of-age memoir unpacks the complex relationship between a daughter and her father, their mutual addictions and challenges with sobriety, and the powerful sense of work and family that comes to define them.

    Burnt Toast Makes You Sing Good explores the very beginnings of her love affair with food and its connection to home. It is the story of her midwestern childhood, its memorable home cooks, and the delicious recipes she grew up with. Flinn shares tales of her parents’ pizza parlor in San Francisco, where they sold Uncle Clarence’s popular oven-fried chicken, as well as recipes for the vats of chili made by her former army cook Grandpa Charles, fluffy Swedish pancakes from Grandma Inez, and cinnamon rolls for birthday breakfasts. Through these dishes, Flinn came to understand how meals can be memories, and how cooking can be a form of communication. Brimming with warmth and wit, this book is sure to appeal to Flinn’s many fans as well as readers of Marcus Samuelsson, Ruth Reichl, and Julie Powell.

    The joys and travails of building a home in Baja California.

    This exuberant memoir shifts between her present experience as a middle-aged mom in the grip of mysterious new hungers and herself as a teenager–when she last experienced life with such heightened sensitivity and longing. From her hilarious chapter titles (“How to Have Sex with Your Husband of Seventeen Years”) to her subjects–from the boyfriend she dumped at fourteen the moment she learned how to give herself an orgasm, to the girls who ruled her elite private school (“when I left Oberlin I thought I had done with them forever, but it turned out …they also edited all the newspapers and magazines, and wrote all the books”), to raising a teenage daughter herself–Dederer writes with an electrifying blend of wry wit and raw honesty. She exposes herself utterly, and in doing so captures something universal about the experience of being a woman, a daughter, a wife.

    He never left. With an assortment of birds, dogs, snakes, and books, he took up residence in a ramshackle two-story house along US 60 and set out to live in the way of country people. "Querencia"--the Zen-like Spanish term means something like the tiny pocket of one's inner life where one is truly at home--details a decade of life there. Throughout the early pages of his memoir, Stephen finds himself tested by the locals for his knowledge of raptor birds, of snakes, of dogs. When he begins to pass the tests, his transformation is complete, earning him a home, a place in the heart. Querencia offers a fine brief on rural living, alternately reveling in country matters and acknowledging the difficulties involved in such exercises as luring cows home from the mountain wilderness into which they've strayed while steering clear of venomous reptiles and combative bull elk. It's a treasure. --Greg McNamee

    The invitation had come from an intrepid 80 year-old, Diana Hepworth, who in 1947 set sail from England to find a faraway paradise where she and her husband Tom could raise a family.

    Her parents are Jimmy and Shirley, her sister is Virginia, and her cat is Sylvester. A photo might show a happy, young family, but only a dummkopf would believe that. Jimmy's a wiseguy who relies on charm, snappy wit, and an unyielding belief that he's above the law; as his youngest daughter, Gloria is just like him. Or at least, she knows that she needs to stay on his good side so he doesn't brain her one. Jimmy is violent: he's passionate about hunting, horse races and slasher flicks, and he's prone to outbursts that have him screaming and reaching for his shotgun. Shirley, mild and meek as she is, tries to protect the girls from Jimmy's most brutal moments, but the thing with Jimmy is that it's his way or the highway. Virginia, older and wiser, tries to stand up to Jimmy. Gloria just wants to make him happy. He takes Gloria everywhere. Fishing, hunting, drive-ins, and to his parents dingy bar - a hole in the wall with pickled eggs and pickled alkies. The only place Gloria can't go is the dive where Jimmy bets on horses. It's there, as she sits and waits for hours on end, that she imagines a life different from her own. Gloria's favorite of Jimmy's haunts? Hank Piasceny's gun shop. While Hank and Jimmy throw good-humored insults at each other, Gloria talks to Hank's daughter, Susan. Smart, pretty, kind, and ambitious, Susan is Gloria's idol. She represents everything Gloria wants to be - and can be, as long as she tries as hard in school. Just like Susan tells her too. It's only when Hank commits an unspeakable act of violence, that Gloria and Susan suddenly find themselves on different paths. Hank's violence and Susan's grief serve as eerie warnings of a life to come, especially as Jimmy falls into a depression that has him making threats and reaching for his guns more often and with greater relish. Against all odds, Gloria's fiery determination takes shape and she sets herself on a path away from the cycle of violence whirling around her - in her home, in the projects, in her small New Hampshire city and even in the national landscape where the assassinations of President Kennedy and Dr. Martin Luther King Jr. and the brutality of Vietnam underscore the tragedies she witnesses up close. Gloria Norris's unconventional coming-of-age memoir jangles with electricity and suspense. The life of this gutsy young girl is unforgettable and inspiring, wrought with dark humor and tenderness. From the darkness her irrepressible pluck and determination emerges and Gloria triumphantly carves out a good life on her own terms.