Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    Through a series of captivating and sophisticated illustrated stories, Tan explores the precious strangeness of our existence. He gives us a portrait of modern suburban existence filtered through a wickedly Monty Pythonesque lens. Whether it’s discovering that the world really does stop at the end of the city’s map book, or a family’s lesson in tolerance through an alien cultural exchange student, Tan’s deft, sweet social satire brings us face-to-face with the humor and absurdity of modern life.

    Adorable artwork on every spread accompanies simple text. Swallowing a worm, smelling a sock, playing in the cat litter . . . That's Disgusting! Not for the faint of heart, this kid approved book focuses on a love of all things icky and gross. Firmly focused on fun, That's Disgusting! is the perfect distraction to help your young gross out expert learn to read.

    Thirty panoramic, full-page illustrations humorously chronicle the duo's home and social activities that include (among other things) bathing, biking, dating, cooking, playing croquet, and pumpkin carving. Accompanying text explains the "do"s and "don't"s of living with a large land octopus. The book's art is extremely detailed, and each illustration tells its own visual story. The Victorian era characters and period-influenced design elements combine to create a wonderful, collectible art-object for those who still value the classic elegance of ink-on-paper. The hardcover binding is plussed with two-layer embossing and spot varnish, and the interior is printed on extra heavy paper. An exquisite volume for lovers of books, art and pets.

    They have only begun to adjust to this remarkable civilization before heading off on separate quests. Will takes to the sky as the pilot of a giant pterosaur known as a skybax, while Arthur leads an excavation deep underground to discover the origins of the world beneath Dinotopia. Little does either of them know of the dangers they are about to face ...

    Grumpy Owl wakes up on the wrong side of the bed and, just when he thinks things can't get worse, he discovers his animal friends are making all the wrong sounds! Brown Bear says "Woof!", Tan Toad says "Gobble!", and Red Rooster says "Moo!" Grumpy Owl cannot believe his ears and frantically tries to correct his friends without much success! Come along on this silly adventure as Grumpy Owl learns a valuable lesson about treating others with kindness whether they "Woof, oink, gobble! Moo, quack or squeak!"

    Dr. Seuss) in a whole new light. Depicting outlandish creatures in otherworldly settings, the paintings use a dazzling rainbow of hues not seen in the primary-color palette of his books for children, and exhibit a sophisticated and often quite unrestrained side of the artist. 65 color illustrations.

    He seeks expert advice. But not everything can be explained. Perhaps he'll just have to accept that the hole is there? The Hole has simple, expressive drawings created by pen and computer, and there's a hole punched right through the book, so it really exists, even if it can't be explained.Comic yet philosophical, simple yet deeply expressive, The Hole is quite simply—brilliant!"Hello, I've discovered a hole in my apartment. . . . It moves. . . . If you could come take a look. . . . Bring it down, you say? What? Hello?!"Born in 1972, Øyvind Torseter is an artist and one of Norway's most acclaimed illustrators. He employs both traditional and digital picture techniques and has created six picture books on his own and many others with different authors. Torseter has received numerous prizes for his books, which have been translated into many languages. My Father's Arms Are A Boat (Enchanted Lion Books, 2012) was his first book to be published in the United States.

    Twirling, leaping, spinning, and gliding, on skates and flippers, the duo mirror each other's graceful dance above and below the ice. But when Flora gives the penguin the cold shoulder, the pair must figure out a way to work together for uplifting results. Artist Molly Idle creates an innovative, wordless picture book with clever flaps that reveal Flora and the penguin coming together, spiraling apart, and coming back together as only true friends do. Plus, this is a fixed-format version of the book, which looks nearly identical to the print version.

    It was a cartoon that appeared for many years in daily newspapers and was loved by millions. (And was confusing to millions more.) But one day he stopped.Gary went into hiding. He made a couple short films. He played his guitar. He threw sticks for his dogs. They threw some back.Yet Gary was restless. He couldn't sleep nights. Something haunted him. (Besides Gramps.) Something that would return him to his roots in biology, drawing and dementia--a tale called There's a Hair in My Dirt! A Worm's Story.It begins a few inches underground, when a young worm, during a typical family dinner, discovers there's a hair in his plate of dirt. He becomes rather upset, not just about his tainted meal but about his entire miserable, wormy life. This, in turn, spurs his father to tell him a story--a story to inspire the children of invertebrates everywhere.And so Father Worm describes the saga of a fair young maiden and her adventuresome stroll through her favorite forest, a perambulator's paradise. It is a journey filled with mystery and magic. Or so she thinks.Which is all we'll say for now.What exactly does the maiden encounter?Does Son Worm learn a lesson?More important, does he eat his plate of fresh dirt?Well, you'll have to read to find out, but let's just say the answers are right under your feet.Written and illustrated in a children's storybook style, There's a Hair in My Dirt! A Worm's Story is a twisted take on the difference between our idealized view of Nature and the sometimes cold, hard reality of life for the birds and the bees and the worms (not to mention our own species).Told with his trademark off-kilter humor, this first original non--Far Side book is the unique work of a comic master.Now Larson can finally sleep at night.Question is, will you?(from the back cover)

    The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves uninterrupted, that also means it must save itself when it storms. And so it does.

    In Beloved Dog, renowned artist and author Maira Kalman illuminates our cherished companions as only she can. From the dogs lovingly illustrated in her acclaimed children’s books to the real-life pets who inspire her still, Kalman’s Beloved Dog is joyful, beautifully illustrated, and, as always, deeply philosophical.  Here is Max Stravinsky, the dog poet of Oh-La-La (Max in Love)-fame, and her own Irish Wheaton Pete (almost named Einstein, until he revealed himself to be “clearly no Einstein”), who also made an appearance in the delightful What Pete Ate: From A to Z. And of course, there is Boganch, Kalman’s in-laws’ “big black slobbering Hungarian Beast.” And that’s just the beginning. With humor and intelligence, Kalman gives voice to the dogs she adores, noting that they are constant reminders that life reveals the best of itself when we live fully in the moment and extend unconditional love. “And it is very true,” she writes, “that the most tender, complicated, most generous part of our being blossoms without any effort, when it comes to the love of a dog.”

    From facehuggers to feather dusters, discover how the perfect killing machine relaxes after a day of scaring space marines.

    Consisting almost entirely of images, The River presents each of the four seasons as its own chapter and story. A few sentences at the start of each chapter set the stage and provide clues for following each story. Beginning in autumn and ending in summer, The River is about our connection to place, as well as about the connections between geography, setting, and the stories we tell. The River is also about the flow of time, which flows like the river, and carries us.Alessandro Sanna and his work are renowned throughout Italy and this book, which will fascinate young and old alike, demonstrates why.