"The Dashiell Hammett Megapack" collects 20 early and rare stories by the famous mystery writer, plus one poem.Included in this volume are: AFRAID OF A GUNARSON PLUSTHE NEW RACKETBODIES PILED UPDEATH ON PINE STREETTHE MAN WHO KILLED DAN ODAMSMIKE, ALEC, OR RUFUSNIGHT SHOTSNIGHTMARE TOWNONE HOURTHE ROAD HOMERUFFIAN'S WIFETHE SECOND-STORY ANGELTHE TENTH CLUEWHO KILLED BOB TEAL?ZIGZAGS OF TREACHERYTHE WAGES OF CRIMENIGHT SHADETHE PARTHIAN SHOTIMMORTALITYCURSE IN THE OLD MANNER

    His experiences and thoughts on screenwriting, adapting novels, adapting one's own novels (a bad idea), and on the craft itself contain more useful information than a pile of how-to manuals. As in his novels, McMurtry is by turns witty, acerbic, and thoughtful; the pieces are surprisingly stylish in that the bulk of them (17 out of 21) were spun off on monthly deadlines (for American Film magazine, in 1975-77), and McMurtry admittedly can't remember writing most of them. A fine collection, from a fine writer.No Clue: Or Learning to Write for the Movies. --The Hired Pen. --The Deadline Syndrome. --The Telephone Booth Screenwriter. --The Fun of It All. --All the President's Men, Seven Beauties, History, Innocence, Guilt, Redemption, and the Star System. --The Screenplay as Non-Book: A Consideration. --Pencils West: Or a Theory for the Shoot-'Em Up. --"Mary Hartman, Mary Hartman" and the Movie-Less Novelists. --O Ragged Time Knit Up Thy Ravell'd Sleave. --The Situation in Criticism: Reviewers, Critics, Professors. --Character, the Tube, and the Death of Movies. --The Disappearance of Love. --Woody Allen, Keith Carradine, Lily Tomlin, and the Disappearance of Grace. --The Last Picture Shows. --The Seasons of L.A.. --The Last Movie Column. --The Last Picture Show: A Last Word. --Approaching Cheyenne ... Leaving Lumet. Oh, Pshaw!. --Movie-Tripping: My Own Rotten Film Festival. --A Walk in Pasadena with Di-Annie and Mary Alice

    Poems of the Night is a moving collection of the great literary visionary's poetic meditations on nighttime, darkness, and the crepuscular world of visions and dreams, themes that speak implicitly to the blindness that overtook Borges late in life-and yet the poems here are drawn from the full span of Borges's career. Featuring such poems as "History of the Night" and "In Praise of Darkness" and more than fifty others in luminous translations by an array of distinguished translators-among them W.S. Merwin, Christopher Maurer, Alan Trueblood, and Alastair Reid-this volume brings to light many poems that have never appeared in English, presenting them en face with their Spanish originals. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    Featuring the conclusions to Issue 57's cliffhanger stories by Booker Prize nominee Oyinkan Braithwaite, Brian Evanson, and Mona Awad.

    The fairy tale-based works of the tortured confessional poet, whose raw honesty and wit in the face of psychological pain have touched thousands of readers.

    

    A collection of 26 stories:Soldiers (15 stories)"A Horseman in the Sky""An Occurrence at Owl Creek Bridge""Chickamauga""A Son of the Gods""One of the Missing""Killed at Resaca""The Affair at Coulter's Notch""The Coup de Grâce""Parker Adderson, Philosopher""An Affair of Outposts""The Story of a Conscience""One Kind of Officer""One Officer, One Man""George Thurston""The Mocking-Bird"Civilians (11 stories)"The Man Out of the Nose""An Adventure at Brownville""The Famous Gilson Bequest""The Applicant""A Watcher by the Dead""The Man and the Snake""A Holy Terror""The Suitable Surroundings""The Boarded Window""An Heiress from Redhorse""The Eyes of the Panther"

    Born in 1902 in Salinas, California, Steinbeck attended Stanford University before working at a series of mostly blue-collar jobs and embarking on his literary career. Profoundly committed to social progress, he used his writing to raise issues of labor exploitation and the plight of the common man, penning some of the greatest American novels of the twentieth century and winning such prestigious awards as the Pulitzer Prize and the National Book Award. He received the Nobel Prize in 1962, "for his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception." Today, more than thirty years after his death, he remains one of America's greatest writers and cultural figures. The boxed set, containing deluxe trade paperback editions with french flaps, is being released in honor of the Steinbeck centennial being celebrated throughout 2002. Penguin Putnam Inc, in partnership with the Steinbeck Foundation and the Great Books Foundation is sponsoring numerous events throught the year.

    The humble, pixelated games of the ‘70s and ‘80s have evolved into the vivid, realistic, and immersive form of entertainment that now rivals all other forms of media for dominance in the consumer marketplace. For many, video games have become the cultural icons around which pop culture revolves.PRESS START TO PLAY is an anthology of stories inspired by video games: stories that attempt to recreate the feel of a video game in prose form; stories that play with the concepts common (or exclusive) to video games; and stories about the creation of video games and/or about the video games—or the gamers—themselves.These stories will appeal to anyone who has interacted with games, from hardcore teenaged fanatics, to men and women who game after their children have gone to bed, to your well-meaning aunt who won’t stop inviting you to join her farm-based Facebook games.At the helm of this project are Daniel H. Wilson—bestselling novelist and expert in artificial intelligence—and John Joseph Adams—bestselling, Hugo Award-nominated editor of more than a dozen science fiction/fantasy anthologies and series editor of Best American Science Fiction & Fantasy (volume one forthcoming from Houghton Mifflin in 2015). Together, they have drawn on their wide-ranging contacts to assemble an incredibly talented group of authors who are eager to attack the topic of video games from startling and fascinating angles.Under the direction of an A.I. specialist and a veteran editor, the anthology will expose readers to a strategically chosen mix of stories that explore novel video game concepts in prose narratives, such as save points, kill screens, gold-farming, respawning, first-person shooters, unlocking achievements, and getting “pwned.” Likewise, each of our authors is an accomplished specialist in areas such as science fiction, fantasy, and techno-thrillers, and many have experience writing for video games professionally.Combining unique viewpoints and exacting realism, this anthology promises to thrill generations of readers, from those who grew up with Atari 2600s to the console and PC gamers of today.

    He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

    These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

    Dostoevsky's crocodile, cruelly displayed in a traveling sideshow, gobbles whole a pretentious high-ranking civil servant. But the functionary survives unscathed and seizes his new unique platform to expound to the fascinated public. Dostoevsky's Crocodile is a matchless, hilarious satire.Hernandez's Crocodile, on the other hand, while also terribly funny, is a heartbreaker. A pianist struggling to make ends meet as a salesman finds success when he begins to weep before clients and audience alike, but then he can't stop the crocodile tears.

    He lands an enviable gig writing about shopping and fashion for the city’s major newspaper, but an ill-fated promotional junket gets Albo into hot water. He becomes a gossip item and finds himself caught in an acrimonious war between Old and New Media. Here's a gimlet-eyed account of the back-biting media scene, a glimpse into the inner workings of the fashion crowd, and a candid portrait of what it takes to survive as a writer in today’s chattering and watchful New York City."I was perilously close to exposing a secret underground economy of promotion: favors and junkets and banquets and gifts that keeps the city in motion, and keeps underpaid writers at work. Basically, I became the Silkwood of Swag."

    Ensnared by the trappings of affluence, adrift in the emptiness of American prosperity, his characters find themselves in the midst of dramas that, however comic, pose profound questions about conformity and class, pleasure and propriety, and the conduct and meaning of an individual life. At the same time, the stories reveal their author to be a master whose prose is at once precise and sensuous, in which a shrewd eye for social detail is paired with a lyric sensitivity to the world at large. “The constants that I look for,” he wrote in the preface to The Stories of John Cheever, “are a love of light and a determination to trace some moral chain of being.”Cheever’s superlative gifts as a storyteller are evident even in his first published work, “Expelled” (1930), which appeared in The New Republic when he was only 18: “I felt that I was hearing for the first time the voice of a new generation,” said Malcolm Cowley, then an editor at the magazine. Moving to Manhattan from his native Massachusetts, Cheever began publishing stories in The New Yorker in the 1930s, establishing a crucial if sometimes contentious relationship that would last for much of his career. His debut collection, The Way Some People Live (1943), was a book that he effectively disowned, regarding it as apprentice work; the best stories in the volume, as selected by editor Blake Bailey, are here restored to print for the first time, offering—along with seven other stories that Cheever never collected—an intriguing glimpse into his early development. By the late 1940s Cheever had come into his own as a writer, achieving a breakthrough in 1947 with the Kafkaesque tale “The Enormous Radio.” It was soon followed by works of startling fluency and power, such as the unsettling “Torch Song,” with its suggestion of menace and the uncanny, as well as the searing, beautiful treatment of fraternal conflict, “Goodbye, My Brother.”Finally, when Cheever and his family moved to Westchester County in the 1950s, he began writing about the disappointments of postwar suburbia in such definitive classics as “The Sorrows of Gin,” “The Five-Forty-Eight,” “The Country Husband,” and “The Swimmer.”This volume, published to coincide with Blake Bailey’s groundbreaking biography, is the largest collection of Cheever’s stories ever published, and celebrates his indelible achievement by gathering the complete Stories of John Cheever (1978), as well as seven stories from The Way Some People Live and seven additional stories first published in periodicals between 1930 and 1953. Also included are several short essays on writers and writing, including a previously unpublished speech on Saul Bellow.Blake Bailey, volume editor, is the author of A Tragic Honesty: The Life and Work of Richard Yates. His biography of John Cheever won the National Book Critics Circle Award.