They move from their cozy Brooklyn neighborhood to a swanky apartment on Manhattan's Fifth Avenue. They have no friends, a nanny who takes the place of their parents, and a school year looming ahead that promises to be miserable.And then, one day, Brid, CJ, and Patrick discover an astonishing secret about their apartment: The original owner, the deceased multimillionaire Mr. Post, long ago turned the apartment itself into a giant puzzle containing a mysterious book and hidden panels—a puzzle that, with some luck, courage, and brainpower, will lead to discovering the Post family fortune.Unraveling the mystery causes them to race through today's New York City—and to uncover some long-hidden secrets of the past.

    Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. In point of view, the book covers the aesthetic spectrum from right to left; from programs that rigidly generate designs down to the smallest detail to revolutionary manifestoes that call for anarchy in building form and town plan. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; Towards a New Architecture, Guiding Principles by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.

    In the years preceding the 2008 financial crisis, the library’s leaders forged an audacious plan to sell off multiple branch libraries, mutilate a historic building, and send millions of books to a storage facility in New Jersey. Scholars, researchers, and readers would be out of luck, but real estate developers and New York’s Mayor Bloomberg would get what they wanted. But when the story broke, the people fought back, as famous writers, professors, and citizens’ groups came together to defend a national treasure. Rich with revealing interviews with key figures, Patience and Fortitude is at once a hugely readable history of the library’s secret plans, and a stirring account of a rare triumph against the forces of money and power.

    In a strikingly original interpretation that brings the Jazz Age to life in a wholly new way, Ann Douglas arugues that when, after World War I, the United States began to assume the economic and political leadership of the West, New York became the heart of a daring and accomplished historical transformation.

    In The Invention of Brownstone Brooklyn, SuleimanOsman offers a groundbreaking history of this unexpected transformation. Challenging the conventional wisdom that New York City's renaissance started in the 1990s, Osman locates the origins of gentrification in Brooklyn in the cultural upheavals of the 1960s and 1970s. Gentrification began as agrassroots movement led by young and idealistic white college graduates searching for authenticity and life outside the burgeoning suburbs. Where postwar city leaders championed slum clearance and modern architecture, brownstoners (as they called themselves) fought for a new romantic urban idealthat celebrated historic buildings, industrial lofts and traditional ethnic neighborhoods as a refuge from an increasingly technocratic society. Osman examines the emergence of a slow-growth progressive coalition as brownstoners joined with poorer residents to battle city planners and localmachine politicians. But as brownstoners migrated into poorer areas, race and class tensions emerged, and by the 1980s, as newspapers parodied yuppies and anti-gentrification activists marched through increasingly expensive neighborhoods, brownstoners debated whether their search for authenticityhad been a success or failure.

    The development of interpretive modes of various stripes--post-structuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architectures general importance in intellectual discourse.This anthology presents forty-seven of the primary texts of architecture theory, introducing each with an explication of the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.ContributorsDiana Agrest, Stanford Anderson, Archizoom, George Baird, Jennifer Bloomer, Massimo Cacciari, Jean-Louis Cohen, Beatriz Colomina, Alan Colquhoun, Maurice Culot, Jacques Derrida, Ignasi de Sol�-Morales, Peter Eisenman, Robin Evans, Michel Foucault, Kenneth Frampton, Mario Gandelsonas, Frank Gehry, J�rgen Habermas, John Hejduk, Denis Hollier, Bernard Huet, Catherine Ingraham, Fredric Jameson, Charles A. Jencks, Jeffrey Kipnis, Fred Koetter, Rem Koolhaas, Leon Krier, Sanford Kwinter, Henri Lefebvre, Daniel Libeskind, Mary McLeod, Alberto P�rez-G�mez, Jos� Quetglas, Aldo Rossi, Colin Rowe, Massimo Scolari, Denise Scott Brown, Robert Segrest, Jorge Silvetti, Robert Somol, Martin Steinmann, Robert A. M. Stern, James Stirling, Manfredo Tafuri, Georges Teyssot, Bernard Tschumi, Anthony Vidler, Paul Virilio, Mark Wigley

    Fascinating and entertaining text and magnificent, towering, full-page photographs of 50 of the world's most innovative, stunning, and lofty skyscrapers. Facts at a glance for each building, with visual comparisons of relative heights. Features informative spreads on the technical developments of elevators, steel, glass, and other building materials, the growth of cities, and towers around the world. Unique 7.5" x 18" format. Printed on high-quality coated stock with nearly 200 black-and-white photos.

    This comprehensive textbook uses a building-block approach that starts with the fundamental principles of system operation and progresses gradually to complex diagnostic and service procedures. Short sentences, concise definitions, and thousands of color illustrations help students learn quickly and easily. This newly revised text provides thorough coverage of the latest developments in the automotive field, including hybrid drive systems, computer network communication, and tire pressure monitoring systems. Organized around the eight ASE automobile test areas, Modern Automotive Technology is a valuable resource for students preparing for a career in automotive technology, as well as experienced technicians who are preparing for the ASE certification tests.

    Now expanded and updated, with 118 new photographs, the book reveals a fresh, true picture of New York as it has lived and grown, with startling reminders of how much that has vanished remains part of us. From the grandeur of the old Metropolitan Opera and Pennsylvania Station to the fabulous lost night clubs of 52nd Street and Harlem, from the opulence of the old Vanderbilt mansions to the Madison Square Garden rooftop where architect Stanford White was shot, this is both a unique testament to New York's past and a story of the vitality that makes the city continue to connect with us.Illustrated with rare and stunning photographs and marked by engaging, lively text, this new edition of LOST NEW YORK provides a unique and unforgettable look at the places in New York that are no more. Beyond that, it evokes the significant moments in time and memory that make us reflect on our passions about change and the reasons we remain concerned about the future of cities.

    Forgotten New York covers all five boroughs with easy-to-use maps and suggested routes to hundreds of out-of-the way places, antiquated monuments, streets to nowhere, and buildings from a time lost.Forgotten New York features:Quiet PlacesTruly ForgottenHistory Happened HereWhat Is This Thing?Forgotten PeopleAnd so much more

    Best remembered for his landscape architecture, from New York's Central Park to Boston's Emerald Necklace to Stanford University's campus, Olmsted was also an influential journalist, early voice for the environment, and abolitionist credited with helping dissuade England from joining the South in the Civil War. This momentous career was shadowed by a tragic personal life, also fully portrayed here.Most of all, he was a social reformer. He didn't simply create places that were beautiful in the abstract. An awesome and timeless intent stands behind Olmsted's designs, allowing his work to survive to the present day. With our urgent need to revitalize cities and a widespread yearning for green space, his work is more relevant now than it was during his lifetime. Justin Martin restores Olmsted to his rightful place in the pantheon of great Americans.

    Despite a brilliant plan from a father-son team of engineers, the process was a dangerous and grueling one. Construction workers developed a mysterious illness (now known as the bends), several died, and the project had devastating effects on the engineers' lives. Still, after fourteen years, the Brooklyn Bridge was finished and became the longest suspension bridge in the world at the time and is still widely admired today. Megan Stine tells the fascinating story behind one of the city's best-loved landmarks. Includes black-and-white illustrations and a foldout color map!

    She leaves Moscow and returns to her native New York City to house-hunt for the perfect spot while her Dutch husband, John, stays behind in Russia with their dog to pack up their belongings. Intoxicated by West Harlem’s cultural diversity and, more important, its affordability, Judith impulsively buys a stately fixer-upper brownstone in the neighborhood.Little does she know what’s in store. Judith and John discover that their dream house was once a crack den and that “fixer upper” is an understatement. The building is a total wreck: The beams have been chewed to dust by termites, the staircase is separating from the wall, and the windows are smashed thanks to a recent break-in. Plus, the house–crowded with throngs of brazen drug dealers–forms the bustling epicenter of the cocaine trade in the Northeast, and heavily armed police regularly appear outside their door in pursuit of the thugs and crackheads who loiter there. Thus begins Judith and John’s odyssey to win over the neighbors, including Salami, the menacing addict who threatens to take over their house; MacKenzie, the literary homeless man who quotes Latin over morning coffee; Mrs. LaDuke, the salty octogenarian and neighborhood watchdog; and Miguel, the smooth lieutenant of the local drug crew, with whom the couple must negotiate safe passage. It’s a far cry from utopia, but it’s a start, and they do all they can to carve out a comfortable life. And by the time they experience the birth of a son, Judith and John have even come to appreciate the neighborhood’s rough charms.Blending her finely honed reporter’s instincts with superb storytelling, Judith Matloff has crafted a wry, reflective, and hugely entertaining memoir about community, home, and real estate. Home Girl is for anyone who has ever longed to go home, however complicated the journey.Advance Praise for Home Girl“Although I always suspected that renovating a house in New York City would be a slightly more harrowing undertaking than dodging bullets as a foreign correspondent, it took this charming story to convince me it could also be more entertaining. Except for the plumbing. That’s one adventure I couldn't survive.”–Michelle Slatalla, author of The Town on Beaver Creek“After years of covering wars overseas, Judith Matloff takes her boundless courage and inimitable style to the front lines of America’s biggest city. From her vantage point in a former crack house in West Harlem, she brings life to a proud community held hostage by drug dealers and forgotten by policy makers. Matloff’s sense of humor, clear reportage, and zest for adventure never fail. Home Girl is part gritty confessional, part love story, and totally delightful.”–Bob Drogin, author of Curveball“Here the American dream of home ownership takes on the epic dimensions of the modern pioneer in a drug-riddled land. Matloff’s story, which had me crying and laughing, is a portrait of a household and a community, extending far beyond the specifics of West Harlem to the universal–as all well-told stories do.”–Martha McPhee, author of L’AmericaFrom the Hardcover edition.

    Desperate to maintain cover, he scales the walls of the regal estate Lindenhurst and stumbles upon a frozen lake just as a beautiful woman falls through the ice. When he pulls her to safety, he learns that her name is Lillian Harold, an American blue blood betrothed to Charlie Cornelius, heir to a railroad magnate. As a gesture of thanks, Charlie’s father offers him a job. Henry is hesitant to throw in with the elites but still fearful of capture, so he accepts. Almost immediately, Henry and Lillian sense an unsettling attraction toward one another. This mutual attraction between the two continues to evolve and grow until Lillian realizes she might be in love with two men at the same time. As Henry shows a great aptitude for the business, Charlie seeks to escape his destiny by seeking out adventure in the far reaches of the world. The stubborn, rebellious, and impatient Lillian turns to Henry for company and they begin an illicit affair. Soon all begins to unravel when Charlie returns home and Henry’s past finally catches up with him. Henry eventually lands in Europe. There, amidst the harrowing chaos and carnage of World War I, he makes a promise: to live through the war, return to New York and see Lillian once more. The Ice Harvester spans the roiling conflicts of America’s gilded age to the killing fields of Europe. It is a tale of love, friendship, loyalty and betrayal as well as the American dream versus its harsh reality in a time of historic splendor and brutal savagery.

    A perfectly charming, sidesplittingly funny, intellectually entertaining illustrated history of the blocks, the buildings, and the guts of New York City, based on Julia Wertz's popular illustrated columns in The New Yorker and Harper's. In Tenements, Towers & Trash, Julia Wertz takes us behind the New York that you think you know. Not the tourist's New York-the Statue of Liberty makes a brief appearance and the Empire State Building not at all-but the guts, the underbelly, of this city that never sleeps. With drawings and comics in her signature style, Wertz regales us with streetscapes "Then and Now" and little-known tales, such as the lost history of Kim's Video, the complicated and unresolved business of Ray's Pizza, the vintage trash and horse bones that litter the shore of Brooklyn's Bottle Beach, the ludicrous pinball prohibition, Staten Island's secret abandoned boatyard, and the hair-raising legend of the infamous abortionist of Fifth Avenue, Madame Restell. From bars, bakeries, and bookstores to food carts, street cleaners, and apartments both cramped and grand, Tenements, Towers & Trash is a wild ride in a time machine taxi from the present day city to bygone days of yore.