Will the adults trying to find and protect them reach them before it’s too late?It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about.One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them.Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement.The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.

    Chelsea Grable seems like the perfect person to ease him into his new single life. She’s beautiful, shares his interests, and most importantly, is up for some casual dating and not at all interested in marriage. But when what started out as casual turns obsessive, Dale is forced to end things. His new dates don’t go much better, and he wonders if all women are so mentally unstable. Maybe internet dating isn’t for him. What follows is a series of terrifying threats and strange occurrences the police seem unconcerned with. Who is behind the threats? A former lover? His angry ex? A jilted husband? Whoever it is, they seem intent on one final goal…taking revenge. A thrilling psychological thriller that you won't be able to put down!

    In between, this vast, sprawling carnival of a book takes in Coney Island and the Lower East Side, midgets and gangsters, Bowery bars and opium dens, even Sigmund Freud and Carl Jung. It is, in short, a novel as big, lively, and ambitious as Gotham itself, and if you can stomach some of the more garish local color, it's every bit as much fun. Set at the turn of the century, in a New York as polyglot as any city on earth, Dreamland opens with an act of misplaced--and very stupid--compassion. Eastern European immigrant Kid Twist intervenes when villainous gangster Gyp the Blood is on the verge of murdering a young newsboy for sport. But surprise: that's no street urchin--that's Trick the Dwarf, self-proclaimed Mayor of Little City and a Coney Island tout, who dresses up as a boy, he says, as "a way I had of leaving myself behind." Trick hides Kid Twist in the hind parts of the Tin Elephant Hotel; Kid Twist meets Esther Abramowitz, impoverished seamstress and labor agitator, then falls in love; Trick woos Mad Carlotta, a three-foot beauty who thinks she's the Empress of Mexico; and Freud and Jung sail for America, where they squabble about psychoanalysis. There are also a few subplots involving police corruption, Tammany Hall, and the Triangle Shirtwaist Fire--but who's counting? Suffice to say that it all really does come together in the end, and you won't be bored for one step of the way. Baker served as chief historical researcher for Harold Evans's The American Century, and it's clear that he put his time there to good use; Dreamland is full of vivid historical detail, from Lower East Side slang to the lyrics of popular songs. If this is middlebrow entertainment, it's middlebrow in the same way as Dickens: extravagantly plotted, elegantly written, and compassionate to the core. --Mary Park

    The killing--on Park Avenue, in broad daylight, on Friday the thirteenth--shook the city. Green was born to a poor farmer, yet without him there would be no Central Park, no Metropolitan Museum of Art, no Museum of Natural History, no New York Public Library. And Green had a secret, a life locked within him that now, in the hour of his death--alone, misunderstood--is set to break free. As the detective assigned to Green's case chases his ghost across the city, we meet a wealthy courtesan, a brokenhearted man in a bowler hat, and a lawyer turned politician whose decades-long friendship with Green is the source of both his troubles and his joys. A work of tremendous depth and piercing emotion, The Great Mistake is the story of a city transformed, a murder that made a private man infamous, and a portrait of a singular individual who found the world closed off to him--yet enlarged it.

    Higgins's final novel, was completed in the fall of 1999, just weeks before the author's death at the age of 59. It seems unlikely that the coming year will bring us a novel with a sadder, more appropriate title. Like Higgins's famous first novel, iThe Friends of Eddie Coyle/i, iAt End of Day/i is an authoritative and decidedly unromantic portrait of life as it is really lived in the criminal underworld of Boston. Like iEddie Coyle/i, it is the clear product of a genuine American master.pTwo figures dominate the crowded narrative: Arthur McKeach and Nick Cistaro, career criminals who have clawed their way to the top of the food chain by ruthlessly eliminating all competitors and who have remained at the top -- unchallenged and unindicted -- for an unnaturally long time. Together, McKeach and Cistaro have successfully opposed the traditional center of organized crime -- the Cosa Nostra -- and have established an empire based on extortion, gambling, drug dealing, loan sharking, and the rigorous application of terrorist tactics. They rule by fear and will do whatever is necessary to preserve what they have built.piAt End of Day/i is the story of the violent world of McKeach and Cistaro, and of the secret "arrangement" that has kept them in power -- and out of jail -- for decades. More than 30 years before the primary narrative begins, McKeach and his partner established a symbiotic relationship with the FBI's resident expert on organized crime. In exchange for information to be used against their common enemy -- the Boston Mafia -- the two received a degree of protection from the inconvenient investigations of local law enforcement agencies. This immensely profitable arrangement, which was passed along like a family legacy from one FBI agent to the next, has persisted into the present day and has contributed enormously to the durability of the McKeach/Cistaro empire.pThis devious, mutually corrupting relationship stands at the heart of this painstaking portrait of the Boston criminal milieu. As always, Higgins fleshes out the portrait with a varied, credible gallery of characters on both sides of the law. As always, he brings these characters to immediate life through his uncanny ear for dialogue and his matchless ability to create the sustained, rambling dramatic monologues that are so much a part of his narrative technique. In iAt End of Day/i, as in all of Higgins's novels, a succession of characters step into the spotlight and proceed to talk, gradually revealing their histories and circumstances, their essential natures, and the shape and direction of their circumscribed lives. pMonologue follows monologue, each one amplifying, illuminating -- sometimes even contradicting -- the ones that have come before. Together, they create a coherent picture of the predatory universe that most of Higgins's characters call home.pThe inhabitants of this universe include FBI agents Jack Farrier and Darren Stoat, the latest inheritors of the McKeach/Cistaro relationship; Jim Dowd and Emmett Naughton, Boston policemen who are ignorant of the relationship and have their own independent agendas to pursue; Todd Naughton, Emmett's son, who is drawn simultaneously to the world of the cop and the world of the criminal; Tim Sexton, a paraplegic Vietnam vet who conceives an astonishing plan for accumulating and distributing prescription medications; and Max Rascob, a former public accountant who is forced -- as a result of a single, irrevocable mistake -- to throw in his lot with Arthur McKeach and Nick Cistaro. These and other equally vital characters -- all of them bound together by blood, circumstances, or a sense of common cause -- light up the novel, and are as effortlessly, seamlessly real as an overheard conversation in a corner bar.piAt End of Day/i is George V. Higgins at the top of his form and may be his most successful novel since his 1987 masterpiece, iOutlaws/i. No one understood the world of modern urban hoodlums better than Higgins. No one reproduced the scatological rhythms of their everyday speech with the same reportorial accuracy. George V. Higgins died much too soon, and he will be greatly missed. Fortunately for all of us, he left behind a varied, voluminous body of work that includes two dozen novels, a collection of short stories, and several volumes of cogent nonfiction. These 30 books, though not all uniformly excellent, constitute a large and singular accomplishment. The best of them -- such as iOutlaws/i, iThe Friends of Eddie Coyle/i, iCogan's Trade/i, iThe Digger's Game/i, and, of course, his swan song, iAt End of Day/i -- will be read, admired, and remembered for a very long time to come.P#151;Bill Sheehan

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

    Michener guides us through Alaska’s fierce terrain and history, from the long-forgotten past to the bustling present. As his characters struggle for survival, Michener weaves together the exciting high points of Alaska’s story: its brutal origins; the American acquisition; the gold rush; the tremendous growth and exploitation of the salmon industry; the arduous construction of the Alcan Highway, undertaken to defend the territory during World War II. A spellbinding portrait of a human community fighting to establish its place in the world, Alaska traces a bold and majestic saga of the enduring spirit of a land and its people.  Praise for Alaska   “Few will escape the allure of the land and people [Michener] describes. . . . Alaska takes the reader on a journey through one of the bleakest, richest, most foreboding, and highly inviting territories in our Republic, if not the world. . . . The characters that Michener creates are bigger than life.”—Los Angeles Times Book Review   “Always the master of exhaustive historical research, Michener tracks the settling of Alaska [in] vividly detailed scenes and well-developed characters.”—Boston Herald   “Michener is still, sentence for sentence, writing’s fastest attention grabber.”—The New York Times

    When a former client bequeaths Drayco a rundown Opera House in a Virginia seaside town, he figures he'll arrange for a quick sale of the place while nursing his battered soul in a peaceful setting near the shore. What he doesn't count on is finding a dead body on the Opera House stage with a mysterious "G" carved into the man's chest. With hopes for a quick sale dashed and himself a suspect in the murder, Drayco digs into very old and very dangerous secrets to solve the crime and clear his name. Along the way, Drayco must dodge a wary sheriff, hostility over coastal development, and the seductive wife of a town councilman - before the tensions explode into more violence and he becomes the next victim. Want to read a Scott Drayco novella for FREE? Sign up for BV’s Mysteries in Crimetime newsletter at bvlawson.com and receive a FREE copy of "The Maltese Moon Rock"! Scott Drayco Thrillers in order: PLAYED TO DEATH (A Shamus Award Finalist and Best Mystery, Next Generation Book Awards) REQUIEM FOR INNOCENCE DIES IRAE ELEGY IN SCARLET

    Now, a few years out of prison and living on the streets of Boston, Jack is perfectly content to keep a low profile and avoid his turbulent past.Being a faceless “nobody” suits Jack just fine.It’s working out until the only person he considers a friend turns on him, possessed by something far worse than the demon holding the contract to Jack's soul. Now, he's been recruited (some might say blackmailed) by an ancient order with roots in the Inquisition to hunt down whatever malevolent force is responsible for turning Boston's homeless into ravenous killers. At the same time, someone from his past with a massive vendetta and nothing in the way of conscience, is looking for Jack, hoping to issue a little payback of his own.Paired with a centuries old witch and the only person to survive the rampage thus far, Jack is in a race to track down whatever’s responsible for killing his people, all while staying one step ahead of the skeletons in his closet.

    They were old friends. He knew only one way to deal with pain. Hunt it down and kill it." Police Officer Jack Stratton is hiding. Hiding from the world. From pain. From the memories of losing his best friend, Chandler, in Iraq. Suffering from PTSD and isolated from those he cares about, the last thing Jack expects to hear is his foster sister Michelle, Chandler’s sister, is gone. The words cut straight to his core. Although the police think she just took off, he knows Michelle would never leave those she loved behind–like he did. Now he must take action, find Michelle, and bring her home or die trying. The first novel in the Jack Stratton Collection introduces us to handsome rogue, Jack Stratton. A debt of honor to his dead foster brother drives Jack into a world of deception and lies. As Jack’s walls begin to crumble, he must navigate the quirky characters that seep into the mystery of his foster sister’s disappearance. And in the sleepy community of Darrington, like so many places in this world, nothing is as it appears. The hidden mysteries that often go unnoticed begin to emerge as Jack and his new unpredictable sidekick begin to turn over the rocks. Following a trail that has grown cold, Jack must tread carefully to protect his job, his family, and his life. This stand-alone novel features rogue hero Jack Stratton. Look for other books in the Jack Stratton Collection including Jack Knifed, Jacks are Wild, and now Jack and the Giant Killer. They can be read in any order, however, they are best experienced in sequence.

    And they're hungry. Standing in their way are the men and women of the new Templar Order, sworn to protect the unwary from supernatural threats and enemies. Men like Cade Williams, leader of the Templar Echo Team, who's been kicking monster ass ever since a fallen angel savagely attacked and murdered his wife, leaving him for dead. Targeting Cade's family was the Adversary's first mistake. Leaving Cade alive was its second. The Heretic is the first book in the Templar Chronicles, an internationally bestselling series that's perfect for fans of Jim Butcher, Ilona Andrews, and Patricia Briggs. Buy The Heretic and join the war against the supernatural today!

    His favorite hostess and love interest, Connie, was murdered in the parking lot behind the club. And Zeb, the dubious plastic surgeon who implanted McEvoy's hair plugs, has disappeared. In no time at all McEvoy's got half the New Jersey mob, dirty cops and his man-crazy upstairs neighbor after him. Bullets are flying, everyone's on the take, and McEvoy still doesn't have a clue about what's happening.

    and there's nothing wrong with Joe Ledger's skills. And that's both a good, and a bad thing. It's good because he's a Baltimore detective that has just been secretly recruited by the government to lead a new taskforce created to deal with the problems that Homeland Security can't handle. This rapid response group is called the Department of Military Sciences or the DMS for short. It's bad because his first mission is to help stop a group of terrorists from releasing a dreadful bio-weapon that can turn ordinary people into zombies. The fate of the world hangs in the balance...

    Their existence is as essential as it is illegal. Commissioned at the highest level of the U.S. government. Protected from the prying eyes of Congress and the media. Built around the top operators from across the clandestine, intelligence, and special forces landscape. Designed to operate outside the bounds of U.S. law. Trained to exist on the ragged edge of human capability.Pike Logan was the most successful operator on the Taskforce, his instincts and talents unrivaled-until personal tragedy permanently altered his outlook on the world. Pike knows what the rest of the country might not want to admit: The real threat isn't from any nation, any government, any terrorist group. The real threat is one or two men, controlled by ideology, operating independently, in possession of a powerful weapon. Buried in a stack of intercepted chatter is evidence of two such men. The transcripts are scheduled for analysis in three months. The attack is mere days away. It is their bad luck that they're about to cross paths with Pike Logan. And Pike Logan has nothing left to lose.

    What she finds is Urchin, the ragged and cocky crown prince of London’s mystical underworld. Urchin opens Beth’s eyes to the city she’s never truly seen-where vast spiders crawl telephone wires seeking voices to steal, railwraiths escape their tethers, and statues conceal an ancient priesthood robed in bronze.But it all teeters on the brink of destruction. Amid rumors that Urchin’s goddess mother will soon return from her 15-year exile, Reach, a malign god of urban decay, wants the young prince dead. Helping Urchin raise an alleyway army to reclaim his skyscraper throne, Beth soon forgets her old life. But when her best friend is captured, Beth must choose between this wondrous existence and the life she left behind.