They are as insistent as they are circumspect, drawing close to the reader’s ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity – ‘There was pain,’ the speaker allows, ‘but it was not new pain.’ Frears’s work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air – ‘Stormy, sticky with flies’ – and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a ‘glorious full-bodied’ debut collection with the draw of an adamant tide. ‘Uncompromising, intelligent, surprising, accessible and sharp … These lyric poems have a clarity and straightforwardness that only a special kind of attention, and a certain kind of fearlessness can achieve.’ – Mark Waldron

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    Gillian is a loner, an eccentric poet in her thirties, who has a difficult relationship with her very different mother: a well-known and expert gardener. Into their strange and secluded world, described with beautifully observed detail, come strangers from London to disrupt life as Gillian knows it. But with the joy of the love that she is to discover, will also come the pain and suffering of experience and the stark realities of the adult world.

    Coquetdale, Northumberland. 1725. After the final tragedy of an age-old feud, Sam’s mother disappears. His guilt-ridden search brings unexpected adventure and romance. As a fellow of the secret order of ‘The True’, Sam learns to enhance his affinity with nature, and enigmatic links across time are revealed to him in ancient woodlands. 2000. Isolated hill-farmer, Kate, is cautiously attracted to an intriguing stranger brought to her door by endearing runaway, Joe. The man is certainly odd but not disturbing, unlike her stalker. Further down the dale, Kate’s woodsman cousin, Nick, falls in love with a mysterious young woman who arrives with spring and disappears as summer ends. Middle Wood links these seemingly disparate lives separated by centuries, but is that their only connection? Does the answer lie with The True? "A story is never finished until you can read it in the trees"

    "An oblique conversation with Degas reigns throughout this collection of oddly heartbreaking pieces. Against the backdrop of his paintings and sketches, we find ourselves in an intimate world, coherent but uncanny, where private memory becomes inseparable from the culture we hold in common, and all of it just barely cracked open, riven by interstices through which we glimpse the vivid but unsayable. White has given us a truly exceptional first collection, deeply musical and intricately haunting" Cole Swensen."

    To date, it has been watched over 10 million times. Our Numbered Days is Neil’s debut full-length poetry collection, containing 45 of Neil’s poems including “OCD”, “Joey”, “Future Tense”, “Liminality”, “Moving Day”, and many, many never-before-seen poems.

    The time before sleep acts as an invitation to reflect on the world's quieter movements—from gardens heavy after a first storm to the moon slipping into darkness in an eclipse—as well as on the subtle but relentless passage of time. Insomnia embodies Linda Pastan's graceful and iconic voice, both lucid and haunting.

    The poems negotiate the colossal movement of hearts figuring and being figured by history. This is a voice that knows the intelligence of passion, that moves through and inside the questioning of who we are in the structures of things we give the power to name us until a song sends us out to question the territory. The poet moves with the exactness of math or physics, with the fearful knowledge of careful imbalances that would have us believe in equilibrium, and with the assuredness of art that knows all is change, that the semblance of order is creation, something we are given the gift of imitating in some small way. The poems in this collection summon the largeness, the volume of a voice that disembodies itself in order to search for the love that made it whole.

    All her life she kept herself pure for her faith and her future husband. Although having never had experienced love, and occasionally doubting whether she will, Safia feels herself growing impatient being single. She then sends her family to search for 'the one.' Trusting her family, she decides to say yes to the first person her family finds for her. She believes she will get married and face all her problems with her husband by her side. Is it really as simple as that?Yusuf feels a void in his heart. He tries to deny it, but he knows his mother's not proud of him. He knows she wishes he could be a little more modern like his brother. He wanted his family to find him a wife while he could focus on his deen (faith), but his idea of a wife clashes with his mother's. Seeing that his family were struggling to find him someone he likes, he decides to take matters into his own hands. But is he rushing into decisions without thinking?

    Her poems are already making waves--several from this collection have received award attention, including: "The Fiddlehead"'s 23rd annual Ralph Gustafson Poetry Prize, "The Malahat Review"'s 2012 Far Horizon's Award for Poetry and an Editor's Choice Award in "ARC Poetry Magazine'"s 2012 Poem of the Year Contest. They have also been shortlisted for "The New Quarterly"'s 2013 Occasional Verse Contest, longlisted for CBC's 2013 Canada Writes Poetry Contest and have appeared in literary publications across North America.The poems in "For Your Safety Please Hold On" move in thematic focus from family, to girlhood, to adulthood, each permeated by Czaga's lively voice and quick-witted, playful language. They test the line between honest humour and bitter reality in a sophisticated, incisive manner that tugs at the gut and feels true.The linguistic hopscotch of Czaga's poems about girlhood is often beautifully juxtaposed with feelings of menace or a first taste of smothering expectations--"She sits. She sips her bright pink fingers. / She slips into smart short haircuts, yes, / she does so, and does herself up just so." While her pin prick meditations on contemporary adulthood suggest a yearning for personal meaning and purpose on a larger scale--"I still wander, sometimes, / my coat closing the world out of my body, with pockets / full of garbage, with my slender steady want. I still / make the bed and at bedtime unmake it."The irrepressible energy of the poems in "For Your Safety Please Hold On," paired with their complex balancing act between light and dark, humour and melancholy, innocence and danger, make this collection an extraordinary first offering.

    By the end of the night, the parish priest, Father Leo Galvin, is dead.The lives of four teenagers - Tom, Conor, Tess and Nina - who had been drinking beer and smoking in a shed at the back of the house, will never be the same. But one of them carries a secret from that night that he has never shared. The friends go on to lead very different, separate lives - some quiet, others in the media spotlight - but the four remain connected by what happened during the time of the big snow.As the thirty-fifth anniversary of Father Galvin's murder approaches, Conor, now a senior police officer, becomes obsessed with the crime his father failed to solve. He believes that Tom can help identify Father Galvin's killer. But does Tom wish to break his silence? His dilemma draws the four friends back together, forcing them to question their lives and to confront their differences. But only Tom can decide whether Kilmitten's secret will finally be revealed.

    Bluebirds, a novel based on true stories, climaxes in 1940, the world's most dangerous year. A meticulously researched Battle of Britain novel based on the true stories of an East Anglian war hero and the first American volunteer to fire guns against the Nazis, a man who became his friend and brother-in-arms. The Battle of Britain defined the future for Britain, Europe and America. Bluebirds tells the story of four ordinary young men who are thrown together as Hitler plunges the European continent into its darkest hours. Andrew Francis and Gerry Donaldson were born on different sides of the Atlantic just before The Great War. Together with the mildly psychotic Bryan Hale, they fly Spitfires through the summer of 1940. Invasion is imminent and England faces almost certain defeat after Hitler’s unstoppable armies slice through France to the Channel coast. Fighter Command risks total destruction as they rise to meet the Fuhrer’s Luftwaffe hordes in what would become The Battle of Britain. Flying with The Few - Review in FlyPast Magazine October 2017 The first part of a proposed trilogy, Bluebirds stands alone as a gripping fictionalised account of The Battle of Britain, documenting how the lives of its four central characters become intertwined. This has clearly been a labour of love for author Melvyn Fickling, who writes with great clarity about the fast-moving events of that pivotal summer, and who imbues his descriptions of flight with boundless enthusiasm. Structured in time-linear format, Melvyn adheres closely to history, creating an increasingly tense atmosphere that becomes all too tragic when the cost of war is realised. The story follows the path of four pilots, starting with the formative years of three of them, and working its way forward, documenting the fears of war in Europe, and how the threat influences the decisions of all. Andrew Francis joins the pre-war RAF - idealistic and well-mannered, he is somewhat shocked at the fiery antics of fellow pilot Bryan Hale, with whom he nevertheless becomes friends. When war erupts, they are joined at Kenley by American pilot Gerry Donaldson, a volunteer facing pressure from British authorities to document his experiences - a propaganda bid to involve the US more closely in the conflict. Eventually Vincent Drew comes under their wing. Troubled by years of childhood abuse and hiding a serious health condition, with Vincent comes tragedy. In an excellent narrative, the author captures the mood of the times - the fear of invasion, the differing attitudes to the enemy, and the carry-on-regardless spirit that kept Britain in the war. FlyPast Magazine - At the heart of aviation heritage.

    The topics may vary widely, from love to mental illness to the most recent "Florida Man" headline, but it's all in the same handwriting. Welcome to The Immortal Soul Salvage Yard.

    . . it is possible that he will attain the sort of proverbial status Larkin now occupies.' Sean O'Brien, The Deregulated Muse

    Rogue’s An Open Suitcase & New Blue Tears is a romantic prequel to her bestselling debut, La Douleur Exquise.Follow the rise before the fall, as Rogue writes 50 letters in the form of poems to a love doomed to fail.