It begins as the day-today record of the life of a typical eleven-year-old girl, preoccupied by piano lessons and birthday parties. But as war engulfs Sarajevo, Zlata Filipovic becomes a witness to food shortages, the deaths of friends, and learns to wait out bombardments in a neighbor’s cellar. Yet throughout she remains courageous and observant. The result is a book that has the power to move and instruct readers a world away.

    He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius

    G. Jung undertook the telling of his life story. At regular intervals he had conversations with his colleague and friend Aniela Jaffé, and collaborated with her in the preparation of the text based on these talks. On occasion, he was moved to write entire chapters of the book in his own hand, and he continued to work on the final stages of the manuscript until shortly before his death on June 6, 1961.

    An article in the daily paper would suddenly be illuminated by a passage in the novel; a long reflection would be prompted by a single word. He decided to keep a record of these moments, rereading a book each month, and forming "A Reading Diary": a volume of notes, reflections, impressions of travel, of friends, of events public and private, all elicited by his reading. From "Don Quixote" (August) to "The Island of Dr. Moreau" (February) to "Kim" (April), Manguel leads us on an enthralling adventure in literature and life, and demonstrates how, for the passionate reader, one is utterly inextricable from the other.

    It includes a brief introduction describing the evolution of Mark Twain’s ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2—a controversial but characteristically humorous attack on Christian doctrine.The year 2010 marked the 100th anniversary of Mark Twain’s death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain’s works, UC Press published Autobiography of Mark Twain, Volume 1, the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life’s work of America’s favorite author.Read an excerpt here: Autobiography of Mark Twain, Volume 1:The Complete and Authoritative Edition by Mark Twain by University of California Press

    From his marriage to Ali McGraw, his cocaine bust, the accusations of murder, the friendships with the likes of Jack Nicholson and Dustin Hoffman, to his legendary court case and bust up with Francis Ford Coppola, this is the tell-all autobiography from Robert Evans, the legendary Hollywood producer (The Godfather, Rosemary's Baby and Chinatown) who's lived the Hollywood dream.

    Brought together in one volume and edited by historian Douglas Brinkley, "The Reagan Diaries" provides a striking insight into one of this nation's most important presidencies and sheds new light on the character of a true American leader.

    After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself.

    From the Spanish Civil War in 1937 through the wars in Central America in the mid-eighties, her candid reports reflected her feelings for people no matter what their political ideologies, and the openness and vulnerability of her conscience. I wrote very fast, as I had to, she says, afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place. Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. Collected here together for the first time, The Face of War is what The New York Times called a brilliant anti-war book.

    Gaskell was a friend of Bronte's and, having been invited to write the official life, determined to both tell the truth and honor her friend. This edition collates all three previous editions, as well as the manuscript, offering fuller information about the process of writing and a more detailed explanation of the text than any previous edition.

    Patricia Hampl visits the homes of historic exemplars of ease who made repose a goal, even an art form. She begins with two celebrated eighteenth-century Irish ladies who ran off to live a life of "retirement" in rural Wales. Her search then leads to Moravia to consider the monk-geneticist, Gregor Mendel, and finally to Bordeaux for Michel Montaigne—the hero of this book—who retreated from court life to sit in his chateau tower and write about whatever passed through his mind, thus inventing the personal essay.Hampl's own life winds through these pilgrimages, from childhood days lazing under a neighbor's beechnut tree, to a fascination with monastic life, and then to love—and the loss of that love which forms this book's silver thread of inquiry. Finally, a remembered journey down the Mississippi near home in an old cabin cruiser with her husband turns out, after all her international quests, to be the great adventure of her life.The real job of being human, Hampl finds, is getting lost in thought, something only leisure can provide. The Art of the Wasted Day is a compelling celebration of the purpose and appeal of letting go.

    His insider observations are set down with passion, with outrage, and almost unbearable sadness.

    While regaling his readers with an incredible opus of almost five hundred entertaining and illuminating science fiction and nonfiction books, he also found time to write a three-volume autobiography. Now these volumes have been condensed into one by Asimov's wife, Janet, who also shares excerpts from letters he wrote to her. Together these writings provide an intimate portrait of a creative genius whose love of learning and playing with ideas is evident on every page. Reading this autobiography is like sitting down with Isaac Asimov and experiencing his witty, engaging, and brilliant personality firsthand. We are treated to many marvelous stories about his upbringing in Depression-era Brooklyn, his early fascination with the new science fiction pulp magazines, the thrill of his first published story, the creation of his well-known story "Nightfall," the genesis of the Foundation series, and the evolution of his creative life as a writer. He also reveals his inner thoughts about and experiences with various luminaries in science and science fiction. Above all, Asimov's autobiography conveys unbounded enthusiasm for his craft, the infectious joy of learning and creating, complete intellectual honesty, his strong humanist convictions, and his infinite fund of good humor and optimism even at the end of his life - all told in the lively clear writing style that was his trademark. Although Janet Jeppson Asimov concludes this work with a shocking revelation about her husband's death, the volume is clearly intended as a celebration - as the title suggests - of a wonderful, creative life. As a poignant coda to this work, Janet has appended one short story that was Isaac's favorite, and his 400th essay on this thoughts about science.

    Most of the time he was just violent but then he started making her do things to him she knew were wrong. Soon he was visiting her at night. Lisa begged her mother for help but she just shrugged, telling Lisa he would have his way. It was the greatest betrayal of all.At first Lisa's step-father would just make her stroke and massage his feet, hitting her if she stopped, but he soon wanted more. Much more. By the time she was 12 he was regularly abusing her. One day, when Lisa turned 16, she came home to discover that her mother had swapped bedrooms with her. 'You're my girlfriend now', her step-father told her. Lisa turned to her mother for help, but was met with a shrug. She wouldn't hear a word against her husband. 'Don't blame me,' she said. Her step-father's abuse was horrific but what completely tore her apart was knowing her mother knew and encouraged it.Trapped and increasingly desperate, Lisa tried to find a way out. But her isolation was complete. A few months later her mother told her she'd arranged for Lisa and her step-father to move into a flat together down the road. It was too much for Lisa to bear. 'Please don't make me, please,' she sobbed. But her mother just ignored her. Lisa was marched around to the flat with her possessions and her nightmare was complete.Alone with her step-father, Lisa's life became even more unbearable. Then one day, finally, she got the chance she'd been looking for to escape. Lisa bravely struck out on her own, petrified her mother would find her and hand her back into the waiting arms of her step-father. But Lisa's mother had no idea how determined she was to break away…

    Though she kept her private life a mystery, for some years Agatha had secretly written her autobiography, and when it was published after her death, millions of her fans agreed - this was her best story!From early childhood at the end of the 19th century, through two marriages and two World Wars, and her experiences both as a writer and on archaeological expeditions with her second husband, Max Mallowan, this book reveals the true genius of her legendary success with real passion and openness.