Focusing on the youth-driven phenomenon of otaku (roughly translated as “geek culture” or “pop cult fanaticism”), Takashi Murakami and a notable group of contributors explore the complex historical influences that shape Japanese contemporary art and its distinct graphic languages. The book’s title, Little Boy, is a reference to the atomic bomb dropped on Hiroshima in 1945, thus clearly locating the birth of these new cultural forms in the trauma and generational aftershock of the atomic bomb.This generously illustrated book showcases the work of key otaku artists and designers, many of whom are cult celebrities in Japan, and discusses their feature film and video animations, video games and internet sites, music, toys, fashion, and more. In the process, the following questions are posed: What is otaku, and what does it tell us about contemporary social, economic, and cultural life in Japan and throughout the world? How is it related to the pervasive and curious fixation on “cuteness” evident in Japanese popular culture? What impact did the atomic devastation of World War II have on the development of Japanese art and culture?This brilliantly designed, bilingual (English and Japanese) publication examines these themes to explore how contemporary Japanese art has become inseparable from the subcultural realms of manga and animé (Japanese animation)—a world where meticulous technique, apocalyptic imagery, and high and low cultures meet.Little Boy concludes Murakami’s “Superflat” trilogy, a project conceived in 2000 to introduce a new wave of Japanese artists and to place their work in the historical context of traditional styles and concepts.

    1) He is a raging asshole. 2) He is gorgeous and completely out of my league. And 3) I’ve never slept with anyone before – my first time should def not be with a heartless, arrogant billionaire. It was just a stupid text, a little harmless venting to her best friend about her boss, billionaire bastard Thorn Drexler. But as soon as Mila Hill hit send, she knew she’d made a horrible mistake. Because the text ended up right on Thorn Drexler’s phone. There was only one thing left to do. Plead. Pray. Apologize to Thorn and beg him not to fire her. And finally, the gorgeous bastard agreed. Under one condition. Become his overnight assistant, available to him twenty-four seven for whatever he desired or needed. Before long Thorn’s calling Mila into his office in the middle of the night, stroking her, touching her, teasing her and making her scream. And Mila’s about to find out the hard way that when you mess with the devil, you always get burned….

    “Tell him all weren’t lost in the Cardamom Mountains,” he says and is suddenly gone, swept up in a swirling eddy of rain and leaves. The message is intended for both Sheriff John Ryan and Father Santos. It prompts the two, along with Mia and Murphy, to return to the place they first met, Cambodia.Meanwhile, the Big Bear Lake Cemetery is vandalized, and bodies are found to be missing from the Weller mausoleum. To make matters worse, the deputy in charge of the investigation quickly becomes missing too. Acting-Sheriff Tom Braverman deputizes Ted, Cid and Ed to find his deputy. What dangerous game are these spirits playing with both the living and the dead?Mia has avoided the corrupted ground of the Big Bear Lake Cemetery all her life since she was found screaming at the crossroads of the graveyard when she was a young child. She tries to stay out of this investigation, but there is another restless spirit there who will only deal with her. This brings her back to the graveyard to face her greatest fear, in a fight that she may not win. Will her nemesis claim her, or will Mia survive another encounter with the Countess?Come and join Mia, Murphy, PEEPs, and friends as they navigate through the supernatural and the paranormal worlds to discover what “The Long Game” has been all along. Who are the players, and who are the pieces? And who will survive the game?“The Long Game” is the 19th novel of the “Haunted Series.”

    The kind of place where women fall to their knees, call men sir, and get lashed with a belt. Gage Stratford. Dark, damaged, cold-blooded and gorgeous, with secrets so deep you could drown. He touched me that night, made me feel things that excited and terrified me in equal measure. When I turned up at my internship the next day, I was shocked to find he was my new boss. My billionaire boss was the one who had made me feel like I couldn’t help but fall to my knees and do whatever he commanded. He says he can’t stay away from me. That he needs to make me his submissive, to take me over his desk, to punish me and make me his. But our horrific pasts have made us who we are, and to get close to him means to crack each other open and expose the very things we’ve worked so hard to bury. And when our secrets come out, not only our love but also our lives will be on the line -- leaving us bound together forever, or destroyed and shattered beyond repair. Being together isn’t an option. But staying apart is impossible….

    54 pages of summaries and analysis on A Personal Matter by Kenzaburo Oe.This study guide includes the following sections: Plot Summary, Chapter Summaries & Analysis, Characters, Objects/Places, Themes, Style, Quotes, and Topics for Discussion.

     “Please, Ajax. Make me yours.” When billionaire real estate mogul Ajax Remington buys the building where I live, I think nothing of it. Until he decides to try and destroy my life. And all because I won’t sell him my tiny little apartment that my father passed on to me when he died. Apparently, the billionaire mogul finally wants something he can’t have…. Ajax Remington thinks he’s so above it all, that he can do whatever he wants just because he has money and insanely good looks. Sure, he can get any woman he wants, and he can get any building he wants, but he can’t get this apartment. But then he decides he doesn’t just want to own the place I live, he wants to own everything. Me included. And he will put his hands anywhere he wants. His lips anywhere and everywhere imaginable on my body. Touching me in places and ways I never thought possible, making me feel emotions I never wanted to feel… The worst part of all? I love every minute of it. I am in so much trouble…

    The Samurai spirit, Bushido, is an integral component of Japanese tattooing that is traced through the imagery and interpersonal dynamics of this veiled subculture. The eloquent text is based largely on Takahiro Kitamura's experiences as client and student of the famed Japanese tattoo master, Horiyoshi III. Over 200 beautiful photos by Jai Tanju capture the breathtaking tattoo artistry of Horiyoshi III. Five original, unpublished prints by Horiyoshi III, like those in his acclaimed book, 100 Demons of Horiyoshi III, are included here. Bushido: Legacies of the Japanese Tattoo is certain to fascinate everyone with an interest in tattoo culture.

    drawings and photographs by nara.

    The planet is on the brink of destruction and Haru must finally face the evil Lucia once and for all.   Haru’s only hope is to enter Endless and fight Lucia on his own turf, but even Haru can’t destroy Endless on his own.  Only Elie’s Etherion is powerful enough to stop Endless and save the planet.  Haru is perfectly willing to sacrifice his own life in order to conquer the forces of evil, but Elie refuses to unleash Etherion until Haru is out of harm’s way.  The future of all humanity hangs in the balance and time is running out.  Will Elie launch Etherion in time to save the human race?  Find out in the final volume of Rave Master!

    While struggling to get his feet planted deep in the dope game, he becomes attached to the little boy. Being affiliated with other hustlers and robbers eventually jeopardizes his life as well as the child's. When enough guns go off and enough bodies get laid to rest, Manus better have enough money to buy his son from the woman who threatens to separate them forever.

    Falling in love with Boss, though, is the easy part; staying in love will prove to be a much harder task. When Meesha discovers that her heart's desire is not only a well-connected gangster, but is also next in line to head the mob that controls the entire city of St. Louis, she must make the most difficult decision of her entire young life. When she decides to stand by her man, it becomes painfully clear that, even though she's the only woman in his heart, she's not the only woman in his bed...Malcolm "Boss" Clark knows better than to fall for a girl almost ten years younger than him. He's a man, and Meesha is just a girl, but there's something about her that won't let Boss walk away. Their relationship moves fast and burns hot, much like the city they call home. In the blink of an eye, they find themselves dangerously in love with two small daughters and their first son on the way. The love soon turns to hate, though, when Meesha's doctor breaks the news to her that she's HIV-positive. Certain that Boss contracted the virus from one of his numerous affairs, an emotionally distraught Meesha locks herself in a bathroom with her husband, then proceeds to point his own gun in his face and demand answers - but will the truth set her free, or just keep her bound...?

    Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.

    She meets Robert – exuberant, generous, apparently care-free – and they fall in love with breath-taking speed.Slack-tide tracks the ebbs and flows of the affair: passionate, coercive, intensely sexual. When you’ve known lasting love and lost it, what price will you pay to find it again?

    I believe this is a function of the vector that the documentary photographer must have, to show one person's existence to another."—Sebastião SalgadoIllustrated with a compelling image from each photographer, Witness in Our Time traces the recent history of social documentary photography in the words of twenty-two of the genre's best photographers, editors, and curators, showing that the profession remains vital, innovative, and committed to social change. Featuring interviews with Hansel Mieth, Walter Rosenblum, Michelle Vignes, Wayne Miller, Peter Magubane, Matt Herron, Jill Freedman, Mary Ellen Mark, Earl Dotter, Eugene Richards, Susan Meiselas, Sebastião Salgado, Graciela Iturbide, Antonin Kratochvil, Donna Ferrato, Joseph Rodriguez, Dayanita Singh, Fazal Sheikh, Gifford Hampshire, Peter Howe, Colin Jacobson, and Ann Wilkes Tucker.Introduction: Seeing and believing / Kerry Tremain --Hansel Mieth: the depression and the early days of Life --Walter Rosenblum: Lewis Hine, Paul Strand, and the Photo League --Michelle Vignes: Magnum Photo Agency : the early years --Wayne Miller: World War II and the family of man --Peter Magubane: a black photographer in Apartheid South Africa --Matt Herron: the Civil Rights movement and the Southern documentary project --Jill Freedman: Resurrection City --Mary Ellen Mark: streetwise photographer --Earl Dotter: the United Mine Workers --Eugene Richards: Americans we --Susan Meiselas: Central America and human rights --Sebastião Salgado: workers --Graciela Iturbide: the indigenous of Mexico --Antonin Kratochvil: the fall of the Iron Curtain --Donna Ferrato: living with the enemy : domestic violence --Joseph Rodriguez: in the barrio --Dayanita Singh: a truer India --Fazal Sheikh: portrait of a refugee --Gifford Hampshire: the Environmental Protection Agency's Project DOCUMERICA --Peter Howe: Life magazine and Outtakes --Colin Jacobson: Independent magazine and Reportage --Anne Wilkes Tucker: the museum context --Fred Ritchin: the fish are last to know about the water: the emerging digital revolution --Rondal Partridge: Dorothea Lange in the field --Don McCullin: Vietnam : the Battle of Hue, 1968 --Bill Owens: Suburbia and a passion for seeing his world --Larry Fink: Social graces --David Goldblatt: once an enemy : Apartheid and the New South Africa --Maya Goded: Tierra Negra --Afterword: Witness in our time / Ken Light

    Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector's items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle's work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern. LaChapelle's images ? of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize ? call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times. Sumptuously packaged in the trilogy's boxed hardcover format, LaChapelle Heaven to Hell is a must-have for anyone interested in contemporary photography. It is also keenly priced, especially for those who have coveted TASCHEN's limited edition, LaChapelle, Artists & Prostitutes. The artist: Not yet out of high school, DavidLaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. His photography has been showcased in numerous galleries and museums, including Tony Shafrazi Gallery and Deitch Projects in New York, the Fahey-Klein Gallery in California, Camerawork in Germany, Sozzani and Palazzo delle Esposizioni in Italy. His unfettered images of celebrity and contemporary pop culture have appeared on and between the covers of magazines such as Italian Vogue, French Vogue, Vanity Fair, Rolling Stoneand i-D. LaChapelle has also directed music videos for artists such as Moby, Jennifer Lopez, Britney Spears, Christina Aguilera, and The Vines. His burgeoning interest in film saw him make the short documentary Krumped, an award-winner at Sundance from which he developed RIZE, the feature film released worldwide in 2005 to huge critical acclaim. American Photo recently ranked him as one of the top ten ?Most Important People in Photography.?