Based on the wildly popular eponymous Tumblr, Deep Dark Fears explores our odd, creepy, and hilariously singular fears. Animator, illustrator, and cartoonist Fran Krause brings these fears to life in vividly illustrated comics based on real fears submitted by readers (plus a few of his own). These "deep dark fears" run the gamut from unlikely but plausible to completely ridiculous, highlighting both our deeply human similarities and our peculiar uniquenesses.

    This graphic novel collects the hit ongoing weekly comic series from VICE.com along with all new exclusive and unreleased material and sketchbook pages. This contemporary series is cute, fierce, funny and adventurous!

    Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre.  With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as “Rumors I’ve Heard About Anna Wintour,” and “The Secret Lives of Chefs,”  Hanawalt’s comedy shines, making the quotidian silly and surreal, flatulent and facetious.

    Noted as a "book-lover's cartoonist," Gauld's weekly strips in The Guardian, Britain's most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld's cartoons are timely and droll--his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest.Lauded both for his frequent contributions to New Scientist, The Guardian and The New York Times, and his Eisner-nominated graphic novels, Tom Gauld is one of the most celebrated cartoonists working today. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.

    When six brilliant but troubled new students arrive, they find themselves trapped and desperately seeking answers...and escape from a place where nothing is what it seems to be!

    This beautiful minimalist story, collected here for the first time, is the culmination of ten years and more than six hundred pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent, stranded pilot is of great interest to the birds—some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group. Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.Big Questions has roots in classic fables—the birds and snakes have more to say than their human counterparts, and there are hints of the hero’s journey, but here the easy moral that closes most fables is left open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander where they will.

    An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

    It follows a lonely creature called Rice Boy and an ageless machine-man called The One Electronic as they journey through a strange world to fulfill an ancient prophecy with implications few understand.This book contains the entire comic as originally published online, and extra maps and things in the appendix.

    That’s something of the premise behind The Blot by Tom Neely, one of the most bizarre and original graphic novels I’ve read this year. In a crisp, clean, yet utterly surreal drawing style, Neely depicts the odd adventures of an Average Joe whose face is periodically ravaged by a giant ink blot. The man tries to escape the blot, control the blot, even meets a woman who helps him understand the blot. [...] What starts out as semi-humorous and absurdist gains depth and poignancy -- a luminous quality, a quality of something pulled whole out of the subconscious, permeates the latter portions of The Blot. -Bookslut.com

    Ballard of comics. Like Ballard, Kaczynski s comics riff on dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments.Yet while Kaczynski shares many of Ballard s obsessions, he processes them in unique ways. His visual storytelling adds an architectural dimension that the written word alone lacks.Kaczynski takes abstract ideas capitalism, communism, or utopianism and makes them tangible. He depicts and meditates on the immense political and technological structures and spaces we inhabit that subtly affect and define the limits of who we are and the freedom we as Americans presume to enjoy. Society and the individual, in perpetual tension. Once you've read Kaczynski s comics, it should come as no surprise to learn that he studied architecture before embarking on a career as a cartoonist.Beta Testing includes approximately 10 short stories, most notably The New, a brand new story created expressly for this book. It s Kaczynski s longest story to date. The New is set in an un-named third-world megalopolis. It could be Dhaka, Lagos or Mumbai. The city creaks under the pressure of explosive growth. Whole districts are built in a week. The story follows an internationally renowned starchitect as he struggles to impose his vision on the metropolis. A vision threatened by the massive dispossessed slum-proletariat inhabiting the slums and favelas on the edges of the city. From the fetid ferment of garbage dumps and shanties emerges a new feral architecture.

    By which we mean: orderly, neat, contained and, moreover, beardless.Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable... monster*!Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.(*We mean a gigantic beard, basically.)

    Was it an angelic visitation? A nanotech accident? A porthole opening from another world? Whatever it was, no one's allowed in the Spill Zone these days except government scientists and hazmat teams. But a few intrepid explorers know how to sneak through the patrols and steer clear of the dangers inside the Zone. Addison Merrick is one such explorer, dedicated to finding out what happened that night and to unraveling the events that took her parents and left her little sister mute and disconnected from the world.

    We flashback to a pair of butchers who arrive at work one morning to find not only that there is no meat in their shop but also that they have forgotten completely how to do their job. As customers arrive, they are too fearful for their livelihood to admit their dilemma, leading to increasingly disastrous events. But what has caused their strange amnesia? This often hilarious, enigmatic and uncomfortable book will establish Stechschulte as an exciting new talent."

    Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name.Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at RAW in 1989.Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between the years 500,957,406,073 BC and 2313 AD.The strip remains one of the most influential and widely discussed contributions to the medium, and it has now been developed, expanded and reimagined by the artist into this full-length, full-colour graphic novel - a must for any fan of the genre.

    Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources—his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers—none of which has been available to the book trade.The book is designed as a "flip book" in the tradition of the old Ace paperbacks, with one side featuring comedic work (or as comedic as Hornschemeier's mind allows), and the other decidedly more morose. With almost every page, we see a new style, a new direction; with the resultant effect being that of an anthology by creators of vastly contrasting sensibilities.On the "funny" menu, we are treated to Dr. Rodentia (an unfortunate-looking fellow with only apathy as his weapon), a detailed artist's catalogue exploring such modern masterpieces as "Accidental Late-Night Sex With a Radiator," musings on the cancerous nature of civilization as observed by a deceased cat and a cotton-based airbus, the scatological "Feelings Check," the ever pathetic Vanderbilt Millions and his fantasies of self-worth, and the multi-narrative story that started the Forlorn Funnies comics series: "The Men and Women of the Television."Clearly, there is a fine line in the Hornschemeier lexicon between funny and morose.On our "forlorn" plate we are served the cold examination of the dyslexic narcoleptic and his bungled plans of murder, a sea creature's balancing of morality and sustenance, the Western romance "Wanted," a metal man's self-destructive search for meaning, and the story the alternative website Ain't It Cool News describes as delivering "a complicated mixture of disgust and pity."Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.