He is not sure where he's going or why, but it means that he gets to sit in the front seat of a silver van with his beloved owner, Satoru. Side by side, they cruise around Japan through the changing seasons, visiting Satoru's old friends. He meets Yoshimine, the brusque and unsentimental farmer for whom cats are just ratters; Sugi and Chikako, the warm-hearted couple who run a pet-friendly B&B; and Kosuke, the mournful husband whose cat-loving wife has just left him. There's even a very special dog who forces Nana to reassess his disdain for the canine species. But what is the purpose of this road trip? And why is everyone so interested in Nana? Nana does not know and Satoru won't say. But when Nana finally works it out, his small heart will break...

    One by one, buildings go up in flames. Suspicion spreads among the neighbors as they wonder if one of their own is responsible. But as the heat and panic rise, new life finds a way to emerge. Amid the chaos, only a day before the last house is set afire, the community comes together for the christening of a young boy named Gaute Heivoll. As he grows up, stories about the time of fear and fire become deeply engrained in his young mind until, as an adult, he begins to retell the story. At the novel's apex the lives of Heivoll's friends and neighbors mix with his own life, and the identity of the arsonist and his motivations are slowly revealed. Based on the true account of Norway's most dramatic arson case, Before I Burn is a powerful, gripping breakout novel from an exceptionally talented author.

    An English nurse, Lib Wright, is summoned to a tiny village to observe what some are claiming as a medical anomaly or a miracle - a girl said to have survived without food for months. Tourists have flocked to the cabin of eleven-year-old Anna O'Donnell, and a journalist has come down to cover the sensation. The Wonder is a tale of two strangers who transform each other's lives, a psychological thriller, and a story of love pitted against evil.

    Her life appears to be a seamless tissue of boredom, but Erika, a quiet thirty-eight-year-old, secretly visits Turkish peep shows at night to watch live sex shows and sadomasochistic films. Meanwhile, a handsome, self-absorbed, seventeen-year-old student has become enamored with Erika and sets out to seduce her. She resists him at first, but then the dark passions roiling under the piano teacher's subdued exterior explode in a release of sexual perversity, suppressed violence, and human degradation.Celebrated throughout Europe for the intensity and frankness of her writings and awarded the Heinrich Böll Prize for her outstanding contribution to German letters, Elfriede Jelinek is one of the most original and controversial writers in the world today. The Piano Teacher was made into a film, released in the United States in 2001, was awarded the Grand Jury Prize at Cannes.

    Complicating these feelings of abandonment, as Kirabo comes of age she feels the emergence of a mysterious second self, a headstrong and confusing force inside her at odds with her sweet and obedient nature.Seeking answers, Kirabo begins spending afternoons with Nsuuta, a local witch, trading stories and learning not only about this force inside her, but about the woman who birthed her, who she learns is alive but not ready to meet. Nsuuta also explains that Kirabo has a streak of the “first woman”—an independent, original state that has been all but lost to women.Kirabo’s journey to reconcile her rebellious origins, alongside her desire to reconnect with her mother and to honor her family’s expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Makumbi’s unforgettable novel is a sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.

    A young Iraqi girl and her best friend find themselves living in war-torn Baghdad during the first Gulf War. Populated by a host of colourful characters, we share the two girls' dreams, music, school life and first loves as they grow up in a city torn apart by civil war. And as the bombs fall, the international sanctions bite and friends begin to flee the country, the city services collapse while abandoned dogs roam the streets and fortune-tellers thrive amidst the fear and uncertainty. This poignant debut novel will spirit readers away to a world they know only from the television, revealing just what it is like to grow up in a city that is slowly disappearing in front of your eyes, and showing how in the toughest times, children can build up the greatest resilience.

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed and experienced.

    An outsider in his own country—adrift between two worlds divided by class, race, and culture—he’s always been searching for home. Alongside a flock of other streetwise young men, each looking for direction and each easily susceptible, Tariq finds his cause in the Muslim revival.Idealistic, driven by faith, and empowered with purpose, he’s drawn to radical Islam—his last resort for achieving a sense of belonging, for embracing and being embraced. It’s only when he enlists in the war against Assad that Tariq’s eyes are truly opened. Dispirited with the violence, faced with the consequences of his choices, and increasingly distanced from the brutalities of jihad, Tariq’s spiritual struggle is now his alone. So are the stories he will tell to make sense of his life.In this daring and unprecedented work of literary fiction, Demian Vitanza explores the power of memory, the lure of rebellion, the search for meaning amid chaos—and the toll that such a journey can take before finally finding one’s way home.

    Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her charges—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.

    Or so the doctors say. But Nahid is not the type to trust anyone. She resents the cancer diagnosis she has been given and the doctor who has given it to her. Bubbling inside her is also resentment toward life as it turned out, and the fact that it will go on without her. She feels alone, alone with her illness and alone with her thoughts. She yearns yet fails to connect with her only daughter, Aram. As the rawness of death draws near, Nahid should want to protect Aram from pain. She knows she should. Yet what is a daughter but one born to share in her mother’s pain?At fifty, Nahid is no stranger to death. As a Marxist revolutionary in eighties Iran, she saw loved ones killed in the street and was forced to flee to Sweden. She and her husband abandoned their roots to build a new life in a new country. They told themselves they did it for their newborn daughter, so she could live free. But now as she stands on the precipice facing death, Nahid understands that what you thought you escaped will never let you go. And without roots, can you ever truly be free?

    But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    Sascha was born in Moscow, but now lives in Berlin with her two younger siblings and, until recently, her mother. She is precocious, independent, street-wise, and, since her stepfather murdered her mother several months ago, an orphan. Unlike most of her companions, she doesn’t dream of escaping from the tough housing project where they live. Sascha’s dreams are different: she longs to write a novel about her beautiful but naïve mother and she wants to end the life of Vadim, the man who brutally murdered her. Sascha’s story, as touching as any in recent literature, is that of a young woman consumed by two competing impulses, one celebrative and redemptive, the other murderous. In a voice that is candid and self-confident, at times childlike and at others all too mature, Sascha relates the universal and timeless struggle between those forces that can destroy us, and those that lead us back from sorrow and pain to life itself. Germany’s Freundin Magazine called Broken Glass Park “a gripping portrayal of life on the margins of society.” But Sascha’s story does not remain on the margins; it goes straight to the heart of what it means to be young, alive, and conscious in these first decades of the new century.

    He doesn't quite fit in. Berenice, Aurore, and Leonard are on track to have doctorates by age twenty-four. Jeremie performs with a symphony, and Simone, older than Isidore by eighteen months, expects a great career as a novelist. She's already put Isidore to work on her biography. The only time they leave their rooms is to gather on the old, stained couch and dissect prime-time television dramas in light of Aristotle's Poetics.Isidore has never skipped a grade or written a dissertation, but he notices things the others don't and asks questions they fear to ask. So when tragedy strikes the Mazal family, Isidore is the only one to recognize how everyone is struggling with their grief and perhaps the only one who can help them--if he doesn't run away from home first.Isidore's unstinting empathy, combined with his simmering anger, makes for a complex character study, in which the elegiac and comedic build toward a heartbreaking conclusion. With How to Behave in a Crowd, Camille Bordas immerses readers in the interior life of a boy puzzled by adulthood and beginning to realize that the adults around him are just as lost.