A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    Spending three decades in love with a wonderful but unattainable man is pretty high up on her list of missteps, as is a long line of unsuccessful love affairs accompanied by a seemingly endless supply of delicious cocktails.When the young bride flees—taking with her a family heirloom and leaving behind six hundred bewildered guests—her mother offers Margo fifty grand to retrieve her spoiled brat of a daughter and the invaluable property she stole. So, together with the bride’s jilted and justifiably crabby fiancé, Margo sets out in a borrowed 1955 red MG on a cross-country chase. Along the way, none of what she discovers will be quite what she expected. But it might be exactly what she’s been seeking all along.From acclaimed humor writer Jane Lotter comes this madcap, laugh-out-loud adventure, The Bette Davis Club. Revised edition: This edition of The Bette Davis Club includes editorial revisions.

    When Elly Swift, an agitated passenger beside her on a train, leaves a locket in Anna’s bag before jumping onto the tracks, Anna starts asking awkward questions. But everything points to suicide and the police close the case. Anna, however, believes Elly’s fears for Toby, her young nephew, missing since being snatched from St Stephen’s church six months ago, fail to explain the true reason behind Elly’s distress. Through a series of cryptic clues Elly left behind, Anna starts asking awkward questions, embarking on a dangerous crusade to track down Toby and find Elly’s killer. But nothing is as it seems and Anna opens a can of worms that throws into question the death of her husband, five years earlier - before the threads of the mystery converge in an astonishing conclusion.

    A stressed-out single mom of two and struggling novelist, Finlay’s life is in chaos: The new book she promised her literary agent isn’t written; her ex-husband fired the nanny without telling her; and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet. She soon discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from award-winning Elle Cosimano.

    His friend Maggie sits with him every day; she holds his hand and she listens to the story of his life, to his regrets and to his secrets. And then he tells her about the children he has never met and never will. He talks of them wistfully. His legacy, he calls them. Lydia, Dean and Robyn don't know each other. Yet. And they are all facing difficult changes. Lydia is still wearing the scars from her traumatic childhood and although she is wealthy and successful, her life is lonely and disjointed. Dean is a young man, burdened with unexpected responsibility, whose life is going nowhere. And Robyn wants to be a doctor, just like her father - a man she's never met. But is her whole life built on an illusion? Three people leading three very different lives. All lost. All looking for something. But when they slowly find their way into each other's lives, everything starts to change ...

    A series of terrorist attacks throws the global order into disarray, and the secretary is tasked with assembling a team to unravel the deadly conspiracy, a scheme carefully designed to take advantage of an American government dangerously out of touch and out of power in the places where it counts the most.This high-stakes thriller of international intrigue features behind-the-scenes global drama informed by details only an insider could know.

    Their loot is priceless, impossible to resist.Bruce Cable owns a popular bookstore in the sleepy resort town of Santa Rosa on Camino Island in Florida. He makes his real money, though, as a prominent dealer in rare books. Very few people know that he occasionally dabbles in unsavory ventures.Mercer Mann is a young novelist with a severe case of writer's block who has recently been laid off from her teaching position. She is approached by an elegant, mysterious woman working for an even more mysterious company. A generous monetary offer convinces Mercer to go undercover and infiltrate Cable's circle of literary friends, to get close to the ringleader, to discover his secrets.But soon Mercer learns far too much, and there's trouble in paradise--as only John Grisham can deliver it.

    But is their breeding sufficient to allow them to rise above their changed circumstance or deep down are they really just like everyone else?

    A little distant, perhaps, a little cautious, not at quite at ease with the emotional demands of fatherhood, or manly bonhomie. He does not understand the modern obsession with talking about everything. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life, however, cannot be ignored.At 61, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels and listening to a bit of light jazz. Then his tempestuous daughter, Katie, announces that she is getting re-married, to the deeply inappropriate Ray. Her family is not pleased – as her brother Jamie observes, Ray has “strangler’s hands.” Katie can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband’s ex-colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart – and come together – as a family is the true subject of Haddon’s disturbing yet amusing portrait of a dignified man trying to go insane politely.A SPOT OF BOTHER is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME. Here the madness – literally – of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.

    Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them. When it comes to revenge, even good people might be capable of terrible deeds. How far might any one of them go to find peace? How long can secrets smolder before they explode into flame?Look what you started.

    Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.

    London, England: Slough House is where the washed-up MI5 spies go to while away what's left of their failed careers. The "slow horses," as they’re called, have all disgraced themselves in some way to get relegated here. Maybe they messed up an op badly and can't be trusted anymore. Maybe they got in the way of an ambitious colleague and had the rug yanked out from under them. Maybe they just got too dependent on the bottle—not unusual in this line of work. One thing they all have in common, though, is they all want to be back in the action. And most of them would do anything to get there─even if it means having to collaborate with one another.River Cartwright, one such “slow horse,” is bitter about his failure and about his tedious assignment transcribing cell phone conversations. When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, River sees an opportunity to redeem himself. But is the victim who he first appears to be? And what’s the kidnappers’ connection with a disgraced journalist? As the clock ticks on the execution, River finds that everyone has his own agenda.

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.