Collected in this volume—which no comics fan should be without—are all of Moore's Superman and Batman stories, including Action Comics #583, Batman Annual #11, Batman The Killing Joke, DC Comics Presents #85, Detective Comics #549-550, Green Lantern #188, The Omega Men #26-27, Secret Origins #10, Superman #423, Tales of the Green Lantern Corps Annual #2 & 3, Supermaqn Annual #11 and Vigilante #17-18.

    - A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks.Cartoonist Paul Karasik (co-adapter of Paul Auster's City of Glass, and co-author of The Ride Together: A Memoir of Autism in the Family) has spent years tracking down these obscure and hard to find stories buried in the back of long-forgotten comic book titles. Karasik has also uncovered a dark secret: why Hanks disappeared from the comics scene. This book collects 15 of his best stories in one volume followed by an afterword which solves the mystery of "Whatever Happened to Fletcher Hanks," the mysterious cartoonist who created a hailstorm of tales of brutal retribution...and then mysteriously vanished.2008 Eisner Award WINNER: Best Archival Collection/Project — Comic Books2008 Eisner Award Nominee: Best Short Story, "Whatever Happened to Fletcher Hanks?" by Paul Karasik

    Aaron Aikman, the Spider-Man? Who are the villainous Red Eye and Naahmurah...and can Aaron live through Morlun's arrival? In a universe where the story you know becomes as horrific as possible, a radioactive spider bites a high school nerd who is already something of a monster. Then, what or who is the incredible SP//dr? And finally, the breakout character of Spider-Verse makes her exciting debut - in a world where the radioactive spider bit Gwen Stacy!Collects Edge of Spider-Verse issues 1 to 5.

    Raymond Briggs' now famous bestselling comic cartoon book depicts the effects of a nuclear attack on an elderly couple in his usual humorous yet macabre way.

    Before they can react, the family finds themselves under seige by hordes of wolves with one aim — Death! A race for survival becomes all the more impossible by the arrival of the supernatural... and the dark secrets that lie at the heart of the Benjyon family.

    Eerie magazine, like its killer kin Creepy, features work from many of the masters of comics storytelling. For fans of spectacular spookiness, mind-bending sci-fi, and astonishing artwork, the Eerie Archives library is a must have!

    He had antlers and lived with his father in a little cabin in the woods. Then his father died, and the big man with cold eyes took Gus away. Gus went on many great adventures, found friends, love, happiness, family, and acceptance.Now, years later…it begins again. A young boy with antlers and deer-like feature wakes in a bizarre and completely foreign world where the last humans struggle to survive. They tell the boy he is special, he is chosen, and that he alone can lead them back to a world dominated by the oppressive Hybrids.Sweet Tooth: The Return is no re-hash of the original series, but rather a bold re-imagining of the Sweet Tooth mythology; taking elements of the original series and remixing them into something familiar, but totally new. A divided world. A planet long ago past the point of devastation. And at the center of it all, a child who didn’t ask to be born into any of this, but who has no choice but to try and forge some life for himself. His visions and dreams may not be real at all…they may just be fiction. But they are hope. And sometimes hope is enough.Acclaimed writer/artist Jeff Lemire reunites with colorist José Villarubia to bring you the next chapter in the saga of DC’s acclaimed series Sweet Tooth!

    As with Chris Ware’s selections for his best-selling McSweeney’s anthology, Brunetti’s choices make for a highly personal book (“my criteria were simple: these are comics that I savor and often revisit”) that serves as a broad historical overview of the medium and a round-up of some of today’s best and most interesting North American comic artists. Included here are works from such well-known artists as Robert Crumb, Kim Deitch, Art Spiegelman, Chris Ware, Ben Katchor, Charles Burns, Gary Panter, Seth, Phoebe Gloeckner, Daniel Clowes, Lynda Barry, Joe Sacco, and Jaime and Gilbert Hernandez, as well as many other pioneers whose names may be less familiar.Brunetti offers selections from the works of more than seventy-five avant-garde comic artists.  His selections are arranged by genre and grouped thematically. Luxuriously produced and printed in four-color throughout, the book is a must-have for collectors, aficionados, readers of comics, and those generally interested in cutting-edge art and literature.

    THE TENTH DOCTOR IS BACK, IN AN ALL-NEW ONGOING SERIES! NEW COMPANION! NEW FOES! UNFORGETTABLE NEW HORIZONS! ALLONS-Y!Two strangers: the Doctor, charming, eccentric Time Lord with a past as dark and heavy as a black hole; Gabriella Gonzalez, waitress and wannabe artist with a future dragging her down like lead chains.Hurled together by a wave of psychic horror haunting New York, they embark on an epic new adventure across time and space, brought to life by award-winning writer Nick Abadzis (Laika) and fan-favourite artist Elena Casagrande (Suicide Risk)! Collects Doctor Who: The Tenth Doctor #1-5.

    Created by Tom Scioli, co-creator of the Eisner-nominated series, Godland, and the Xeric-winning UnMortals: The Myth of 8-Opus, American Barbarian follows a red-white-and-blue-haired hero who must defend a post-post-apocalyptic world from the immortal Two-Tank Omen.

    Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951-54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust and affordable volume. EC is the comic book company most fans associate with horror; its complete line has been reprinted numerous times, and deservedly so. But to the average reader there remain unseen quite a batch of genuinely disturbing, compulsive, imaginative, at times even touching, horror stories presented from a variety of visions and perspectives, many of which at their best can stand toe to toe with EC. All of the better horror companies are represented: Ajax-Farrell, Atlas, Avon, Charlton, Comic Media, Fawcett, Fiction House, Gilmor, Harvey, Quality, Standard, St. John, Story, Superior, Trojan, and Youthful. Artist perennials Jack Cole, Steve Ditko, George Evans, Frank Frazetta, Alex Toth, Al Williamson, Basil Wolverton, and Wallace Wood con- tribute both stories and covers, with many of the forty full-sized covers created by specialists Bernard Baily, L.B. Cole, William Eckgren, and Matt Fox. Editors Benson and Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding in the attic a bound volume of the finest non-EC horror covers and stories of the pre-code era.

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    P. Craig Russell (Sandman, Murder Mysteries) adapts Dark Horse publisher Mike Richardson's story about a child who leads friends and family into an abandoned house, and Paul Chadwick and his longtime Concrete editor Randy Stradley team up for a creepy short about a haunted suit. In the strangest entry in the book, Jill Thompson (Scary Godmother) and Evan Dorkin (Hectic Planet) recount the legend of a haunted doghouse.With a Victorian ghost story illustrated by Gary Gianni, and an interview with real-life séance medium L.L. Dreller, plus a new Devil's Footprints story and outstanding contributions from international artists Uli Oesterle (Germany) and Lucas Maragnon (Mexico), this is the ultimate book for horror-comics enthusiasts and fans of fantastic artwork.

    Featuring the work of Gene Luen Yang (Avatar: The Last Airbender--North and South), Faith Erin Hicks (The Nameless City), Carla Speed McNeil (Finder), Ron Koertge (Vampire Planet), Dave Scheidt (Dreamworks Trolls, Wrapped Up), Sara Goetter (Dungeon Critters, Boozle), and more, this anthology features stories both hilarious and heartwarming.