Highly recommended."—Library Journal"Intimate and hypnotic."—Ploughshares"Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi"Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review"Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament."They took you in an ambulance even though you were dead,they took youand my sister saidWhy are you saving her if she is dead?     shey shey—Curve of sky a crescent blade.Vultures wheeling     on thermal parapets, shunyata,     void that flays—Yak butter,     barley flour and tea: you watch him     make the paste.Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    and Beatrice, first introduced in The Babies. Unbeknownst to them they have come into being under the laws of Tsim Tsum, a Kabbalistic claim that a being cannot become, or come into existence, unless the creator of that being departs from that being. Along their journey they encounter many beguiling characters including The Healer, The Collector, Walter B.'s Extraordinary Cousin, and the Oldest Animal. These figures bewilder and dislodge what is at the heart of the immigrant experience: survival, testimony, and belonging.

    Whether writing about his responsibility for a brother’s death during a hunting accident, drug addiction, or being jailed during the Civil Rights struggle, lyricism erupts in the midst of desolation and violence. Orr’s spare, succinct poems distill myth from the domestic and display a richness of action and visual detail.This long-awaited collection is soulful work from a remarkable poet, whose poems have been described as "mystical, carnal, reflective, and wry." (San Francisco Review)"Love Poem"A black biplane crashes through the window of the luncheonette. The pilot climbs down, removing his leather hood. He hands me my grandmother’s jade ring. No, it is two robin’s eggs and a telephone number: yours.from "Gathering the Bones Together"A father and his four sons run down a slope toward a deer they just killed. the father and two sons carry rifles. They laugh, jostle, and chatter together. A gun goes off and the youngest brother falls to the ground. A boy with a rifle stands beside him, screaming…"Orr’s is an immaculate style of latent violence and inhibited tenderness, charged with a desperate intensity whose source is often obscure."—The New York Times Book ReviewGregory Orr is the author of seven volumes of poetry and three books of criticism. He is the editor at Virginia Quarterly Review, teaches at the University of Virginia, and lives with his wife and daughters in Charlottesville. In 2002, along with his selected poems The Caged Owl, he will also publish a memoir and a book about poetry writing: Three Strange Angels: Trauma and Transformation in Lyric Poetry.Also Available by Gregory Orr:Orpheus & Eurydice: A Lyric Sequence TP $12.00, 1-55659-151-9 • CUSA

    Diamond is engaged to Gee, the man of her dreams. The only problem is he is in love with another woman. To make matters worse, Diamond has managed to fall in love. Her only problem is winning his heart. How will she do it? Red is starting to see that she jumped head first into this situation and moved way too fast. She insists that she doesn’t have feelings for Yazz and is only concerned with her money, but why does an extended visit from Yazz’s girlfriend, Frizzy, make her so angry? It’s only business, or at least that’s what she tried to tell herself.

    Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance."

    Each chapter in This is Me, Period introduces one of the major pieces of punctuation and all of its idiosyncracies, including:The dashing em dash— So-called "quotation marks"The colon: and on and onThe shouty exclamation!The three dots of . . . (Don't forget the brackets)And even moreAs charming as it is educational, This is Me, Period helps you understand sentence structure in a novel way that keeps you turning the pages for more.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    were written within earshot of David Kirby's Old World masters, Shakespeare and Dante. From the former, Kirby takes the compositional method of organizing not only the whole book but also each separate section as a dream; from the latter, a three-part scheme that gives the book rough symmetry. Long-lined and often laugh-out-loud funny, Kirby's poems are ample steamer trunks into which the poet seems to be able to put just about anything--the heated restlessness of youth, the mixed blessings of self-imposed exile, the settled pleasures of home. As the poet Philip Levine says, "The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror. He has evolved a poetic vision that seems able to include anything, and when he lets it sweep him across the face of Europe and America, the results are astonishing."

    Her prize: A rent-free year in a cottage in the Berkshires, where she could finish a first book. But Taylor—outside the city for the first time in nearly a decade, and trying to conceive her first child—found herself alone. To break up her days, she began to intern on a small farm, planting leeks, turning compost, and weeding kale. In this calendric cycle of 28 poems, Taylor describes the work of this year, considering what attending to vegetables on a small field might achieve now. Against a backdrop of drone strikes, “methamphetamine and global economic crisis,” these poems embark on a rich exploration of season, self, food, and place. Threading through the farm poets—Hesiod, Virgil, and John Clare—Taylor revisits the project of small scale farming at the troubled beginning of the 21st century. In poems full of bounty, loss and the mysteries of the body, Taylor offers a rich, severe, memorable meditation about what it means to try to connect our bodies and our time on earth.

    Only sticking around to please her judgmental mother, Nina finds herself to be a caged bird longing to be released; even if only for one night. Yazir Willis is a hardworking, assiduous, and very ambitious young man, who has worked hard for everything he's obtained; especially his title as the king of Los Angeles, and owner of Blue Dream Rolling Papers. Yazir possesses a trait that many people desire, and that's his unwavering faith in his abilities to get anything and anyone. When Yazir meets Nina, he becomes tireless in his efforts to win the outgoing but confined beauty over. Nina finally allows Yazir, at his request, to take her out just once, in which he promises to leave her be once it's over. However, road flares fly when the two spend that one night together, leaving both parties longing to be with the other. There is only one problem though; Nina's overbearing fiancé, and her censorious mother Samantha. Will Nina go against her mother and infuriate Seth, all for the love of the boastful, rich, and wild, Yazir? Or will she surrender to the criticisms of her mother, and the tight grip of her fiancé? And will Yazir be able to put his lothario lifestyle behind him for Nina? Or will his womanizing cause his pursuit of her to be in vain?

    Can the seed of love grow in the garden of hate?

    Really hurt. What happens when she, a simple human, is mated to Matt Stone, the Gamma of the Blue Moon Pack? Matt knows that she is the missing piece that he has been searching for but He asked first teacher about his life as a wolf, And all that goes into it before she can truly be his. When the shadows come back from her past to haunt her, will they be strong enough to overcome or will the darkness take them both?

    The People Traders follows the young girls abduction and preparation for her new life. However, not all is going well for the trafficker, when a bizarre set of events gives the girl her freedom. Now she's on the run in a hostile country and her new owner wants her back, no matter what the cost! Will she give up, accept her new life or fight for the most converted of all human possessions - her freedom?

    She’s used her notoriety to start charitable works across the globe.Yet her world remains unsettled.Max’s prophesy for the future lays heavily on her mind. She’s kept that message of a violent showdown from her friends and family, wanting them to enjoy the peace they’ve so painfully earned. For Laney though, each moment of joy is accompanied by a ticking clock counting down.And now the ticking has stopped. An old enemy returns and is trying to turn back the clock to a time when the Fallen had their powers. Laney must jump into the fight again. But after so much time, is she still up to the task?