This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    In this biography of 'Sister' Rosetta Tharpe, Gayle Wald explores the nuances, contradictions and musical genius of a woman who defied the stereotypes of her day and laid the groundwork for generations of musicians to come.

    Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually."Black Elk was the only qualified priest of the older Oglala Sioux still living when The Sacred Pipe was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip~, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination.The wakan Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. The Sacred Pipe, published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.

    From the time of the Greeks and the Romans onwards volumes have been written about every people who in their turn have filled the stage of history. The political institutions, the religious beliefs, the social and domestic manners and customs have all been analyzed and catalogued, and countless works in many tongues record for our benefit the march of progress. Further, it must be remembered that of the history of this Fifth Race we possess but a fragment-the record merely of the last family races of the Keltic sub-race, and the first family races of our own Teutonic stock.

    It is powerful, shocking, and primitive, with the kind of appeal primary sources often attain without effort.... it is a strong addition to the literature of women's experience on the frontier." --Lillian Schlissel [asking for approval to use quote]In 1894, eighteen-year-old Rachel Bella Kahn travelled from Russia to the United States for an arranged marriage to Abraham Calof, an immigrant homesteader in North Dakota. Rachel Calof's Story combines her memoir of a hard pioneering life on the prairie with scholarly essays that provide historical and cultural background and show her narrative to be both unique and a representative western tale. Her narrative is riveting and candid, laced with humor and irony.The memoir, written by Rachel Bella Calof in 1936, recounts aspects of her childhood and teenage years in a Jewish community, (shtetl) in Russia, but focuses largely on her life between 1894 and 1904, when she and her husband carved out a life as homesteaders. She recalls her horror at the hardships of pioneer life--especially the crowding of many family members into the 12 x 14' dirt-floored shanties that were their first dewllings. "Of all the privations I knew as a homesteader," says Calof, "the lack of privacy was the hardest to bear." Money, food, and fuel were scarce, and during bitter winters, three Calof households--Abraham and Rachel with their growing children, along with his parents and a brother's family--would pool resources and live together (with livestock) in one shanty.Under harsh and primitive conditions, Rachel Bella Calof bore and raised nine children. The family withstood many dangers, including hailstorms that hammered wheat to the ground and flooded their home; droughts that reduced crops to dust; blinding snowstorms of plains winters. Through it all, however, Calof drew on a humor and resolve that is everywhere apparent in her narrative. Always striving to improve her living conditions, she made lamps from dried mud, scraps of rag, and butter; plastered the cracked wood walls of her home with clay; supplemented meagre supplies with prairie forage--wild mushrooms and garlic for a special supper, dry grass for a hot fire to bake bread. Never sentimental, Caolf's memoir is a vital historical and personal record.J. Sanford Rikoon elaborates on the history of Jewish settlement in the rural heartland and the great tide of immigration from the Russian Pale of Settlement and Eastern Europe from 1880-1910. Elizabeth Jameson examines how Calof "writes from the interior spaces of private life, and from that vantage point, reconfigures more familiar versions of the American West." Jameson also discusses how the Calofs adapted Jewish practices to the new contingencies of North Dakota, maintaining customs that represented the core of their Jewish identity, reconstructing their "Jewishness" in new circumstances.

     Since September 11, 2001, a growing chorus has warned that Western society and values are at risk of being overrun by a tide of Islamic immigrants. These sentiments reached their most extreme expression in July 2011, with Anders Breivik’s shooting spree in Norway. Breivik left behind a 1500 page manifesto denouncing the impact of Islam on the West, which showed how his thinking had been shaped by anti-immigrant writings that had appeared widely in books and respectable publications. In The Myth of the Muslim Tide, Doug Saunders offers a brave challenge to these ideas, debunking popular misconceptions about Muslims and their effect on the communities in which they live. He demonstrates how modern Islamophobia echoes historical responses to earlier immigrant groups, especially Jews and Catholics. Above all, he provides a set of concrete proposals to help absorb these newcomers and make immigration work. The most important trend of the twenty-first century will be a massive global migration to cities and across international borders. Rather than responding to our new religious-minority neighbours with fear and resentment, this book shows us how we can make this change work to our advantage.

    Birds were rarely used in similar studies on the grounds that they were merely talented mimics--that they were, after all, "birdbrains." Experiments performed primarily on pigeons in Skinner boxes demonstrated capacities inferior to those of mammals; these results were thought to reflect the capacities of all birds, despite evidence suggesting that species such as jays, crows, and parrots might be capable of more impressive cognitive feats.Twenty years ago Irene Pepperberg set out to discover whether the results of the pigeon studies necessarily meant that other birds--particularly the large-brained, highly social parrots--were incapable of mastering complex cognitive concepts and the rudiments of referential speech. Her investigation and the bird at its center--a male Grey parrot named Alex--have since become almost as well known as their primate equivalents and no less a subject of fierce debate in the field of animal cognition. This book represents the long-awaited synthesis of the studies constituting one of the landmark experiments in modern comparative psychology.

    In these pages, gathered from the best short fiction of the last ten years, twenty authors prove that their heritage is alive and well -- in the spaces between stars that an alphabet can bridge, folklore come to life and histories become stories, and all the places where old worlds and new collide and change.

    Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner.Douglas Keister has photographed fourteen award-winning, critically acclaimed books (including Red Tile Style: America's Spanish Revival Architecture, The Bungalow: America's Arts & Crafts Home, and Storybook Style: America's Whimsical Homes of the Twenties) earning him the title "America's most noted photographer of historic architecture." He also writes and illustrates magazine articles and contributes photographs and essays to other books, calendars, posters, and greeting cards. Doug lives in Chico, California, and travels frequently to photograph and lecture on historic architecture and photography.

    Significantly, these immigrants are not coming from Europe, as was the case before 1965, but from all corners of the globe.In 1950, Fairfax County, Virginia, was ninety percent white, ten percent African American, with a little more than one hundred families who were "other." Currently the African American percentage of the population is about the same, but the Anglo white population is less than fifty percent, and there are families of Asian, African, Middle Eastern, and Latin American origin living all over the county. A Nation of Nations follows the lives of a few immigrants to Fairfax County over recent decades as they gradually "Americanize." Hailing from Korea, Bolivia, and Libya, these families have stories that illustrate common immigrant themes: friction, economic competition and entrepreneurship, and racial and cultural stereotyping.It's been half a century since the 1965 Immigration and Nationality Act changed the landscape of America, and no book has assessed the impact or importance of this law as this one does, with its brilliant combination of personal stories and larger demographic and political issues.

    Yet we still rarely get a clear sense of who and what the Alt-Right actually are, and what their long-term effect is likely to be.             Journalist Mike Wendling knows. He’s been following the Alt-Right closely for years, and with this book he shares the deep knowledge he’s gleaned. Media accounts to the contrary, the Alt-Right didn’t just burst out of nowhere in 2016—rather, they have been building their network quietly for years, using bulletin boards and social media to spread a toxic hybrid of technological utopianism, reactionary philosophy, and racial hatred. Wendling traces clearly the rise of the movement and the evolution of its ideas, and he introduces us to some of its key figures—many of whom he interviewed personally for the book. He explores links between Alt-Right rhetoric and hate crimes and terrorism, showing that the evidence connecting them is undeniable. Ultimately, however, he builds a strong case that the movement’s lack of a coherent base and its contradictory tendencies are already sapping its strength and will lead to its downfall.             A shocking exposé of a movement whose emergence stunned the world, Alt-Right presents a disturbing picture of our current political moment.

    This is a comprehensive, illustrated anthology of more than 300 myths from around the world which have shaped humankind's collective experience.

    Skal, an in-depth look at one of the most popular-and perplexing-holidays in America.Using a mix of personal anecdotes and brilliant social analysis, Skal examines the amazing phenomenon of Halloween, exploring its dark Celtic history and illuminating why it has evolved-in the course of a few short generations-from a quaint, small-scale celebration into the largest seasonal marketing event outside of Christmas.Traveling the country, Skal profiles a wide cross-section of America-hard-nosed business men who see Halloween in terms of money; fundamentalists who think it is blasphemous; practicing witches who view it as sacred; and more ordinary men and women who go to extraordinary lengths, on this one night only, to transform themselves and their surroundings into elaborate fantasies. Firmly rooted in a deeper cultural and historical analysis, these interviews seek to understand what the various rituals and traditions associated with the holiday have to say about our national psyche.

    But to the people of the Arab and Islamic worlds, the picture is dramatically different. Legends of the Fire Spirits looks beyond Westernized caricatures to immerse the reader in the vibrant lore of the jinn—the wondrous, often troublesome, and sometimes terrifying spirit beings of ancient Arab and Islamic tradition.Robert Lebling delves into long-lost accounts, medieval histories, colonial records, anthropologist’s reports, and traveler’s tales to explore the origin and evolution of legends that continue to thrive in the Middle East and beyond. He cuts through centuries of Orientalists’ cultural presumption to craft a study that stands apart from the overwhelming body of literature concerned with religion in the Middle East.A captivating synthesis of history and folklore, this is the most diverse collection of jinn lore ever assembled in one volume. From ancient scriptures to The Arabian Nights and beyond, and with a foreword by acclaimed filmmaker Tahir Shah, Lebling has constructed a comprehensive account that not only transcends geographical borders but also spans some four millennia.

    Despite the abandonment of the pagan gods, both Christian and pagan practices and beliefs continued to coexist for centuries, producing a system known as "dual faith."Russian Myths deals with mythic beliefs, notions, and customs--concerning the veneration of earth, water, fire, and air, demons and spirit-beings in the world of nature, the cult of the dead, and witchcraft--many of which have their roots in the pre-Christian past but still survive to the present day. To illuminate the evolution of major themes and motifs and set Russian myths in the context of mythology the world over, Elizabeth Warner draws upon a rich variety of sources, including anecdotal narrative forms and religious legends, epic songs, funeral laments and folk religion, and, of course, the folktales where the sacred gives way to pure imagination in the depiction of mythic themes and characters.