Two years since she was raped by her brother’s teammate. And a year since she sat in a court and watched as he was given a slap-on-the-wrist sentence. But the years have done nothing to stop the pain or lessen the crippling panic attacks that make her feel like she’s living a half-life.It’s been two years of hell for Derek. His family is totally messed up and he and his sister are barely speaking. He knows she partially blames him for what happened, and totally blames him for how he handled the aftermath. Now at college, he has to come to terms with what happened, and the rape culture that he was inadvertently a part of that destroyed his sister’s life. When it all comes to a head at Thanksgiving, Derek and Ashley have to decide if their relationship is able to be saved. And if their family can ever be whole again.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    Sarai is a first-generation Puerto Rican eighth grader who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has been denied.When We Make It is a love letter to anyone who was taught to believe that they would not make it. To those who feel their emotions before they can name them. To those who still may not have all the language but they have their story. Velasquez’ debut novel is sure to leave an indelible mark on all who read it.

    She's grown up in the spotlight, both idolized and despised for her family's fire-and-brimstone brand of faith. When Essie's mother, Celia, discovers that Essie is pregnant, she arranges an emergency meeting with the show's producers: Do they sneak Essie out of the country for an abortion? Do they pass the child off as Celia's? Or do they try to arrange a marriage—and a ratings-blockbuster wedding? Meanwhile, Essie is quietly pairing herself up with Roarke Richards, a senior at her school with a secret of his own to protect. As the newly formed couple attempt to sell their fabricated love story to the media—through exclusive interviews with an infamously conservative reporter named Liberty Bell—Essie finds she has questions of her own: What was the real reason for her older sister leaving home? Who can she trust with the truth about her family? And how much is she willing to sacrifice to win her own freedom?

    So it’s a big step for her when she lets Lyla attend a sleepover at her cousin’s house. Comforted by the knowledge that her sister, Tricia, is the chaperone, Alyson does the one thing she never thought possible: she lets go and trusts that her daughter will be safe.But Alyson’s sense of peace is short lived. When Lyla comes home the next morning, she reveals something that could tear apart not only their family but also the entire community. Now, Alyson and Tricia must confront their painful shared past as they come together to help a little girl who they fear might be harboring terrible secrets similar to their own. Will the sisters be strong enough to face their demons in order to protect the child, even if it means telling their most private truths?

    Because if there was ... my little brother would still be fishing or playing basketball instead of fertilizing cemetery vegetation."Matthew Turner doesn't have faith in anything.Not in family—his is a shambles after his younger brother was bullied into suicide. Not in so-called friends who turn their backs when things get tough. Not in some all-powerful creator who lets too much bad stuff happen. And certainly not in some "It Gets Better" psychobabble.No matter what his girlfriend Hayden says about faith and forgiveness, there's no way Matt's letting go of blame. He's decided to "live large and go out with a huge bang," and whatever happens happens. But when a horrific event plunges Matt into a dark, silent place, he hears a rumble … a rumble that wakes him up, calling everything he's ever disbelieved into question.

    Her mother hasn’t set foot outside their front door in seventeen years, since she escaped from her kidnappers with nothing but her attacker’s baby growing inside her—Kelsey.Kelsey knows she’s supposed to keep a low profile for their own protection, but that plan is shattered when she drives off a cliff and is rescued by volunteer firefighter and classmate Ryan Baker.A few days later, she arrives home to face her greatest fear: her mother is missing. She and her mother have drilled for all contingencies—except this one. Luckily, Ryan is as skilled at emergency rescues as Kelsey is at escape and evasion. To have a chance at a future, Kelsey will have to face all her darkest fears. Because someone is coming for her.And the truth about the past may end up being the most dangerous thing of all.

    “Preludes” is based in significant part on the experiences of its author, a child sexual abuse survivor. * * * When a nine-year-old boy in a "respectable," middle class family is raped, then repeatedly molested by his father, how does the boy experience the abuse and how does he manage to survive? “Preludes” examines these questions. The boy wakes in the middle of the night to find his father sitting on the edge of his bed, gently shaking him from his sleep. Though confused by his father's unexpected presence, for a few brief moments he suspects nothing unusual. His father then accuses him of having misbehaved without saying how, and tells him he'll have to be punished. The boy initially protests, but then, sensing the futility of resistance, grudgingly prepares himself for what his father tells him will be a spanking, all the while thinking, "Gee, this is ridiculous—I haven't done anything wrong." His father then proceeds to rape him, and, the rape completed, threatens to murder him if he tells anyone, including his mother. Thus begins the boy's struggle for survival in the face of his father's nightly onslaughts—a struggle that stretches the boy's physical, psychological, and emotional resources to their limits and beyond. Adding to his struggle's immensity is the story’s milieu: a "Pleasantville" middle class neighborhood in a mid-sized American city in the early 1960s—an environment that gives no indication, on its surface, that dysfunction of such proportions could occur within its hermetic confines. The boy's family enjoys a high status—the father is a professor at a prestigious university, and the family belongs to a Presbyterian church that counts among its members some of the city's most prominent citizens. It is an environment in which acknowledgement of even the merest possibility of child sexual abuse within a family as respectable as that of the boy's is as taboo as the abuse itself. Sensing these constrictions, the boy feels his isolation in his suffering increase exponentially. The prime importance placed by the community on maintaining a semblance of normalcy, no matter the cost to the truth, extends to the day-to-day life of the boy's home. The family's nightly meals together, at a table set with engraved silverware and an "everyday" china of the most tasteful design, and the "Smile Club" photos the boy's mother hangs in the downstairs hallway—family photos, taken regularly, for which the fundamental requisite is that everyone in them be wearing a pleasant smile—help form the bulwark of the mother's determined effort to put the best possible face on things. To survive, the boy attempts to hide the truth as much as possible, even from himself, with his mind employing, as its chief means to this end, a total forgetting of the abuse when it's not actually happening—a strategy his mind has utilized on previous occasions of his father's abuse. But survival, though laudable, comes at an enormous price—a price exacted, among other ways, in the warped perception the boy forms of what it means to "be a man." A price, the story suggests, the boy will have to pay going forward, into adulthood, until he reaches a point of substantial healing.

    Now Sam's trying to build a new life for them. He survives by breaking into empty houses when their owners are away, until one day he's caught out when a family returns home. To his amazement this large, chaotic family takes him under their wing - each teenager assuming Sam is a friend of another sibling. Sam finds himself inextricably caught up in their life, and falling for the beautiful Moxie. But Sam has a secret, and his past is about to catch up with him.

    Except by mean girls who tweet about her ragged appearance. All she wants to do is indulge in her love of science, protect her vulnerable younger brother, and steer clear of her unstable mother.Then a school competition calls for a biome. Layla chooses her own home, a hostile ecosystem of indoor fungi and secret shame. With a borrowed video camera, she captures it all. The mushrooms growing in her brother’s dresser. The black mold blooming up the apartment walls. The unmentionable things living in the dead fridge. All the inevitable exotic toxins that are Layla’s life. Then the video goes viral.When Child Protective Services comes to call, Layla loses her family and her home. Defiant, she must face her bullies and friends alike, on her own. Unafraid at last of being seen, Layla accepts the mortifying reality of visibility. Now she has to figure out how to stay whole and stand behind the truth she has shown the world.

    But as they are starting their senior year, Dill feels the coils of his future tightening around him. The end of high school will lead to new beginnings for Lydia, whose edgy fashion blog is her ticket out of their rural Tennessee town. And Travis is happy wherever he is thanks to his obsession with the epic book series Bloodfall and the fangirl who may be turning his harsh reality into real-life fantasy. Dill’s only escapes are his music and his secret feelings for Lydia—neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending—one that will rock his life to the core.Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible Belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past.

    They leave their Kansas home and drive through the night to Albuquerque, eager to begin again, united by the thrilling possibility of carving out a new life together. The boys go to school, join basketball teams, make friends. Meanwhile their father works from home, smoking cheap cigars to hide another smell. But soon the little missteps—the dead-eyed absentmindedness, the late night noises, the comings and goings of increasingly odd characters—become worrisome, and the boys find themselves watching their father change, grow erratic, then dangerous.Set in the sublimely stark landscape of suburban New Mexico and a cramped apartment shut tight to the world, One of the Boys conveys with propulsive prose and extraordinary compassion a young boy’s struggle to hold onto the pieces of his shattered family. Tender, moving and beautiful, Daniel Magariel’s masterful debut is a story of resilience and survival: two foxhole-weary brothers banding together to protect each other from the father they once trusted, but no longer recognize. With the emotional core of A Little Life and the speed of We the Animals, One of the Boys is among the most remarkable debut novels you’ll ever read.

    Their differences have brought them closer, but as she turns sixteen Caddy begins to wish she could be a bit more like Rosie – confident, funny and interesting. Then Suzanne comes into their lives: beautiful, damaged, exciting and mysterious, and things get a whole lot more complicated. As Suzanne’s past is revealed and her present begins to unravel, Caddy begins to see how much fun a little trouble can be. But the course of both friendship and recovery is rougher than either girl realises, and Caddy is about to learn that downward spirals have a momentum of their own.

    Sloane is a straight-A student with a big and loving family. Maggie lives a glamorously independent life as an up-and-coming actress in New York. The two girls couldn't be more different--except for one thing. They share a secret that they can't tell a soul. At night, they dream that they're each other. The deeper they're pulled into the promise of their own lives, the more their worlds begin to blur dangerously together. Before long, Sloane and Maggie can no longer tell which life is real and which is just a dream. They realize that eventually they will have to choose one life to wake up to, or risk spiraling into insanity. But that means giving up one world, one love, and one self, forever. This is a dazzling debut that will steal readers' hearts.

    Following her mom's death, she's been picking up the pieces in the privacy of her home, dealing with her heartbroken father and her own grief. Now, Libby's ready: for high school, for new friends, for love, and for every possibility life has to offer. In that moment, I know the part I want to play here at MVB High. I want to be the girl who can do anything. Everyone thinks they know Jack Masselin, too. Yes, he's got swagger, but he's also mastered the impossible art of giving people what they want, of fitting in. What no one knows is that Jack has a newly acquired secret: he can't recognize faces. Even his own brothers are strangers to him. He's the guy who can re-engineer and rebuild anything, but he can't understand what's going on with the inner workings of his brain. So he tells himself to play it cool: Be charming. Be hilarious. Don't get too close to anyone.Until he meets Libby. When the two get tangled up in a cruel high school game—which lands them in group counseling and community service—Libby and Jack are both pissed, and then surprised. Because the more time they spend together, the less alone they feel. Because sometimes when you meet someone, it changes the world, theirs and yours.