This year's guest editor, Tobias Wolff, has assembled a lively collection that is certain to secure the series' place on bestseller lists across the nation. Includes stories by Thom Jones, Carol Anshaw, Chris Offutt and many more.

    Last year's collection marched on to bestseller lists across the country and met with acclaim from critics who declared it "a brilliant work of art." Marking the eightieth anniversary of the series, the 1995 volume portrays the stunning range of American life in all its various colors, styles, regions, and concerns. This year's guest editor, Jane Smiley, selected stories without knowing their authors' identities. Drawn to tales with "a sharp taste," she gathered a piquant sampling of new voices as well as rich works by such masters as Don DeLillo, Ellen Gilchrist, Thom Jones, Joy Williams, Stephen Dobyns, Kate Braverman, and Jamaica Kincaid. Smiley was attracted to "an element of the exotic" in the tapestry of ordinary lives, and the stories in this collection reveal the powerful dramas constantly unfolding beneath the surface

    This year, E. Annie Proulx's selection includes dazzling stories by Tobias Wolff, Donald Hall, Cynthia Ozick, Robert Stone, Junot Diaz, and T. C. Boyle as well as an array of stunning new talent. In her introduction, Proulx writes that beyond their strength and vigor, these stories achieve "a certain intangible feel for the depth of human experience, not uncommonly expressed through a kind of dry humor." As ever, this year's volume surprises and rewards.100 Distinguished Stories Citations, including How to Have Heart Disease (Without Really Trying), Jane Eaton Hamilton

    Edited by the award-winning Robert Stone, the 1992 volume gathers 20 of the year's richest stories from magazines large and small. Includes such outstanding authors as Joyce Carol Oates, Alice Munro, and Reynolds Price among others.

    The preeminent short fiction series since 1915, The Best American Short Stories is the only volume that annually offers the finest works chosen by a distinguished best-selling author.Hermit's story / Rick Bass --Sun, the moon, the stars / Junot Diaz --Mrs. Dutta writes a letter / Chitra Divakaruni --Kansas / Stephen Dobyns --Tumblers / Nathan Englander --Piano tuner / Tim Gautreaux --Uncharted heart / Melissa Hardy --The 5:22 / George Harrar --Islands / A. Hemon --Best girlfriend you never had / Pam Houston --In the kindergarten / Ha Jin --Marry the one who gets there first / Heidi Julavits --Live life king-sized / Hester Kaplan --Africans / Sheila Kohler --Interpreter of maladies / Jhumpa Lahiri --Real estate / Lorrie Moore --Save the reaper / Alice Munro --Bunchgrass edge of the world / Annie Proulx --Robbers of Karnataka / James Spencer --Good shopkeeper / Samrat Upadhyay --Rest of her life / Steve Yarbrough

    Short Stories by Ann Beattie, Ethan Canin, Joy Williams, Richard Ford, Tobias Wolff, Alice Munro, Thomas McGuane, Lord Tweedsmuir, Donald Barthelme, Raymond Carver, and many others.

     Foreword --Introduction / Louise Erdrich --Playing with dynamite / John Updike --The girl on the plane / Mary Gaitskill --A real life / Alice Munro --Silent passengers / Larry Woiwode --Queen Wintergreen / Alice Fulton --The man who rowed Christopher Columbus ashore / Harlan Ellison --Poltergeists / Jane Shapiro --Red moccasins / Susan Power --I want to live! / Thom Jones --Charlotte / Tony Early --What the thunder said / Janet Peery --Naked ladies / Antonya Nelson --Man, woman and boy / Stephen Dixon --Winter barley / Andrea Lee --Concerning mold upon the skin, etc. / Joanna Scott --Pray without ceasing / Wendell Berry --Gold / Kim Edwards --Great Barrier Reef / Diane Johnson --Terrific mother / Lorrie Moore --The important houses / Mary Gordon --Contributor's notes --100 other distinguished stories of 1992 --Editorial addresses of American and Canadian magazines publishing short stories

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, "live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs."Dorothy Allison Edwidge Danticat E. L. Doctorow Louise Erdrich Adam Haslett ZZ Packer Mona Simpson Mary Yukari Waters

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. Lorrie Moore brings her keen eye for wit and surprise to the volume, and The Best American Short Stories 2004 is an eclectic and enthralling gathering of well-known voices and talented up-and-comers. Here are stories that probe the biggest issues: ambition, gender, romance, war. Here are funny and touching and striking tales of a Spokane Indian, the estranged wife of an Iranian immigrant, an American tutor in Bombay. In her introduction Lorrie Moore writes, "The stories collected here impressed me with their depth of knowledge and feeling of character, setting, and situation . . . They spoke with amused intelligence, compassion, and dispassion."

    Kingsolver’s selections for The Best American Short Stories 2001 showcase a wide variety of new voices and masters, such as Alice Munro, Rick Moody, Dorothy West, and John Updike. “Reading these stories was both a distraction from and an anchor to the complexities of my life — my pleasure, my companionship, my salvation. I hope they will be yours.” — Barbara Kingsolver

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    and Canada” (PUBLISHERS WEEKLY). To usher in the new millennium, THE BEST AMERICAN SHORT STORIES 2000 brims with a rich variety of lyrical and wise stories about our country’s past, present, and future. This year’s editor, the best-selling author E. L. Doctorow, has chosen new works by Raymond Carver, Amy Bloom, Ha Jin, Walter Mosley, and Jhumpa Lahiri, among others. The most popular compendium of its kind, THE BEST AMERICAN SHORT STORIES is the only volume that offers the finest short fiction each year, chosen by a distinguished author.

    Here in a single volume is the finest short fiction of the year, selected by Richard Ford, the eminent novelist, short story writer, and essayist.

    Sharif.Selected from U.S. and Canadian magazines by Margaret Atwood with Shannon Ravenel; with an introduction by Margaret Atwood.

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind.This year's Best American Short Stories features a rich mix of voices, from both intriguing new writers and established masters of the form like Michael Chabon, Edwidge Danticat, Richard Ford, Jhumpa Lahiri, and Arthur Miller. The 2002 collection includes stories about everything from illicit love affairs to family, the immigrant experience and badly behaved children -- stories varied in subject but unified in their power and humanity. In the words of this year's guest editor, the best-selling author Sue Miller, "The American short story today [is] healthy and strong . . . These stories arrived in the nick of time . . . to teach me once more what we read fiction for."Foreword --Introduction / Sue Miller --Along the frontage road / Michael Chabon --The sugar-tit / Carolyn Cooke --The red ant house / Ann Cummins --Seven / Edwidge Danticat --A house on the plains / E.L. Doctorow --Puppy / Richard Ford --The heifer / Melissa Hardy --Zilkowski's theorem / Karl Iagnemma --Nobody's business / Jhumpa Lahiri --Digging / Beth Lordan --In case we're separated / Alice Mattison --Billy goats / Jill McCorkle --Watermelon days / Tom McNeal --Nachman from Los Angeles / Leonard Michaels --Bulldog / Arthur Miller --The rug / Meg Mullins --Family furnishings / Alice Munro --Surrounded by sleep / Akhil Sharma --Love and hydrogen / Jim Shepard --Aftermath / Mary Yukari Waters --Contributor's notes --100 other distinguished stories of 2001 --Editorial addresses of American and Canadian magazines publishing short stories