Their lives were short on material wealth, but long on the riches of family and friendship, and the great sheltering power of the wilderness. But in the mid-1960's, as automation and a declining economy drove more and more loggers out of the wilderness and into despair, Kim's father dug in and determined to stay. It was then the family turned fervently toward Pentecostalism. It was then things changed.In the Wilderness is the poet's own account of a journey toward adulthood against an interior landscape every bit as awesome, as beautiful, and as fraught with hidden peril as the great forest itself. It is a story of how both faith and geography can shape the heart and soul, and of the uncharted territory we all must enter to face our demons. Above all, it is the clear-eyed and moving account of a young woman's coming of terms with her family, her homeland, her spirituality, and herself.In presenting Kim Barnes the 1995 PENJerard Fund Award for a work-in-progress by an emerging female writer, the panel of judges wrote that "In the Wilderness is far more than a personal memoir," adding that it stands "almost as a cautionary example of the power of good prose to distinguish whatever it touches." Indeed, In the Wilderness is an extraordinary work, courageous, candid, and exquisitely written.

    He always played by the rules until a two-bit junkie hit man destroyed his family and left him for dead. But Clay won't let himself lie down until he gets one last thing: revenge

    Also here is Scott's manifesto, "Dogme 2011 for Weird Fiction."

    When continental moviemakers combined horror with sex, they unleashed a tidal wave of celluloid strangeness that lasted nearly thirty years. From sexy thrillers to pulp surrealism, from decadent erotica to blood-soaked vampire epics, nothing could go too far. Immoral Tales tells the fascinating story of this unique period, peeking into the kaleidoscope of visceral horror, maverick directors, and erotic invention.

    Inside was a dark, surreal, discomfiting story of the horrors that can befall a family. It was so powerful that it won the Bram Stoker Award, International Horror Guild Award, and World Fantasy Award--the only work ever to win all three. Now, Melanie Tem and Steve Rasnic Tem have re-imagined the story, expanding on the ideas to create a compelling work that examines how people find a family, how they hold a family together despite incomprehensible tragedy, and how, in the end, they find love.Loosely autobiographical, The Man on the Ceiling has the feel of a family portrait painted by Salvador Dali, where story and reality blend to find the one thing that neither can offer alone: truth.

    At the time it seems like the perfect place to do it, so quiet, so secluded. But they have no way of knowing that they've moved into what was once a sacred site of an old religion. And that the old god is not dead--only waiting. Already the god's dark power has begun to spread, changing and polluting all that it touches. A hideous evil pervades the small town. Soon the dead no longer stay dead. When the power awakens the rotting crew of a ship that sank decades earlier, a nightmare of bloodshed and violence begins for the Stainforths, a nightmare that can end only with the ultimate sacrifice--death.

    She can see things no one else can, but can only draw them with her one webbed hand. Several generations have passed since North America was struck by a meteor that changed life forever. Now, Leora lives safely locked inside the walls of Village Three. Only the guards and croptenders are allowed out, where the world is said to be undeveloped and dangerous. Leora's heard stories of the ferocious birmbas -- half bear, half gorilla -- that resulted from the meteor. Mutants cannot be trusted.But Leora herself is considered a "defective" with her hidden hand and gift. When she risks her life to free a baby birmba, she finds the courage to escape beyond the tyrannical walls without knowing what she may find.

    Praised as one of the best collections of heartfelt and gut-wrenching horror written in recent history, it's a disturbing trip through the ages exploring the painful tragedies of life, love and loss.Each of the five masterfully written novellas included in THE END IN ALL BEGINNINGS examine complex themes running the gamut from the loss of childhood innocence, to the dreadful reality of survival after everything we hold dear is gone, to some of the most profound aspects of human tragedy.As one of the best storytellers of the modern age, John F.D. Taff takes readers on a skillfully balanced emotional journey into nostalgia, through personal pain and beyond the everyday terrors that are uncomfortably real over the course of the human lifetime. His straight-forward, nuanced writing style is at times darkly comedic, often deeply poetic and always accurate in the most terrifying of ways.Evoking the literary styles of horror legends Mary Shelley, Edgar Allen Poe and Bram Stoker, in THE END IN ALL BEGINNINGS also pays homage to modern genre masters Stephen King, Ramsey Campbell, Ray Bradbury, Rod Serling and Clive Barker, solidifying author John F.D. Taff as modern horror's new King of Pain.

    This dark fantasy delves into the psychological and motivational depths of Grail and its residents. Miss Sedele mixes up green cocktails called 'cryptoverdes' at Le Bon Chance. Vida Dumars, owner of the Moonlight Diner, peers into the deepest realms of her customers' hearts as though they were picture windows. Town spirit Good Gray Man has promised good fortune to the town as long as it hangs onto tradition. A quirky, fantastical town's heart and soul are slowly, often painfully revealed in this dark and captivating novella.--This text refers to an out of print or unavailable edition of this title.

    Symons reveals Poe as his contemporaries saw him a man struggling to make a living out of hack journalism and striving to find a backer for his new magazine, and a man whose life was beset by so many tragedies that he was often driven to excessive drinking and a string of unhealthy relationships. Fittingly written by another master in the art of crime writing, this volume brilliantly portrays the original creator of the detective story and reveals him as the genius and unashamed plagiarist that he was."

    Through deeply drawn characters—both real and in the form of artificial intelligence companions, or “Primes”—Harrison burrows into troubling questions of the digital age: What would we remember, and what would we forget, given the power of authorship? Will we be any less human, once computers know us better than ourselves?

    A journalist makes the mistake of visiting a website where real-life executions are the order of the day... At the foot of an old tree, an insidious evil awaits two boys digging for treasure... A browbeaten salesman finds hope and a possible escape from the banality of his world when he returns home to find a fairytale beanstalk sprouting from his garden... A man resists the social pressure to quit smoking and puts himself at an unimaginable risk... A high school student accepts a dare to ask out the ugliest girl in school and enters a world of pain and violence... A comedian finds himself faced with a most peculiar and deadly audience...The pariah of a village accepts an offer of peace at his mother's funeral, but the olive branch may have hidden thorns...A bunch of barflies doomed to murder sinners get together for one last drink in a dying town...These are just some of the passengers, headed for a ride through the dark uncharted regions of the heart and mind...on The Number 121 to Pennsylvania.Includes such reader favorites as "Empathy", "Mr. Goodnight", "Underneath", "The Grief Frequency" and "Peekers"."In 14 dark fantasies collected here, Burke creates characters whose angst opens them up to uncanny incidents and ghostly encounters that seem an extension of their own spiritual malaise... Burke shows skill at imagining expressive supernatural experiences appropriate for his well-developed characters and their agitated emotions." - PUBLISHERS WEEKLY"Don't read it late at night." - BOOKLIST"Each tale grabs you within the first few sentences and never lets go, resulting in a collection guaranteed to take you on one of the scariest rides of your life." - RUE MORGUEContents:IntroductionThe Grief FrequencyThe Number 121 to PennsylvaniaMr. GoodnightEmpathyPeekersHigh on the VineTonight the Moon is OursProhibitedUnderneathSnowmenWill You Tell Them I Died Quietly?The Last LaughCobwebsSaturday Night at Eddie'sStory Notes

    And their life together would be blessed: five healthy sons, financial security, and a home filled with joy. Despite the typical ups and downs, they had a storybook life.Then, in 1998, Ann was diagnosed with multiple sclerosis. She couldn't believe it was real; there were no therapies or treatments to help her. Mitt told her that day that they would tackle the diagnosis as a team: They were in it together. "As long as it isn't fatal, we're fine. If you have to be in a wheelchair, I'll be right there to push it," he told her. And Ann thought, "But I'll be the one in the wheelchair." A caregiver and helper her whole life, she'd crossed a terrible invisible line. She wouldn't be able to care for her family anymore. She was the patient. Ann and Mitt would face the most frightening and humbling experience of their lives.From reflections on her early life, her marriage, and her diagnosis and recovery, the sources of her faith, and the stories of others who overcame adversity and inspired her to keep going, In This Together is a brave and deeply honest portrait of a family facing an unexpected blow, often in the most public of circumstances."A lot of people talk about a transformation that happens when life throws you a curve ball, and the big one in my life was my MS diagnosis. With all the blessings I've had, MS has been my greatest teacher: It has taught me about faith, compassion, and serving others. I've met many people along the way who've shared advice and demonstrated enormous resilience in the face of challenges; their stories gave me strength. In sharing my story, I want to give others hope as I've been given hope on this journey."

    "Choose any angle you like," she writes, "The world is split in two." One poem, "Bicameral," moves from a child's cleft palate to a gunshot wound to the hanging skeins of a fabric in a postwar art exhibit. In the wool cut from the sheep to make the materials of art, she finds a tangled record of violence and repair: "The body it becomes will ever / bind it to the human and a trail of woe."Longtime readers of Gregerson's poetry will be facinated by her departure from the supple tercets in which she has worked for nearly twenty years: Magnetic North is a bold anthology of formal experiments. It is also a heartening act of sustained attention from one of our most mindful poets.

    Or a backyard tale from the 1001 American Nights. Macbeth re-imagined as a screwball comedy. Three extraordinary economic tasks performed by a small expert in currency exchange that risk first career and then life and then soul.From the disturbing beauty of 'Flat Diane' (Nebula-nominee, International Horror Guild award-winner) to the idiosyncratic vision of 'The Cambist and Lord Iron' (Hugo- and World Fantasy-nominee), Daniel Abraham has been writing some of the most enjoyable and widely admired short fiction in the genre for over a decade.Ranging from high fantasy to hard science fiction, screwball comedy to gut-punching tragedy, Daniel Abraham's stories never fail to be intelligent, compassionate, thoughtful, and humane. Leviathan Wept and Other Stories is the first collection of his short works, including selections from both the well-known and the rare.Contents:The Cambist and Lord Iron (2007)Flat Diane (2004)The Best Monkey (2009)The Support Technician Tango (2007)A Hunter in Arin-Quin (2010)Leviathan Wept (2004)Exclusion (2001)As Sweet (2001)The Curandero and the Swede (2010)