At the heart of this “wonderful” novel are the moving relationships between the estranged members of the Das family (Washington Post Book World). Bimla is a dissatisfied but ambitious teacher at a women’s college who lives in her childhood home, where she cares for her mentally challenged brother, Baba. Tara is her younger, unambitious sister, married and with children of her own. Raja is their popular, brilliant, and successful brother. When Tara returns for a visit with Bimla and Baba, old memories and tensions resurface, blending into a domestic drama that leads to beautiful and profound moments of self-understanding.Set in the vividly portrayed environs of Old Delhi, “Clear Light of Day does what only the very best novels can do: it totally submerges us. It also takes us so deeply into another world that we almost fear we won’t be able to climb out again” (New York Times Book Review).“Passages must be read and reread so that you savor their imagery, their language, and their wisdom.” ??—?? Washington Post Book World“[A] thoroughly universal tale of unhealable family hurts . . . Distinctively shaded with enticing glimpses of India’s Hindu middle-class in shabby decline.” ??—?? Kirkus Reviews, starred review

    As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

    Vikram Sampath, in this remarkable book, brings forth little known details of this fascinating woman who was known for her melodious voice, her multi-lingual skills, poetic sensibility, irresistible personality and her extravagant lifestyle. From her early days in Azamgarh and Banaras to the glory years in Calcutta when Gauhar ruled the world of Indian music, to her sad fall from grace and end in Mysore, the book takes the reader through the roller-coaster ride of this feisty musician. In the process, the author presents a view of the socio-historical context of Indian music and theatre during that period.

    In this fascinating account, Bipan Chandra traces the events that led up to this moment and makes some startling revelations. He finds that there was a real danger of the JP movement turning fascist, given the fuzzy ideology of Total Revolution, its confused leadership and dependence on the RSS for its organization. At the same time, despite the authoritarianism inherent in the Emergency, particularly with the rising power of Sanjay Gandhi and his Youth Congress brigade, Indira Gandhi did end it and call for elections.Finely argued, incisive and original, this book offers significant insight into those turbulent years and joins the ever-relevant debate on the acceptable limits of popular protest in a democracy.

    Its method is two-fold. First it presents five important lectures on Persian poetry given by Pir-o-Murshid Inayat Khan, who brought Sufis to the West. Then it offers fresh translations by the poet Coleman Barks of some of the poetry Inayat Khan discusses, designed to provide readers with ready access to at least a sample of this wondrous literature, still not easy to find in English. Thus the book presents a brief, but reasonably comprehensive, introduction to one of the great literatures of the world, until recently ignored in the West.

    He is also opposed to city living, to meddlesome neighbours, to wacky grandfathers and to caustic grandmothers. But when he’s blessed with all of the above, what’s man to do?

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    Imagine the craftsmanship to explain an idea in one line. These stories that encompass a line or a paragraph are called Siyah Hashiye.

    Despite the many challenges, both internal and external, the country was able to register a 6 per cent average annual growth rate during the first forty years of its existence. The country was ahead of India and Bangladesh in all economic and social indicators. Since 1990, the country has fallen behind its neighbouring countries and has had a decline in the growth rate.This book attempts to examine the reasons behind this slowdown, the volatile and inequitable growth of the last twenty-five years, and through a process of theoretical and empirical evidence argues that the most powerful explanatory hypothesis lies in the decay of institutions of governance. It also suggests a selective and incremental approach of restructuring some key public institutions that pertain to accountability, transparency, security, economic growth, and equity.

    The simple and lively stories compel you to take a look back at your own life, and remember when you put these incidences at the back of your mind. Its not just a collection of stories and a true incident, but also a reflection of what every one of us has seen sometime or the other, in our lives. The characters come alive, time and again as people we may have met, or as a persona of our own self.Not too many works in recent years have managed to capture the nuances of ordinary, daily lives as effortlessly and fluently as Terms and Conditions Apply has done. A wonderful assortment of 13 short stories and a true incident, Whether it is highs and lows of a relationship, chaos and bedlam of school life, petty or harmless office gossips, or the buzz of a salon; all stories are strongly steeped in reality and yet they take a superb flight of fancy in the hands of a master craftsman. Rich in imagination, broad in its scope and elegant in its style, Terms and Conditions Apply is arguably one of the best debut works in recent Hindi literature.

    History has already begun its steady march. Six native women clad in black and scarlet pichauras huddle around Naineetal Lake, attempting to cleanse it of threatening new influences. For, these are the days of Upper Mall Road (for Europeans and their horses) and Lower Mall Road (‘for dogs, servants and other Indians’). And this is the story of feisty young Tilottama Dutt, whose uncle hangs when he protests the reigning order—and her daughter, Deoki, who will confront change as Indians and as women. Things to Leave Behind brings alive the romance of the mixed legacy of British-Indian past. Full of the fascinating backstory of Naineetal and its unwilling entry into Indian history, throwing a shining light on the elemental confusion of caste, creed and culture, illuminated with painstaking detail, here is a fascinating historical epic and Namita Gokhale’s most ambitious novel yet.

    But in this city redolent of timeworn customs, where pilgrims bathe in the sacred Ganges and breathe in smoke from burning ghats along the shore, Samar is offered entirely different perspectives on his country. Miss West and her circle, indifferent to the reality around them, represent those drawn to India as a respite from the material world. And Rajesh, a sometimes violent, sometimes mystical leader of student malcontents, presents a more jaundiced view. More than merely illustrating the clash of cultures, Mishra presents the universal truth that our desire for the other is our most painful joy.

    Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune

    David Shulman presents a comprehensive cultural history of Tamil language, literature, and civilization emphasizing how Tamil speakers and poets have understood the unique features of their language over its long history. Impetuous, musical, whimsical, in constant flux, Tamil is a living entity, and this is its biography.Two stories animate Shulman s narrative. The first concerns the evolution of Tamil s distinctive modes of speaking, thinking, and singing. The second describes Tamil s major expressive themes, the stunning poems of love and war known as Sangam poetry, and Tamil s influence as a shaping force within Hinduism. Shulman tracks Tamil from its earliest traces at the end of the first millennium BCE through the classical period, 850 to 1200 CE, when Tamil-speaking rulers held sway over southern India, and into late-medieval and modern times, including the deeply contentious politics that overshadow Tamil today.Tamil is more than a language, Shulman says. It is a body of knowledge, much of it intrinsic to an ancient culture and sensibility. Tamil can mean both knowing how to love in the manner of classical love poetry and being a civilized person. It is thus a kind of grammar, not merely of the language in its spoken and written forms but of the creative potential of its speakers.

    Ramanujan (who died in 1993) has rendered two services: he has introduced Indian and Western readers to an unfamiliar and fascinating literary tradition, and he has provided access to some examples of a mature classical poetry. In them, as the translator notes, passion is balanced by courtesy, transparency by ironies and nuances of design, impersonality by vivid detail, spareness by richness of implication. The poems come from one of the earliest surviving texts of Tamil poetry, the Kuruntokai, an anthology of love lyrics probably recorded during the first three centuries A.D. Seventy-six of these classical poems have here been given a modern language and form. In an effort at fidelity to the effect of the images and their placement in the original, Ramanujan has given a visual shape to the poems by typographic devices. This classic anthology of translations has long been out of print. It should interest all those who read poetry, as well as those who value Ramanujan's gift as a translator.