May, 1915. Alfie and his fisherman father find a girl on an uninhabited island in the Scillies - injured, thirsty, lost…and with absolutely no memory of who she is, or how she came to be there. She can say only one word: Lucy. Where has she come from? Is she a mermaid, the victim of a German U-boat, or even - as some islanders suggest - a German spy…? Only one thing is for sure: she loves music and moonlight, and it is when she listens to the gramophone that the glimmers of the girl she once was begin to appear. WW1 is raging, suspicion and fear are growing, and Alfie and Lucy are ever more under threat. But as we begin to see the story of Merry, a girl boarding a great ship for a perilous journey across the ocean, another melody enters the great symphony - and the music begins to resolve…A beautiful tour de force of family, love, war and forgiveness, this is a major new novel from the author of PRIVATE PEACEFUL - in which what was once lost may sometimes be found, washed up again on the shore…

    There, Jack encounters Early Auden, the strangest of boys, who reads the number pi as a story and collects clippings about the sightings of a great black bear in the nearby mountains.Newcomer Jack feels lost yet can’t help being drawn to Early, who won’t believe what everyone accepts to be the truth about the Great Appalachian Bear, Timber Rattlesnakes, and the legendary school hero known as The Fish, who never returned from the war. When the boys find themselves unexpectedly alone at school, they embark on a quest on the Appalachian Trail in search of the great black bear.But what they are searching for is sometimes different from what they find. They will meet truly strange characters, each of whom figures into the pi story Early weaves as they travel, while discovering things they never realized about themselves and others in their lives.

    Carrie and Nick are billeted in Wales with old Mr Evans, who is so mean and cold, and his timid mouse of a sister, Lou, who suddenly starts having secrets. Their friend Albert is luckier, living in Druid's Bottom with warm-hearted Hepzibah Green and the strange Mister Johnny, who can talk to animals but not to human beings. Carrie and Nick visit him there whenever they can for Hepzibah makes life exciting and enticing with her stories and delicious cooking. Gradually they begin to feel more at ease in their war-time home, but then, in trying to heal the rift between Mr Evans and his estranged sister, and save Druid's Bottom, Carrie does a terrible thing which is to haunt her for years to come. Carrie revisits Wales as an adult and tells the story to her own children.

    But their summer proves more adventurous than he had hoped when headstrong Kate arrives, as together they share horseback races across the plains, country fairs and festivals, and a dangerous run-in with the gypsies.In vividly detailed scenes and beautiful illustrations, this Newbery Award-winning author presents an unforgettable world and characters who will be remembered forever.

    So she has the same name as a girl in a book by a dusty old author. Hero is simply not interested in the connections. But that's just the thing; suddenly connections are cropping up all over, and odd characters and uncertain pasts are exactly what do fascinate Hero. There's a mysterious diamond hidden in her new house, a curious woman next door who seems to know an awful lot about it, and then, well, then there's Shakespeare. Not to mention Danny Cordova, only the most popular boy in school. Is it all in keeping with her namesake's origin-just much ado about nothing? Hero, being Hero, is determined to figure it out. In this fast-paced novel, Elise Broach weaves an intriguing literary mystery full of historical insights and discoveries.A JUNIOR LIBRARY GUILD SELECTION

    From an acorn of an idea about a real-life good Samaritan of yesteryear, the author has crafted a satisfying, if occasionally painful, novel that spans the lives of several fortunate and unfortunate young people of the day.The author has researched her backdrop very well, and the atmospheric sights and sounds of the time are both vivid and captivating. Readers will smell the dirty streets and close-living of urban London, revel in the summer splendour of the finest country houses and then flinch when the harshness of life for the poorest souls is revealed in uncomfortable detail.For in the late 1700s your circumstance of birth meant everything. Toby and Aaron may both find themselves living at Captain Thomas Coram's Hospital for parentless children, but their histories are as far apart as they could possibly be. Toby has been rescued from a life of slave labour in a faraway country; Aaron is the illegitimate son of the heir to a large country estate. They are watched over by Mish--a simple soul who has been with them since their arrival. His devotion to them is absolute, but his motives are not altogether straightforward. Could this curious man really be Meshak, the son of a wicked child-killer who was hanged at the gallows for his crimes?Coram Boy is a glorious web of changing fortunes and subtle intrigues. There is tragedy and corruption, hope and evil. Sometimes brutal and sometimes unceasingly bleak, the genre of historical fiction has rarely been this good. It's undoubtedly the kind of book that wins awards. (Age 12 and over) --John McLay

    After a pelican mother is shot, Storm Boy rescues the three chicks, and nurses them back to health. He names them Mr Proud, Mr Ponder and Mr Percival. After he releases them, his favourite, Mr Percival, returns. The story then concentrates on the conflict between his lifestyle and the externally imposed requirement for him to attend a school, and the fate of the pelican.

    Exciting, engrossing, enchanting! Reading Level: Ages 11-13.

    J. Palacio's collection of stories Auggie & Me, which expands on characters in Wonder, readers were introduced to Julian's grandmother, Grandmère. Told in graphic-novel form, White Bird is Grandmère's story as a young Jewish girl hidden away by a family in Nazi-occupied France during World War II.

    After inheriting her uncle's homesteading claim in Montana, 16-year-old orphan Hattie Brooks travels from Iowa in 1917 to make a home for herself and encounters some unexpected problems related to the war being fought in Europe.

    Twins Nicola and Lawrie arrive at their new school determined to do even better than their distinguished elder sisters, but things don't turn out quite as planned.

    It was 1861 in Linn County, Kansas, and Jeff was elated at the prospect of fighting for the North at last.In the Indian country south of Kansas there was dread in the air; and the name, Stand Watie, was on every tongue. A hero to the rebel, a devil to the Union man, Stand Watie led the Cherokee Indian Nation fearlessly and successfully on savage raids behind the Union lines. Jeff came to know the Watie men only too well.He was probably the only soldier in the West to see the Civil War from both sides and live to tell about it. Amid the roar of cannon and the swish of flying grape, Jeff learned what it meant to fight in battle. He learned how it felt never to have enough to eat, to forage for his food or starve. He saw the green fields of Kansas and Okla-homa laid waste by Watie's raiding parties, homes gutted, precious corn deliberately uprooted. He marched endlessly across parched, hot land, through mud and slashing rain, always hungry, always dirty and dog-tired.And, Jeff, plain-spoken and honest, made friends and enemies. The friends were strong men like Noah Babbitt, the itinerant printer who once walked from Topeka to Galveston to see the magnolias in bloom; boys like Jimmy Lear, too young to carry a gun but old enough to give up his life at Cane Hill; ugly, big-eared Heifer, who made the best sourdough biscuits in the Choctaw country; and beautiful Lucy Washbourne, rebel to the marrow and proud of it. The enemies were men of another breed - hard-bitten Captain Clardy for one, a cruel officer with hatred for Jeff in his eyes and a dark secret on his soul.This is a rich and sweeping novel-rich in its panorama of history; in its details so clear that the reader never doubts for a moment that he is there; in its dozens of different people, each one fully realized and wholly recognizable. It is a story of a lesser -- known part of the Civil War, the Western campaign, a part different in its issues and its problems, and fought with a different savagery. Inexorably it moves to a dramatic climax, evoking a brilliant picture of a war and the men of both sides who fought in it.

    But she never could have imagined that her summer would be so memorable. German prisoners of war have arrived to make their new home in the prison camp in Jenkinsville. To the rest of her town, these prisoners are only Nazis. But to Patty, a young Jewish girl with a turbulent home life, one boy in particular becomes an unlikely friend. Anton relates to Patty in ways that her mother and father never can. But when their forbidden relationship is discovered, will Patty risk her family and town for the understanding and love of one boy?

    But nothing comes close to the working machine gun Chas McGill pulls out of a downed bomber. While the police search frantically for the missing gun, Chas and his friends build a secret fortress to fight the Germans themselves.

    Sighs Dinah, "I think that we are quite likely to be bad, however hard we try not to be," and her sister Dorinda adds helpfully, "Very often, when we think we are behaving well, some grown-up person says we are really quite bad. It's difficult to tell which is which." Sure enough, the mischievous sisters soon convince a judge that minds must be changed as often as socks, stage an escape from the local zoo (thanks to a witch's potion which turns them into kangaroos), and—in the company of a golden puma and silver falcon—set off to rescue their father from the tyrant of Bombardy. A tale of hilarity and great adventure, The Wind on the Moon is also a work of high seriousness; after all, "life without freedom," as the valiant puma makes clear, "is a poor, poor thing."