During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"--a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication--only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth.From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    Happy news? Not in China, with its one-child policy. It is a crime. What is she to do? Her only option is divorcing before the second child is born.“Once the baby has entered into the household registry, we’ll marry again. The baby will be born after the divorce, so we’ll each have one child when we marry again. No law says couples with one child can’t marry.” Perfect! Except that after the divorce, Qin marries . . . another woman who is expecting a baby. Mad with rage, Li runs to the judge, begging him to declare the divorce a sham so she may remarry and truly divorce the fool!Liu’s politically charged plot reads like an absurd and hilarious comedy, but couched in his fiction is a harsh indictment of China’s one-child law and a head-on critique of China’s corrupt system. I Did Not Kill My Husband is storytelling and satire of the highest order, sharp-edged and ironic.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    A "sensuous and disquieting new novel" [New York Times] from one of China's most acclaimed novelists, the award-winning screenwriter of Joan Chen's film Xiu Xiu: The Sent-Down Girl.The Lost Daughter of Happiness is an epic and moving love story of individuals intoxicated with one another and yet repeatedly separated by prejudice and mistrust. The novel chronicles the lives of the main characters over decades against a backdrop of social turmoil--the anti-Chinese hysteria that plagued San Francisco.

    The Plum in the Golden Vase or, Chin P'ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

    After their deaths, each year on the anniversary of the broadcast, their souls would return to the Chinese village of their younger days. It’s where they had fought—and survived—a war that shook the world and changed their own lives in unimaginable ways. Now, seventy years later, the pledge is being fulfilled by American missionary Pastor Billy, brash gunner’s mate Ian Ferguson, and local soldier Liu Zhaohu.All that’s missing is Ah Yan—also known as Swallow—the girl each man loved, each in his own profound way.As they unravel their personal stories of the war, and of the woman who touched them so deeply during that unforgiving time, the story of Ah Yan’s life begins to take shape, woven into view by their memories. A woman who had suffered unspeakable atrocities, and yet found the grace and dignity to survive, she’d been the one to bring them together. And it is her spark of humanity, still burning brightly, that gives these ghosts of the past the courage to look back on everything they endured and remember the woman they lost.

    Events in Fragrants Lotus' life twist and unfold in a series of witty and often wicked ironies, obliterating easy distinctions between kindness and cruelty, history and fable, forgery and authentic work. The novel's waggish narrator exists in the tension between judgement and description, wryly deflating his reader's certainties along the way. Written in 1985, The Three-Inch Golden Lotus is a deeply affecting, thoroughly enjoyable literary revelation.

    Patrick Hanan praises the volume as -the highest achievement in the contemporary Chinese story.- Henry Miller considers Pai Hsien-yung -a master of portraiture.- Stories from this collection have already been translated into French, German, Italian, Dutch, Hebrew, Japanese and Korean.

    High-school student Jingqiu is one of many educated urban youth sent to the countryside to be "re-educated" under a dictate from Chairman Mao. Jing's father is a political prisoner somewhere in China, and her mother, a former teacher branded as a "capitalist," is now reduced to menial work to support Jing and her two younger siblings.When Jing arrives with a group at Xiping village in the Yangtze River's Three Gorges region, she meets geology student Jianxin, nicknamed "Old Three," who is the son of a high-ranking military officer, but whose mother committed suicide after being branded a "rightist." Despite their disparate social backgrounds and a political atmosphere that forbids the relationship, Jingqiu and Jianxin fall desperately in love. But their budding romance is cut short by fate...A sensitive and searing love story, Under the Hawthorn Tree is sure to become an instant classic.

    As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.

    As the government enforces tighter restrictions, Luo in turn tightens the reins on the waste workers in his employ. Ruthlessness is his means of survival.Scott Brandle has come to Silicon Isle representing TerraGreen Recycling, an American corporation that stands to earn ungodly sums if they can reach a deal to modernize the island’s recycling process.Chen Kaizong, a Chinese American, travels to Silicon Isle as Scott’s interpreter. There, Kaizong is hoping to find his heritage, but finds more questions instead. The home he longs for may not exist.As these forces collide, a dark futuristic virus is unleashed on the island, and war erupts between the rich and the poor; between Chinese tradition and American ambition; between humanity’s past and its future.

    A wild thriller and deadly game of cat-and-mouse from one of China's most popular authors. For fans of Jo Nesbo, Se7en, and Hong Kong police cinema.The brutal murder of respected police officer Sergeant Zheng Haoming sends shock waves through Chengdu, a modern metropolis in the heart of China's stunning Sichuan province. He had been obsessed by an unsolved, eighteen-year-old murder case until an entity calling itself Eumenides (after the Greek goddess of vengeance and retribution) releases a terrifying manifesto. Is the manifesto a sick joke, or something more sinister? Soon, the public starts nominating worthy targets for Eumenides to kill, and, two days later, Sergeant Zheng is dead. Eumenides' cunning game is only getting started. The police receive a "death notice," a chilling note announcing the the killer's next target, the crimes they have committed, and the date of their execution. The note is both a challenge and a taunt to the police. When the first victim dies in public, under their complete protection, the police are left stunned. More death notices are coming. The chase is on.Death Notice is an explosive, page-turning thriller filtered through a vibrant cultural lens. Zhou Haohui expertly adds an exhilarating new perspective to the twists and tropes of the genre all fans love, making for a uniquely propulsive and entertaining read.

    By asking challenging questions with respect and empathy, Liao Yiwu managed to get his subjects to talk openly and sometimes hilariously about their lives, desires, and vulnerabilities, creating a book that is an instance par excellence of what was once upon a time called “The New Journalism.” The Corpse Walker reveals a fascinating aspect of modern China, describing the lives of normal Chinese citizens in ways that constantly provoke and surprise.From the Trade Paperback edition.

    At age nineteen in 1990s China, he feels pressure to follow suit with those around him and takes a job at the town’s saccharin factory. Slowly, he adjusts to the bureaucratic factory routine, making the best of the situation by bonding with coworkers, flirting with girls, and refusing to give in completely to the expectations of those around him.As Lu Xiaolu finds his way, a startling portrait of an economically expanding China comes into view; the propaganda of a common goal gives way to a bottom-line system that he sees as indifferent to individual happiness. But thanks to the relationships he develops, Lu Xiaolu decides to fight for the life he wants.

    The war results in two different and mutually incompatible worlds. In 2196, one hundred years later, Earth and Mars attempt to initiate a dialogue, hoping a reconciliation is on the horizon. Representing Mars, a group of young delegates are sent to Earth to study the history and culture of the rival planet, all while teaching others about life on Mars.Narrated from two perspectives: Luo Ying, an eighteen-year-old girl from Mars who has spent the past five years on Earth, and Ignacio, a filmmaker in his late twenties from Earth on a job to document the delegates from Mars. Both Luo and Ignacio are trapped between worlds, with critics all around, and always under suspicion, searching for where they truly belong.