A perfect collectible book for fans of Dita, classic burlesque devotees, or for anyone who loves a playful and beautifully packaged book, DITA: STRIPTEASE is an exquisite visual tribute to this one-of-a-kind performer, featuring three of her most beloved dances:Martini Glass Show: Performed all over the world, the martini glass show is Dita′s most famous burlesque act. Featuring her in her "Diamonds in the Buff" costume, Dita performs a traditional striptease that culminates with her bathing herself in an oversize martini glass, complete with olive sponge.Bird of Paradise Show: Inside a posh gilded Victorian birdcage, burlesque′s brightest star reinvents the classic feather fan dance with two lush oversize feather fans of exotic, rare magenta pheasant feathers. In an extraordinary costume of beautifully curved feathers, Dita spins around on her golden perch, and treats audiences to an unforgettable wet and wild finale as sparkling water showers over her body.Classic Striptease: This striptease features Dita dressed in a vintage suit complete with a veiled hat, seamed stockings, and sky-high stilettos. Audiences get a glimpse into Dita′s personal wardrobe-and what she reveals underneath it!

    Are you fed up of the same old high street shops? Are you bored of your wardrobe? Do you fear arriving at a party and seeing someone wearing the same thing as you? Yes? Then it sounds like you're in need of a modern vintage makeover! This Old Thing is here to show you that vintage shopping doesn't have to mean rummaging through old cardigans at a car boot sale - instead, let Dawn introduce you to a world of beautiful and unique fashion treasures, and show you how to create a glamorous personal style that is all your own. Packed full of insider vintage fashion know-how, This Old Thing will take you through the history behind your fashion favourites (including the classic Little Black Dress...) advise you on how to find gorgeous vintage jewels of your own, and show you how a few simple tricks can turn an old item of clothing into a fabulous prized possession. Whether you're a vintage virgin or a retro clothing addict, This Old Thing is an indispensable style handbook offering even more of the vintage hints, history and how-tos shared by Dawn in the new Channel 4 series.

    Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence.Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.

    Although regarded as an essential element of fashionable dress from the Renaissance into the twentieth century, the corset was also frequently condemned as an instrument of torture and the cause of ill health. Why did women continue to don steel and whalebone corsets for four hundred years? And why did they finally stop? This lavishly illustrated book offers fascinating and often surprising answers to these questions. Valerie Steele, one of the world’s most respected fashion historians, explores the cultural history of the corset, demolishing myths about this notorious garment and revealing new information and perspectives on its changing significance over the centuries. Whereas most historians have framed the history of the corset in terms of oppression vs. liberation and fashion vs. health and comfort, Steele contends that women’s experiences of corsetry varied considerably and cannot be fully understood within these narrow frames.Drawing on extensive research in textual, visual, and materials sources, the author disproves the beliefs that the corset was dangerously unhealthy and was designed primarily for the oppression of women. Women persisted in wearing corsets—despite powerful male authorities trying to dissuade them—because corsetry had positive connotations of social status, self-discipline, youth, and beauty. In the twentieth century the garment itself fell out of fashion but, Steele points out, it has become internalized as women replace the boned corset with diet, exercise, and plastic surgery. The book concludes with insightful analyses of such recent developments as the reconception of the corset as a symbol of rebellion and female sexual empowerment, the revival of the corset in contemporary high fashion, and its transformation from an item of underwear to outerwear.

    She’s a transcendent icon!”— Leandra Medine, manrepeller.comA unique and lavishly illustrated collection of musings, anecdotes, and observations on all matters of life and style, infused with the singular candor, wit, and exuberance of the globally revered ninety-six-year-old fashion icon whose work has been celebrated at the Metropolitan Museum of Art’s Costume Institute and by countless fans worldwide.A woman who transcends time and trends, Iris Apfel is a true original, one of the most dynamic personalities in the worlds of fashion, textiles, and interior design. As the cofounder with her husband, Carl Apfel, of Old World Weavers, an international textile manufacturing company that specialized in reproducing antique fabrics, her prestigious clientele has included Greta Garbo, Estee Lauder, Montgomery Clift, and Joan Rivers. She also acted as a restoration consultant and replicated fabric for the White House over nine presidential administrations. Iris’s travels worldwide and a passion for flea markets of all sorts inspired her work and fueled her passion for collecting fashion and accessories.In 2005, she was the first living person who was not a designer to have her clothing and accessories exhibited at the Costume Institute at the Metropolitan Museum of Art, a blockbuster show that catapulted her to fame and a career as a supermodel, muse, and collaborator for renowned brands, from Citroen to Tag Heuer, and global gigs at Bon Marché in Paris and the Landmark Mandarin Oriental in Hong Kong. In 2015, acclaimed director Albert Maysles released Iris, his last film—now an Emmy Award nominee—to a global audience.Now, this self-dubbed geriatric starlet, whose irrepressible authenticity, wit, candor, and infectious energy have earned her nearly a million followers on social media, has created an entertaining, thought-provoking, visually arresting, and inspiring volume—her first book—that captures her unique joie de vivre. Iris Apfel: Accidental Icon, contains an eclectic mix of musings and 180 full-color and black-and-white photos and illustrations—presented in the same improvisational, multifaceted style that have made Iris a contemporary fashion icon. Astute maxims, witty anecdotes from childhood to the present, essays on style and various subjects, from the decline of manners to the importance of taking risks, fill the book as do lists, both proclamatory, revelatory, and advisory.All are paired with a bold, color-filled, exciting design that varies from page to page. Here, too, is a treasure trove of never-before-published personal photographs and mementos, mixed with images from top international fashion photographers and illustrators with enchanting, surprising novelties such as Disney cartoons, vintage postcards, the Iris Apfel Halloween costume for children, and more.

    Her collaborations with artists such as Man Ray, Salvador Dalí, Jean Cocteau and Alberto Giacometti elevated the field of women's clothing design into the realm of art.Her story is one of pluck, determination and talent with scandal as spice. As the daughter of minor Italian nobility whose disastrous first marriage to a Theosophist caused near penury, she transformed herself into a designer of great imagination and, along with Coco Chanel, her greatest rival, she was one of the few female figures in the field at that time

    Kevin Aucoin shares his secrets, explaining not only the basics of makeup application and technique but also how to use the fundamentals to create a wide range of different looks.

    Interspersed with pages from Alexa's notebooks and many a photo of a good night out, It appears in real cloth, with hand-crafted marbled endpages covered in polkadots, stripy head and tail bands, and luxiouriously creamy paper. Witty, charming and with a refreshingly down-to-earth attitude, It is a must-have for anyone who loves fashion, worries about growing up, or loves just about everything Alexa Chung.

    In 1959, she published a best-selling memoir and style guide, The Dress Doctor, in which she shared tips on style and dozens of entertaining anecdotes on Hollywood's A-list with her fans. Now, The Dress Doctor has returned in this special edition of the original volume, an alphabetical romp through the art of getting dressed and dressing Hollywood, with specially commissioned illustrations and the best advice and stories culled word for word from the original book. From Audrey Hepburn to Zooture, The Dress Doctor is filled with Head's timeless tips: her expertise on developing a personal style, dressing to flatter one's figure, building a wardrobe, and judging quality. Her prescriptions for dressing properly for various activities from archery to house cleaning to roller skating are a charming mix of perennially chic and, now, with the passing of time, tongue in chic. Fashion illustrator Bil Donovan's stunning re-creations of Head's most famous gowns, along with illustrations of myriad other stylish ensembles, bring the designer's work vividly to life again, along with Hollywood icons Grace Kelly, Katharine Hepburn, Mae West, Cary Grant, and many others. This irresistible, elegant volume is a unique treasure for those who love film, style, and the glamour of Old Hollywood.

    And we pay close attention to how others dress as well; though we may not be able to put what we observe into words, we unconsciously register the information, so that when we meet and converse we have already spoken to one another in a universal tongue.Alison Lurie, the Pulitzer Prize-winning novelist, is our savvy guide and interpreter on this tour through the history of fashion. She provides fascinating insights into how changing sex roles, political upheavals, and class structure have influenced costume. Whether she is describing the enormous amount of clothing worn by early Victorian women or illuminating the significance of the long robes worn by aging men throughout history to connote eminence, her analysis is playful, clever, and always on target.

    It tells readers what makes a Bombshell tick; road-tested outfits for 25 occasions; must-have Bombshell sleepwear, handbags, and fragrances; what's in the Bombshell library; and what she looks for in a man. With scads of little-known facts about real-life bombshells like Liz, Mae, and Lana this fun and ever-so-practical little book is certain to bring out the inner Bombshell in every woman.

    Vintage Hairstyles presents all the tools, techniques, and step-by-step instructions needed to achieve eye-catching looks for every occasion. Trendsetters, hairstylists, and fashionistas will love creating elegant updos for special events or playful curls for everyday excursions. Featuring a history of beauty trends by the decades, a list of must-have hair products, and projects for making chic hair accessories, Vintage Hairstyles showcases classic beauty with a fresh twist.

    This new edition of "9 Heads" is the re-statement of the author's approach to the subject of black and white drawings, incorporating the most developed thinking and views, both in terms of what the end product should look like, and how best to achieve it. "9 Heads" also presents a different style of finished drawing, one where figures are usually more fleshed-out and where garment fabrics are more rendered than in the drawings of the previous edition. This edition has been extended in scope as that together with "Colors for Modern Fashion" the two books constitute all the elements of modern fashion drawing from Beginners through to Advanced. In-depth treatment in men's fashion. More serious treatment of children's fashion. Completely revised and expanded chapter on drawing clothing on the figure. New chapter on fabrics shows how to make drawings so the fabrics can be identified from the drawing. New appendix with hundreds of flats of modern garments. Quality of the drawing is far higher than the other books on the market. Ideal for those who have no previous formal training in drawing and who have a need to learn the basics of fashion drawing quickly.

    For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Merchants dressing like princes and butchers’ wives wearing gem-encrusted crowns were public enemies in medieval societies structured by social hierarchy and defined by spectacle. In Tudor England, silk, velvet, and fur were reserved for the nobility, and ballooning pants called “trunk hose” could be considered a menace to good order. The Renaissance-era Florentine patriarch Cosimo de Medici captured the power of fashion and dress codes when he remarked, “One can make a gentleman from two yards of red cloth.” Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States, and in the 1940s, the baggy zoot suits favored by Black and Latino men caused riots in cities from coast to coast.Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. And even when there are no written rules, implicit dress codes still influence opportunities and social mobility. Silicon Valley CEOs wear t-shirts and flip-flops, setting the tone for an entire industry: women wearing fashionable dresses or high heels face ridicule in the tech world, and some venture capitalists refuse to invest in any company run by someone wearing a suit.In Dress Codes, law professor and cultural critic Richard Thompson Ford presents a “deeply informative and entertaining” (The New York Times Book Review) history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same.

    Includes genealogical tables, coats of arms, and royal heraldry.