The first was the Round Table, with King Arthur as companion and lord. The second, the Table of Errant Companions, were those who went seeking adventure and waited to become companions of the Round Table. Those of the third table never left court and did not go on quests or in search of adventures, either because of illness or because they lacked courage. These knights were called the Less Valued Knights.'Sir Humphrey du Val of the Table of Less Valued Knights - Camelot's least prestigious table, boringly rectangular in shape and with one leg shorter than the other so that it always has to be propped up with a folded napkin to stop it from rocking - has been banned by King Arthur from going on quests, and hasn't left the castle in fifteen years. He's tempted out of his imposed retirement by Elaine, who is looking for her kidnapped fiancé. She appears to be the classic damsel in distress, but turns out to have a big secret to hide.Across the border in Puddock, the new young queen, Martha, is appalled to be married off against her will to the odious Prince Edwin of Tuft. She disguises herself as a boy and runs away, but doesn't get very far before the Locum of the Lake - standing in for the full-time Lady - intercepts her with some startling news: Martha's brother, the true heir to the throne of Puddock, is not dead as she has always thought, and Martha must go on her own quest to find him.The two quests collide, entangling Humphrey, Elaine and Martha's lives, and introducing a host of Arthurian misfits, including a twelve-year-old crone, a magic sword with a mind of her own, a freakishly short giant, and not one but three men in iron masks.With Gods Behaving Badly Marie Phillips showed that she has a rare gift for comedy, taking familiar characters from legend and giving them an ingenious contemporary twist. In The Table of Less Valued Knights it's Thomas Malory's turn, and I'm afraid you'll never read him in quite the same way again.

    From the earliest whispers of eternal evil in ancient Mesopotamia, Greece, and Rome, vampire tales flourished through the centuries and around the globe, fueled by superstition, sexual mystery, fear of disease and death, and the nagging anxiety that demons lurk everywhere.In Vampire Forensics, Mark Jenkins probes vampire legend to tease out the historical truths enshrined in the tales of terror: sherds of Persian pottery depicting blood-sucking demons; the amazing recent discovery by National Geographic archaeologist Matteo Borrini of a 16th-century Venetian grave of a plague victim and suspected vampire; and the Transylvanian castle of "Vlad the Impaler," whose bloodthirsty cruelty remains unsurpassed.Jenkins navigates centuries of lore and legend, adding new chapters to the chronicle and weaving an irresistibly seductive blend of superstition, psychology, and science sure to engross everyone from Anne Rice's countless readers to serious students of archaeology and mythology.

    story of the predecessors of Christians

    Spanning the centuries from the first wars of the ancient Irish kings through the Celtic Renaissance of Yeats to our own time, they are set in cities, villages, fields and forestsfrom the wild Gaelic western coast to the modern streets of Dublin and Belfast.Part of the Pantheon Fairy Tale and Folklore Library

    Included in this selection are the "heroic poems" such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous 'riddles' from The Exeter Book; all the "elegies," including The Ruin, The Wanderer, The Seafarer, The Wife's Complaint and The Husband's Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    These marvellous and mysterious phantoms - non-existent islands, invented mountain ranges, mythical civilisations and other fictitious geography - were all at various times presented as facts on maps and atlases. This book is a collection of striking antique maps that display the most erroneous cartography, with each illustration accompanied by the story behind it.      Exploration, map-making and mythology are all brought together to create a colourful tapestry of monsters, heroes and volcanoes; swindlers, mirages and murderers. Sometimes the stories are almost impossible to believe, and remarkably, some of the errors were still on display in maps published in the 21st century. Throughout much of the 19th century more than 40 different mapmakers included the Mountains of Kong, a huge range of peaks stretching across the entire continent of Africa, in their maps - but it was only in 1889 when Louis Gustave Binger revealed the whole thing to be a fake. For centuries, explorers who headed to Patagonia returned with tales of the giants they had met who lived there, some nine feet tall. Then there was Gregor MacGregor, a Scottish explorer who returned to London to sell shares in a land he had discovered in South America. He had been appointed the Cazique of Poyais, and bestowed with many honours by the local king of this unspoiled paradise. Now he was offering others the chance to join him and make their fortune there, too - once they had paid him a bargain fee for their passage...       The Phantom Atlas is a beautifully produced volume, packed with stunning maps and drawings of places and people that never existed. The remarkable stories behind them all are brilliantly told by Edward Brooke-Hitching in a book that will appeal to cartophiles everywhere.

    Originally published in 1861, it quickly established itself as the most popular selection of English poems. Today it stands as a testament to the richness of our finest native poetic writing from Spenser, Shakespeare, and Wordsworth, to Tennyson, Yeats, Eliot, and Betjeman. This edition includes a sixth book, prepared by John Press, which covers the post-war years, showing that the lyrical tradition remains strong. Over ninety poets are included, from Dylan Thomas, George Mackay Brown, Ted Hughes, and Philip Larkin to Carol Ann Duffy, Elizabeth Garrett and Simon Armitage.

    Her name is Wild Woman, but she is an endangered species. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller shows how women's vitality can be restored through what she calls "psychic archeological digs" into the ruins of the female unconsious. Using multicultural myths, fairy tales, folk tales, and stories, Dr. Estes helps women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype.Dr. Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

    In six hundred years, the Celts had produced some of the finest artistic and scientific masterpieces of the ancient world. In 58 BC, Julius Caesar marched over the Alps, bringing slavery and genocide to western Europe. Within eight years the Celts of what is now France were utterly annihilated, and in another hundred years the Romans had overrun Britain. It is astonishing how little remains of this great civilization. While planning a bicycling trip along the Heraklean Way, the ancient route from Portugal to the Alps, Graham Robb discovered a door to that forgotten world--a beautiful and precise pattern of towns and holy places based on astronomical and geometrical measurements: this was the three-dimensional "Middle Earth" of the Celts. As coordinates and coincidences revealed themselves across the continent, a map of the Celtic world emerged as a miraculously preserved archival document.Robb--"one of the more unusual and appealing historians currently striding the planet" (New York Times)--here reveals the ancient secrets of the Celts, demonstrates the lasting influence of Druid science, and recharts the exploration of the world and the spread of Christianity. A pioneering history grounded in a real-life historical treasure hunt, The Discovery of Middle Earth offers nothing less than an entirely new understanding of the birth of modern Europe.

    It has been the subject of myth, legend, and folklore; the villain, and occassional hero, of films and novels. Today, the vampire is alive and flourishing in hit television shows, special night clubs, and even comic books.With more than 2,000 entries in A - Z format, The Vampire Encyclopedia offers information on a variety of subjects: the history of the vampire legend methods of finding and destroying vampires how to become a vampire the role of the vampire bat all about female vampires and much more! There are listings of films, appendices that list short stories and novels that feature vampires, even a listing of vampire societies and organizations. Whether traditional vampires or psychic vampires; historical vampires or vampires in poetry and art, they are all included in this comprehensive, single-volume reference guide to the undead.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    From Spenser's The Fairie Queene to Wells's The Time Machine to Murakami's 1Q84 it explores the timeless and captivating features of fiction's imagined worlds including the relevance of the writer's own life to the creation of the story, influential contemporary events and philosophies, and the meaning that can be extracted from the details of the work. With hundreds of pieces of original artwork, illustration and cartography, as well as a detailed overview of the plot and a "Dramatis Personae" for each work, Literary Wonderlands is a fascinating read for lovers of literature, fantasy, and science fiction.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation's languages, the book describes how Ireland's pagan divinities were transformed into literary characters in the medieval Christian era--and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams's comprehensive history traces how these gods--known as the Tuatha De Danann--have shifted shape across the centuries, from Iron Age cult to medieval saga to today's young-adult fiction.We meet the heroic Lug; the Morrigan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the mist-cloaked sea god Manannan mac Lir; and the ageless fairies who inspired J.R.R. Tolkien's immortal elves. Medieval clerics speculated that the Irish divinities might be devils, angels, or enchanters. W. B. Yeats invoked them to reimagine the national condition, while his friend George Russell beheld them in visions and understood them to be local versions of Hindu deities. The book also tells how the Scots repackaged Ireland's divine beings as the gods of the Gael on both sides of the sea--and how Irish mythology continues to influence popular culture far beyond Ireland.An unmatched chronicle of the Irish gods, Ireland's Immortals illuminates why these mythical beings have loomed so large in the world's imagination for so long.

    Shakespeare's childhood fascination with theater suddenly found a perfect outlet — he joined the Queen's Men and replaced the missing actor. Shortly thereafter young William traveled to London in pursuit of an acting career. But acting soon gave way to an even more glorious adventure when Shakespeare realized that he might have a talent for writing plays. Setting the playwright in context to his personal life, social, historical and political events, other writers of influence, and more, you will quickly gain a deep understanding of Shakespeare and the plays he wrote. Read Shakespeare in an Hour and experience his plays like never before. Know the playwright, love the play! The book features: • Shakespeare in an Hour, the main essay of the book • Shakespeare In a Minute, a snapshot chronology • A complete listing of Shakespeare's work • A list of Shakespeare's contemporaries in all fields • Excerpts from Shakespeare's significant works • An extensive bibliography grouped according to type of reader • An index of the main essay. Playwrights in an Hour is a series devoted to the most produced and studied playwrights in the English language, from the Greek masters to contemporary writers, and written by leading authorities in the field. Each short book places the playwright and his or her work in historical, social, and literary context.