King Henry the Eighth of England that day once more pronounced himself the happiest and most enviable man in his kingdom, for to-day he was once more a bridegroom, and Catharine Parr, the youthful widow of Baron Latimer, had the perilous happiness of being selected as the king's sixth consort.

    Lucy Worsley takes us through the bedroom, bathroom, living room and kitchen, covering the architectural history of each room, but concentrating on what people actually did in bed, in the bath, at the table, and at the stove.

    To what extent did King Henry VIII’s upbringing shape him into the tyrannical figure we know today? This concise, well-researched analysis sheds light on a little-known period of the infamous monarch’s life.

    This is by no means yet another account of the "old monster" and his dealings. The "monster" displayed here is, at the very least, a newer type, more beset by anxieties and insecurities, and more tightly surrounded than ever by those who equated loyalty with fear, self-interest, and blind obedience. This compelling and groundbreaking book also demonstrates that Henry VIII's priorities were always primarily martial rather than marital, and accepts neither the necessity of his all-consuming quest for a male heir nor his need ultimately to sever ties with Rome. As the story unfolds, Henry's predicaments prove largely of his own making, the paths he chose neither the only nor the best available. For Henry VIII was not only a bad man, but also a bad ruler who failed to achieve his aims and blighted the reigns of his two immediate successors.

    Reared in a dangerous and unpredictable world Margaret of York, sister of Richard III, would become the standard bearer of the House of York and 'The menace of the Tudors'. This alluring and resourceful woman was Henry VII's 'diabolical duchess'. Safe across the Channel in modern-day Belgium and supported by the Emperor she sent Lambert Simnel and Perkin Warbeck with thousands of troops to England to avenge the destruction of her brother and of the House of York. Both rebellions shook the new Tudor dynasty to the core. As the duchess and wife of the wealthiest ruler in Western Europe, Margaret was at the centre of a glittering court and became the patron of William Caxton. It was at her command that he printed the first book in English. Her marriage to Charles, the dour, war-mad Duke of Burgundy, had been the talk of Europe. John Paston, who was among the awe struck guests, reported in the famous Paston Letters that there had been nothing like it since King Arthur' court. Yet within a decade Charles was dead, his corpse frozen on the battlefield and within another decade her own family had been destroyed in England. Childless and in a foreign land Margaret showed the same energetic and cautious spirit as her great-grand-niece Elizabeth I, surviving riots, rebellions and plots. In spite of all her efforts, the Tudors were still on the throne but Margaret, unlike the Yorkist kings, was a great survivor.

    Only twenty-five years old, the young queen saw herself as their Protestant savior, aiming to provide the nation with new hope, prosperity, and independence from the foreign influence that had plagued her sister Mary's reign. Given the scars of the Reformation, Elizabeth would need all of the powers of diplomacy and tact she could summon.Extravagant, witty, and hot-tempered, Elizabeth was the ultimate tyrant. Yet at the outset, in religious matters, she was unfathomably tolerant for her day. "There is only one Christ, Jesus, one faith," Elizabeth once proclaimed. "All else is a dispute over trifles." Heretic Queen is the highly personal, untold story of how Queen Elizabeth I secured the future of England as a world power. Susan Ronald paints the queen as a complex character whose apparent indecision was really a political tool that she wielded with great aplomb.

    Was she the bereft widow of legend who was driven mad by her loss, or has history misjudged a woman who was ahead of her time? In his stunning new novel, C. W. Gortner challenges the myths about Queen Juana, unraveling the mystery surrounding her to reveal a brave, determined woman we can only now begin to fully understand.The third child of Queen Isabel and King Ferdinand of Spain, Juana is born amid her parents’ ruthless struggle to unify their kingdom, bearing witness to the fall of Granada and Columbus’s discoveries. At the age of sixteen, she is sent to wed Philip, the archduke of Flanders, as part of her parents’ strategy to strengthen Spain, just as her youngest sister, Catherine of Aragon, is sent to England to become the first wife of Henry VIII. Juana finds unexpected love and passion with her handsome young husband, the sole heir to the Habsburg Empire. At first she is content with her children and her life in Flanders. But when tragedy strikes and she inherits the Spanish throne, Juana finds herself plunged into a battle for power against her husband that grows to involve the major monarchs of Europe. Besieged by foes on all sides, her intelligence and pride used as weapons against her, Juana vows to secure her crown and save Spain from ruin, even if it could cost her everything.With brilliant, lyrical prose, novelist and historian C. W. Gortner conjures Juana through her own words, taking the reader from the somber majesty of Spain to the glittering and lethal courts of Flanders, France, and Tudor England. The Last Queen brings to life all the grandeur and drama of an incomparable era, and the singular humanity of this courageous, passionate princess whose fight to claim her birthright captivated the world.

    In 1774, at the age of seventeen, Georgiana achieved immediate celebrity by marrying one of England's richest and most influential aristocrats, the Duke of Devonshire. Launched into a world of wealth and power, she quickly became the queen of fashionable society, adored by the Prince of Wales, a dear friend of Marie-Antoinette, and leader of the most important salon of her time. Not content with the role of society hostess, she used her connections to enter politics, eventually becoming more influential than most of the men who held office. Her good works and social exploits made her loved by the multitudes, but Georgiana's public success, like Diana's, concealed a personal life that was fraught with suffering. The Duke of Devonshire was unimpressed by his wife's legendary charms, preferring instead those of her closest friend, a woman with whom Georgiana herself was rumored to be on intimate terms. For over twenty years, the three lived together in a jealous and uneasy ménage à trois, during which time both women bore the Duke's children—as well as those of other men.Foreman's descriptions of Georgiana's uncontrollable gambling, all-night drinking, drug taking, and love affairs with the leading politicians of the day give us fascinating insight into the lives of the British aristocracy in the era of the madness of King George III, the American and French revolutions, and the defeat of Napoleon. A gifted young historian whom critics are already likening to Antonia Fraser, Amanda Foreman draws on a wealth of fresh research and writes colorfully and penetratingly about the fascinating Georgiana, whose struggle against her own weaknesses, whose great beauty and flamboyance, and whose determination to play a part in the affairs of the world make her a vibrant, astonishingly contemporary figure.

    His marriage to the self-assured and supportive Elizabeth Bowes-Lyons and his unexpected accession to the throne in 1936 changed the direction of the young prince’s life for good. Once on the throne, it was he who bore the weighty responsibility for restoring the nation’s confidence in their monarchy following his elder brother’s abdication and for maintaining morale during the darkest days of World War II, when, together with Winston Churchill, his dignified presence functioned as a beacon of reassurance to civilians and military alike. Denis Judd provides a fascinating, if sometimes controversial, reassessment of the man who, quite unexpectedly, came to occupy an extraordinary position in a time of unprecedented change.

    Though one of the most flamboyant free spirits of the late eighteenth century, Mary led a life that was marked by reversals of fortune. After being abandoned by her father, Mary was married, at age fifteen, to Thomas Robinson, whose dissipation landed the couple and their baby in debtors’ prison. On her release, Mary rose to become one of the London theater’s most alluring actresses, famously playing Perdita in The Winter’s Tale for a rapt audience that included the Prince of Wales, who fell madly in love with her. Never one to pass up an opportunity, she later used his ardent love letters for blackmail. After being struck down by paralysis, apparently following a miscarriage, she remade herself yet again, this time as a popular writer who was also admired by the leading intellectuals of the day.Filled with triumph and despair and grand accomplishments, the amazing life of “Perdita” is marvelously captured in this stunning biography.

    Massie has written a richly textured and gripping chronicle of the personal and national rivalries that led to the twentieth century's first great arms race. Massie brings to vivid life, such historical figures as the single-minded Admiral von Tirpitz, the young, ambitious, Winston Churchill, the ruthless, sycophantic Chancellor Bernhard von Bulow, and many others. Their story, and the story of the era, filled with misunderstandings, missed opportunities, and events leading to unintended conclusions, unfolds like a Greek tratedy in his powerful narrative. Intimately human and dramatic, DREADNOUGHT is history at its most riveting.

    From Boadicea, who defied the Romans, to Elizabeth II, now celebrating 25 years on the throne, the Queens of England are given new dimension with all of Norah Lofts' compassion, wit and biographical skill.What were the problems these women faced, in the palace and on the battlefield, in the bedroom as well as the kingdom? How did they cope--what were the living conditions and how did these affect their policies and reactions to events? Queens of England is a magnificent pageant, a tale of successes, mistakes, dangers and wars, happiness, pomp and power. It is a splendidly moving drama, charting national and royal fortunes and misfortunes with appealing new clarity.

    turbulent time in English history. Each ruler's survival required a fierce struggle to maintain control - often against incredible odds.From Henry VII, England's last king to win the crown in battle, and the tyrannical Henry VIII with his succession of wives, to the fiercely Catholic 'Bloody Mary', and her sister, Elizabeth, the 'Virgin queen', Jane Bingham examines just how fairly history has treated these Tudor rulers.Both as politicians and as individuals, it is no wonder these larger-than-life monarchs still capture our imaginations today.

    The Devil and Dr. Barnes traces the near-mythical journey of a man who was born into poverty, amassed a fortune through the promotion of a popular medicine, and acquired the premier private collection of works by such masters as Renoir, Matisse, Cézanne, and Picasso. Ostentatiously turning his back on the art establishment, Barnes challenged the aesthetic sensibilities of an uninitiated, often resistant and scoffing, American audience. In particular, he championed Matisse, Soutine, and Modigliani when they were obscure or in difficult straits. Analyzing what he saw as the formal relationships underlying all art, linking the old and the new, Barnes applied these principles in a rigorous course of study offered at his Merion foundation. Barnes's own mordant words, culled from the copious printed record, animate the narrative throughout, as do accounts of his associations with notables of the era--Gertrude and Leo Stein, Bertrand Russell, and John Dewey among them--many of whom he alienated with his appetite for passionate, public feuds. In this rounded portrait, Albert Barnes emerges as a complex, flawed man, who--blessed with an astute eye for greatness--has left us an incomparable treasure, gathered in one place and unforgettable to all who have seen it.

    Perfect for fans of Philipa Gregory.When her own first child is tragically still-born, the young Mette is pressed into service as a wet-nurse at the court of the mad king, Charles VI of France. Her young charge is the princess, Catherine de Valois, caught up in the turbulence and chaos of life at court.Mette and the child forge a bond, one that transcends Mette’s lowly position.But as Catherine approaches womanhood, her unique position seals her fate as a pawn between two powerful dynasties. Her brother, The Dauphin and the dark and sinister, Duke of Burgundy will both use Catherine to further the cause of France.Catherine is powerless to stop them, but with the French defeat at the Battle of Agincourt, the tables turn and suddenly her currency has never been higher. But can Mette protect Catherine from forces at court who seek to harm her or will her loyalty to Catherine place her in even greater danger?