Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    They include The Garden Party, The Increased Difficulty of Concentration, Mistake, the Vanek trilogy of Audience, Unveiling, and Protest, and the first fully corrected English version of The Memorandum--the play that won Havel the Obie for Best Foreign Play in 1968.

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    With only six characters, she constructs a vivid weekend of crossed pasts and uncertain but optimistic futures. On Martha's Vineyard, an affluent African-American family gathers in their vacation home, joined by the housekeeper's daughter, who is filling in for her mother. The family patriarch is a philandering physician; one of his sons has followed in his footsteps, while the other, after numerous false starts in a variety of careers, is a struggling novelist. Both bring along their current girlfriends, to meet the family for the first time. With such highly--perhaps over--educated vacationers, the conversation and the barbs fly, on subjects ranging from race to economics to politics. But there is also more than enough human drama, which reaches its climax when an old family secret comes out. Through lively exchanges and simmering wit, the family tackles a history filled with complications both within the family and in the outer world.

    Book annotation not available for this title.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    This collection presents a cross-section of Shaw's most important theater workâ��Mrs. Warren's Profession, Man and Superman, Major Barbara, and Pygmalion. Each play is fully annotated. "Contexts and Criticism" features all-new material on the author and his work, from traditional critical readings to more theorized approaches, among them essays on Shaw's Fabianism and his alleged feminism. Contributors include Leon Hugo, Sally Peters, Tracy C. Davis, John A. Bertolini, Stanley Weintraub, and J. Ellen Gainor. A Chronology and a Selected Bibliography are included.

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    When a young white prisoner accused of child molesting is thrown into the cell block by a guard who says he belongs in Sing Sing because "the men up there konw what to do with degenerates like you," the stage is set for an explosive series of events; for, among prisoners, this child molester called "short eyes" is the lowest of criminals.

    Frank Baum's The Wonderful Wizard of Oz. The production called for the casting of many dwarfs to play the Munchkins of the mythical Land of Oz and the studio began recruiting 'small persons' from all over the world. During production, rumours spread around Hollywood of wild Munchkin sex orgies, drunken behavior and general dwarf debauchery. More sinisterly, a Munchkin is said to have committed suicide by hanging himself on the set during filming - what appears to be a small human body is clearly visible hanging from a tree in the Tin Man scene. It is a claim that has passed into Hollywood legend. Set in a hotel room in Culver City, California, Babylon Heights is Irvine Welsh and Dean Cavanagh's scabrous and hilarious imagining of what could, very possibly, have led to that dwarf suicide. Babylon Heights premiered at the Exit Theatre, San Francisco, in June 2006.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    A refreshing alternative to voluminous literature anthologies, this compact, inexpensive, and diverse collection of fiction, poetry, and drama provides a concise yet complete introduction to the study of literature.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    Set in a rural inn in Yorkshire, three people enter a strange confrontation with the hallmarks of déjà vu, and a physicist attempts to prevent a disaster.