The book explains that the river, its very existence, and its course have been discussed and speculated over for years. The magnificence of the Sarasvati has been detailed in scriptures like the Rig Veda. Historians and archaeologists could not understand how it mysteriously ceased to exist. Some of the even deem the river a myth.This book attempts the deduce facts from fable and makes a strong case for the existence of the river. It goes over the upheavals that the Indian subcontinent went through thousands of years ago, explaining the dry weather, erosion, and tectonic events that changed the terrain, altered river courses, and may have made the Sarasvati disappear. The book then chronicles explorations into the river started, which began around the early nineteenth century, when it was rediscovered by British officials doing topographic explorations.The book also explains the culture around that time, shedding light on the Indus valley civilisation and the rich and flourishing culture of Harappa. The book goes on the show the results of explorations into the river’s origins and course using modern technology like satellite imagery and isotope analysis. The author has also used his proof of the existence of the river to bolster his theory that Aryans were indigenous to India and not foreign invaders.The Lost River was published in 2010 by Penguin India and is available in paperback.Key Features: The book presents evidence for the existence and information about the course and demise of the Sarasvati from various fields of investigation. It contains an extensive appendix with further information and a vast number of footnotes.

    It explores the possible causes for the decline of the Harappan civilization and settlements. The book talks about the possibility of the Harappans having moved towards the south and settled in the peninsular region.The author also discusses the Aryan invasion theory, supporting it with various research papers and findings of that time. The evolution of Hindu religion is also talked about in this book--from the Harappan times, to the coming of the Aryans and the mutual influence that Hinduism and its off shoots Jainism and Buddhism had on each other.This book is comprehensive in its coverage of Indian history. It looks at every aspect of Indian society and culture. The Wonder That was India covers everything from religion, governance, social evolution, literary traditions, philosophy languages, and science.The author explores the significant role the Hindu religion played on the lives of the people. All the literary compositions of ancient times had religious associations. He also puts forward the theory that the European gypsies are of Indian origin.The Wonder That Was India also gives an insight into modern Indian society and culture, how it became a confluence of different influences from many a quarter throughout the many stages of its history.

    The Positive You! is about your individuality, attitude, strengths, fears, worries, disappointments and your relationship with yourself.

    Combining authoritative analysis, new ideas, and diverse perspectives, they discuss subjects which are topical yet enduring, as also emerging areas of study and debate. Giving identity to over a billion people, the Indian Constitution is one of the world's great political texts. Drafted over six decades ago, its endurance and operation have fascinated and surprised many. In this short introduction, Madhav Khosla brings to light its many features, aspirations, and controversies. How does the Constitution separate power between different political actors? What form of citizenship does it embrace? And how can it change? In answering questions such as these, Khosla unravels the document's remarkable and challenging journey, inviting readers to reflect upon the theory and practice of constitutionalism in the world's largest democracy.

    When he first arrives in Aayakudi to investigate a curious tip about a ghost, the place seems like an ordinary, traditional farming village. Soon, though, Rajendran finds himself entangled in a head-spinning mystery involving ancient treasure, spirit possession, and a series of grisly killings. There's also the beautiful, troubled daughter of the village panchayat president... and the notorious evil sorcerer who wants her dead. Indra Soundar Rajan, one of the stalwarts of the Tamil pulp fiction scene, has been writing his unique brand of supernatural mystery thrillers for over 30 years. He's also known for his television screenplays, such as the long-running superhit serial Marmadesam (Land of Mystery). He lives in Madurai.

    Hundreds and thousands of our warriors won battles and many fought until their last breath defending the motherland.Indian History text books have hardly glorified these real warriors of the soil. We have grown up reading more about the glories of our invaders. A nation’s citizens, who are ignorant about the brave feats of their ancestors, tend to deviate away from their roots, historicity, and their sense of belongingness for the motherland. Saffron Swords that contains 52 tales of valor, is a tribute to the unsung warriors of India, both men and women, from the last 1300 years. This book is the first in its series.

    His stylized dialogues and screen mannerisms are legion, and his guy-next-door-cum-superhero image has found a hysterically appreciative following among millions of moviegoers. Naman Ramachandran's marvellous biography recounts Rajini's career in meticulous detail, tracing his incredible cinematic journey from his very first film, Apoorva Raagangal, in 1975 to memorable forays into Bollywood like Andha Kanoon and Hum, from landmark films like Billa, Thalapathi and Annamalai to the mega successes of Baashha, Muthu, Padayappa, Chandramukhi, Sivaji and Enthiran. Along the way, the book provides rare insights into the Thalaivar's personal life, from his childhood days to his times of struggle-when he was still Shivaji Rao Gaekwad-and then his eventual stardom: revealing how a legend was born. Rajinikanth has not written his memoirs; this book is the closest we are likely to get to the definitive Rajini story.

    Hinduism does not lend itself easily to a strictly chronological account: many of its central texts cannot be reliably dated even within a century; its central tenets—karma, dharma, to name just two—arise at particular moments in Indian history and differ in each era, between genders, and caste to caste; and what is shared among Hindus is overwhelmingly outnumbered by the things that are unique to one group or another. Yet the greatness of Hinduism—its vitality, its earthiness, its vividness—lies precisely in many of those idiosyncratic qualities that continue to inspire debate today. Wendy Doniger is one of the foremost scholars of Hinduism in the world. With her inimitable insight and expertise Doniger illuminates those moments within the tradition that resist forces that would standardize or establish a canon. Without reversing or misrepresenting the historical hierarchies, she reveals how Sanskrit and vernacular sources are rich in knowledge of and compassion toward women and lower castes; how they debate tensions surrounding religion, violence, and tolerance; and how animals are the key to important shifts in attitudes toward different social classes.The Hindus brings a fascinating multiplicity of actors and stories to the stage to show how brilliant and creative thinkers—many of them far removed from Brahmin authors of Sanskrit texts—have kept Hinduism alive in ways that other scholars have not fully explored. In this unique and authoritative account, debates about Hindu traditions become platforms from which to consider the ironies, and overlooked epiphanies, of history.

    All the traditional lore of ancient India used to be kept inscribed on chemically processed palm leaves, handled with piety and devoid of impurities. Thus Olaichuvadi began to represent the lore of ancient India passed over from generation to generation, which included codes of ethics, instructions on the observances and practices and the tradition at large, to be followed.The title used for the book here, is quite relevant, for, it is nothing but an exploration on the worth and value of India's customs, practices and belief systems, which are seasoned by a highly ethical and philosophical approach.Every entry in this book is in its essence, the legacy of Indian cult presented in subtle, vet simple tongue. Dr. Venganoor Balakrishnan's Olaichuvadi that originally appeared in Malayalam soared high in its massive appeal in a short time. Its translations into other Indian languages also turned out to be best-sellers in no time. Hence we bring out the English version for the benefit of the whole world for the ardent readers as well as the seekers of India's soul in her rich and varied heritage, in the sagacious rishi-dominant past, and highly scientific, yet saintly-looking tradition.

    Discover the Om Puri no one knows about - the tongue-tied actor from Punjab with stars in his eyes; the incorrigible flirt in drama school; the connoisseur of food and expert cook; and the complete family man. Featuring amusing anecdotes with his family, shocking episodes with the stalwarts of Indian and British cinema, and the nail-biting suspense of his love life, the tale is complemented by rare and unusual photographs. Told with wit, honesty, and élan, this book is a fitting tribute to the inspirational tale of Om Puri - one of the most talented actors of India.

    Set to inspire, this book includes some of the most stirring and eloquent addresses by Rabindranath Tagore, Swami Vivekananda, Sardar Vallabhbhai Patel, Mother Teresa, JRD Tata, Abdul Kalam, Nardendra Modi and other influential Indian leaders.This impelling selection of expressive moments of oratory would provide the reader a fresh perspective; evoke feelings of patriotism, inspiration and unbounded motivation. Nitin Aggarwal introduces each speech with relevant information, providing valuable insight.

    I’d been waiting for months to hear from them...’ In early 2010, Arundhati Roy travelled into the forests of Central India, homeland to millions of indigenous people, dreamland to some of the world’s biggest mining corporations. The result is this powerful and unprecedented report from the heart of an unfolding revolution. About the Author : Arundhati Roy is the author of The God of Small Things, which won the Booker Prize in 1997. Three volumes of her non-fiction writing, The Algebra of Infinite Justice, An Ordinary Person’s Guide to Empire and Listening to Grasshoppers, were published in 2001, 2005 and 2009 respectively. The Shape of the Beast, a collection of her interviews, was published in 2008. Arundhati Roy lives in New Delhi.

    And so he has decided to put his thoughts down on paper. In THE CROWN: TRUTH & FICTION, Vickers writes that he does not approve of THE CROWN because 'it depicts real life people in situations which are partly true and partly false, and unfortunately most viewers take it all as gospel truth.'  He accepts that fiction can be a device to illuminate true events, but points out that it can be used to create dangerous, and lasting, false impressions too. THE CROWN has been a highly successful series, watched with intense interest across the globe.  The settings and costumes are of high quality, the acting is good, and it all looks convincing.  Peter Morgan is an intelligent writer, author of the film THE QUEEN, and the stage production of THE AUDIENCE.  The real Queen has previously inspired great performances from actresses such as Prunella Scales and Helen Mirren, and Claire Foy portrays her beautifully. As Vickers writes, 'THE CROWN has done a great job in reminding a younger generation that the Queen and Prince Philip were once young themselves.' One of the devices used in Series 2 is to take two straightforward themes which did happen and clash them against each other to create something which did not.  For example, in Episode 8, yes, the Queen and Prince Philip entertained the Kennedys at Buckingham Palace (on 5 June 1961), and yes, the Queen visited Nkrumah in Ghana (between 9 and 20 November 1961), but the Queen did not go to Ghana for the trivial reason that she wished to pull one over on Mrs Kennedy – she went there to ensure that Ghana remained part of the Commonwealth. Much has been written about the massive budget for this series and the attention to detail.   THE CROWN: TRUTH & FICTION identifies quite a number of mistakes, especially in respect of Orders and decorations.  Having worked on films himself, Hugo Vickers knows how hard it is to make sure these details are correct, and how sometimes shortcuts have to be taken.  But it is not that difficult to get the details right, and so he points out some of these errors.  But these are trivial things in comparison to the things shown as having happened, when they did not. The cruelest and most undeserved victim of the series is Prince Philip, here portrayed as a fractious, bumptious Jack the Lad, very much the villain.  Watching the series, Hugo Vickers concludes that he failed to find the man who, in 1962, was advancing Anglo-German relations through remarks such as, ‘It may be difficult for people to see any virtue in forgiving one’s enemies, but let them reflect that it is much more likely to achieve a better future than stoking the fires of hatred and suspicion.’  This fictional Prince Philip is little more than a self-centred philanderer.  The real Prince Philip told his biographer, Tim Heald: ‘I certainly believe in the need for a “free” press, but there is a difference between freedom and licence and between the honest pursuit of the truth and the cynical pursuit of thoughtless – even vindictive sensationalism.’ THE CROWN: TRUTH & FICTION delivers a sharp message to filmwriters, producers, and their historical advisers: Fiction should help us understand the truth, not pervert it.

    But while he has been widely extolled for his achievements, parts of Churchill's record have gone woefully unexamined. As journalist Madhusree Mukerjee reveals, at the same time that Churchill brilliantly opposed the barbarism of the Nazis, he governed India with a fierce resolve to crush its freedom movement and a profound contempt for native lives. A series of Churchill's decisions between 1940 and 1944 directly and inevitably led to the deaths of some three million Indians. The streets of eastern Indian cities were lined with corpses, yet instead of sending emergency food shipments Churchill used the wheat and ships at his disposal to build stockpiles for feeding postwar Britain and Europe.Combining meticulous research with a vivid narrative, and riveting accounts of personality and policy clashes within and without the British War Cabinet, Churchill's Secret War places this oft-overlooked tragedy into the larger context of World War II, India's fight for freedom, and Churchill's enduring legacy. Winston Churchill may have found victory in Europe, but, as this groundbreaking historical investigation reveals, his mismanagement--facilitated by dubious advice from scientist and eugenicist Lord Cherwell--devastated India and set the stage for the massive bloodletting that accompanied independence.

    These have offered us problems and claimed their solutions from us, the penalty of non-fulfilment being death or degradation.