The action and humor continues in this all-new, all-ages comic book series based on the hit CARTOON NETWORK animated series! Robin, Starfire, Beast Boy, Cyborg and Raven continue their partying in this jam-packed, adventure filled volume of TEEN TITANS GO! Collects TEEN TITANS GO! #13-18."

    In an homage to the comics he enjoyed as a kid (such as Little Lulu and Peanuts), Matt Groening presents stories about Bart and the kids of Springfield with adults taking a backseat as comic foils. Big Book of Bart Simpson features several short stories that can be enjoyed by a younger reading audience, but there are plenty of laughs for kids of all ages. It's good old–fashioned fun with the same satiric edge that has made 'The Simpsons' the most successful animated program in television history.

    Featuring the iconic artwork of superstar Dan Parent and an off-the-wall story by Alex Segura.Collecting Archie 627-630

    When he finds a live, 40-foot Tyrannosaurus Rex trapped in a cave behind his grandfather's house, Ely embarks on an adventure to tame this seemingly friendly giant, convince the town his new pet isn't a threat, and keep his dinosaur safe from the jealous town bully. With Tommysaurus Rex at his side, Ely discovers what it takes to be a man... and what it costs.

    The setting? A galaxy far, far away...Roan's one dream is to leave home and attend Pilot Academy like his older brother, father, and grandfather. But just as Roan is mysteriously denied entrance to Pilot School, he is invited to attend Jedi Academy--a school that he didn't apply to and only recruits children when they are just a few years old. That is, until now...This inventive novel follows Roan's first year at Jedi Academy where, under the tutelage of Master Yoda, he learns that he possesses more strength and potential than he could have ever dreamed. Oh, and he learns other important things too--like how to make a baking soda volcano, fence with a lightsaber, slow dance with a girl, and lift boulders with the Force.

    . . with a little help from his friends! His best buddies, Francis and Teddy, stick with Nate through thick and thin—usually thin. They've seen it all. Nate's disastrous love life, his chess tournament trash talking, even his misguided attempt to be a "bad boy." Along the way, Nate and his pals are joined by Artur, the gentle exchange student who's popular with almost everyone. And don't forget Gina, the teacher's pet who gets an "A" for annoying. They're all here in this collection of cartoons, featuring highlights from Nate's most hilarious adventures.Now in full-color!

    Written by Alex Hirsch. As told by Shmebulock.Illustrated by Asaf Hanuka, Dana Terrace, Ian Worrel, Jacob Chabot, Jim Campbell, Joe Pitt, Kyle Smeallie, Meredith Gran, Mike Holmes, Priscilla Tang, Serina Hernandez, Stephanie Ramirez, and Valerie Halla.

    Witness Kristy's eureka moment, when she gets the idea for a "baby-sitters club" and enlists her best friends, shy Mary Anne and artistic Claudia, in an exciting new venture. But the baby-sitting business isn't the only thing absorbing their attention: Kristy is having a hard time accepting her stepdad-to-be, and the newest member of the gang, Stacey, seems to be hiding a secret.

    The story is immediately engaging—two fourth-grade boys who write comic books and love to pull pranks find themselves in big trouble. Mean Mr. Krupp, their principal, videotapes George and Harold setting up their stunts and threatens to expose them. The boys' luck changes when they send for a 3-D Hypno-Ring and hypnotize Krupp, turning him into Captain Underpants, their own superhero creation. Later, Pilkey includes several pages of flip-o-ramas that animate the action. The simple black-and-white illustrations on every page furnish comic-strip appeal. The cover features Captain Underpants, resplendent in white briefs, on top of a tall building. This book will fly off the shelves.

    This story introduces the trainer, Pokemon expert Professor Oak, Professor Oak's nephew, and others, who try to capture all the Pokemon to complete the collection -- and win a series of duels against other Pokemon trainers.

    Nearly 10 years later, that story, The City of Ember, is a bona fide classic, with over 1.7 million copies sold. Now experience Jeanne DuPrau's vision anew as artist Niklas Asker faithfully brings to life the glare of the lamps, the dinginess of the streets, and the brilliance of the first sunrise.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    But her village is so safe and quiet! What’s a future giant slayer to do?With her best friend Marie (an aspiring princess), and her brother Gaston (a pastry-chef-to-be), Claudette embarks on a super-secret quest to find a giant—without parental permission. Can they find and defeat the giant before their parents find them and drag them back home? Giants Beware! offers up a wondrous, self-contained world in the tradition of the very best of Pixar. Claudette and her friends will have you laughing out loud from page one.  Giants Beware! Author Q&A What was your inspiration for the book?Rafael:  I’m not entirely sure.  I recently went through some old sketchbooks of mine and realized that I’d been drawing a character that looked kind of like our main character, Claudette, years before we even began the book.  I guess I’ve had this character of this girl with a lot of spunk in my subconscious for a while.  I’m also really into French comics and that influenced the look quite bit. Which character do you identify with and why?Rafael:  I’m not impulsive like Claudette.  I’m probably most like Gaston.  He thinks before taking the leap.  He worries a lot.  That’s probably more like me.Jorge:  I wish I could say I was like Marie.  Marie doesn’t care what other people think of her.  In this book, she aspires to be a princess and other kids make fun of her, but she doesn’t pay them any attention.  She’s very confident and smart.   I wish I were more like her.  I also wish I were like Claudette.  She’s brave, reckless, and impulsive.  But I’m not like her either.  Like Rafael, I’m probably most like Gaston.  I’m a little nervous and I love sweets.How did your partnership begin?Jorge:  We’ve known each other since we were both in film school at the Ohio State University in Columbus. I was in a writing class at OSU, and of all the bad scripts in class, mine was one of the least bad scripts, and so it was chosen to be produced with Rafael as the director.  We spent a good month or so filming a very bad film together.  That is how we became friends. Rafael:  Fast forward years later to Columbus, Ohio circa 2007.  We were at John Novak’s house (our colorist and a mutual friend).  I told Jorge about these characters I had bouncing around in my head and a story about a giant.  I went off and wrote and drew up the ideas I had so far.  I gave them to Jorge, and told him to run with it.  And he ran.  How did you draw the book?  How did you write the book?Rafael:  I drew the whole thing in Photoshop, on a Wacon Cintiq (a tablet-monitor). I like drawing digitally because it gives me a lot of flexibly down the line for edits and moving things around. John Novak and Matthew Schenk colored the book.  We used a DropBox to move files around between John Novak and Matthew Schenk (color), Jorge, and me.  Jorge and I would meet every once in awhile either in person in Columbus or via video chatting to go over pages and notes. Jorge:  I used Scrivener to collect all my notes, and Final Draft to write the script.  I lettered the book in Illustrator, which gave me the chance to do one last rewrite.  I’m always rewriting, and I always tried not to send any script pages to Rafael until they were fully baked or else he’d start drawing right away.What’s up with Claudette’s dad?Do you mean like why is he missing his legs and an arm?  Well, he fought a battle against a terrible dragon and lost.  You always hear about these great warriors who slay dragons.  Well, Augustine is a great warrior who had a very bad day.  And now his favorite sword is sitting in the belly of Azra the dragon.  But that’s a story for another day.

    Strawberry Shortcake returns to comics! It's a berry special re-introduction to Strawberry Shortcake and all her pals and - maybe - a certain not-so-nice purple someone as well?!

    Classics from the website, including “Dear Sriracha Rooster Sauce,” “What It Means When You Say Literally,” and “What We Should Have Been Taught in Our Senior Year of High School,” are featured alongside never-before-seen works of epic hilarity that will delight veteran and newbie Oatmeal fans alike.Matthew Inman’s first collection of The Oatmeal.com spent six weeks on the New York Times bestseller list and sold 200,000 copies. This pivotal and influential comic collection titled 5 Very Good Reasons to Punch a Dolphin in the Mouth introduced Samurai sword-wielding kittens and informed us on how to tell if a velociraptor is having pre-marital sex. Matthew's cat-themed collection How to Tell If Your Cat Is Plotting to Kill You is a #1 New York Times bestseller and has sold over 350,000 copies. Now with Why Grizzly Bears Should Wear Underpants, Inman offers a delicious, tantalizing follow-up featuring all new material that has been posted on the site since the publication of the first book plus never-before-seen comics that have not appeared anywhere.  As with every Oatmeal collection, there is a pull-out poster at the back of the book.In this second collection of over 50 comics, you'll be treated to the hilarity of "The Crap We Put Up with Getting On and Off an Airplane," "Why Captain Higgins Is My Favorite Parasitic Flatworm," "This Is How I Feel about Buying Apps," "6 Things You Really Don't Need to Take a Photo of," and much more. Along with lambasting the latest culture crazes, Inman serves up recurrent themes such as foodstuffs, holidays, e-mail, as well as technological, news-of-the-day, and his snarky yet informative comics on grammar and usage. Online and in print, The Oatmeal delivers brilliant, irreverent comic hilarity.