They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    Having lost their jobs in the recession, they can't afford to go on living in London; instead, they must downsize and move their three children to a house in a remote part of Devon. Arrogant and adulterous, Quentin can't understand why Lottie is so angry; devastated and humiliated, Lottie feels herself to have been intolerably wounded.Mud, mice, and quarrels are one thing - but why is their rent so low? What is the mystery surrounding their unappealing new home? The beauty of the landscape is ravishing, yet it conceals a dark side involving poverty, revenge, abuse and violence which will rise up to threaten them.Sally Verity, happily married but unhappily childless knows a different side to country life, as both a Health Visitor and a sheep farmer's wife; and when Lottie's innocent teenage son Xan gets a zero-hours contract at a local pie factory, he sees yet another. At the end of their year, the lives of all will be changed for ever. A suspenseful black comedy, this is a rich, compassionate and enthralling novel in its depiction of the English countryside and the potentially lethal interplay between money and marriage. Although it stands alone, it continues Amanda Craig's sequence of novels featuring inter-connected characters which illuminate aspects of contemporary life. It is the work of a writer at the height of her powers.

    She struggles to fit in—she’s young and unexotic, a naive new girl—but soon she forges friendships and finds a place for herself in the big city.Then she meets an attractive older man. He’s an established actor, 20 years older, and the inevitable clamorous relationship that ensues is one that will change her forever.A redemptive, captivating story of passion and innocence set across the bedsits of mid-1990s London, McBride holds new love under her fierce gaze, giving us all a chance to remember what it’s like to fall hard for another.

    /ka?/A piece of meat; born to breed; past its sell-by-date; one of the herd.Women don’t have to fall into a stereotype.The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find their own voice.It’s about friendship and being female.It’s bold and brilliant.It’s searingly perceptive.It's about never following the herd.And everyone is going to be talking about it.

    But for a beautiful young woman of limited means, Eliza’s choices appear to lie between the stifling domesticity of marriage or a downwards spiral to the streets – no matter how determined she is to forge her own path.One night at a run-down theatre, she meets the charismatic Devil Wix – showman, master of illusion, fickle friend. Drawn into his circle, Eliza becomes the catalyst of change for his colleagues – a dwarf, an eccentric engineer, and an artist – as well as Devil himself. And as Eliza embarks on a dangerous adventure, she must decide which path to choose, and how far she should go when she holds all their lives in her hands.

    She’s even more shocked at what’s behind it—a hoarder’s mess of her father’s paintings, mounds of discarded papers and miscellaneous junk in the otherwise fastidiously tidy house.As she picks through the clutter, she finds a loose journal entry in what appears to be her late mother’s handwriting. Beth and her siblings grew up believing their mother died in a car accident when they were little more than toddlers, but this note suggests something much darker. Beth soon pieces together a disturbing portrait of a woman suffering from postpartum depression and a husband who bears little resemblance to the loving father Beth and her siblings know. With a newborn of her own and struggling with motherhood, Beth finds there may be more tying her and her mother together than she ever suspected.Exploring the expectations society places on women of every generation, Kelly Rimmer explores the profound struggles two women unwittingly share across the decades set within an engrossing family mystery that may unravel everything they believed to be true.

    It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel.

    He does not know that a query from a Mrs Tina Hopgood about a world-famous antiquity in his museum is about to alter the course of his life.Oceans apart, an unexpected correspondence flourishes as they discover shared passions: for history and nature; for useless objects left behind by loved ones; for the ancient and modern world, what is lost in time, what is gained and what has stayed the same. Through intimate stories of joy, anguish, and discovery, each one bares their soul to the other. But when Tina's letters suddenly cease, Anders is thrown into despair. Can this unlikely friendship survive?

    The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the character in her most famous novel, written 20 years earlier. Seeking distraction, she begins to research a biography of Branwell Bronte.

    His sheltered childhood in the home he loves has not prepared Vernon for the harsh reality of his adult years, and in order to write the great masterpiece of his life, he has to make a crucial decision with no time left to count the cost. But there is a high price to be paid for his talent, especially by his family and the two women in his lifee - the one he loves and the one who loves him. Young Nell Vereker had always loved Vernon, loved him with a consuming passion that was alien to the proper social world in which she lived. But when Vernon sought solace in the arms of Jane Harding, a stranger and enigmatically beautiful older woman, Nell felt she could endure no greater pain. But Fate had only begun to work its dark mischief on this curious romantic triangle -- for before their destinies were sealed, one would live, one would die, and one would return from the grave to be damned…

    At night, music floated out over villages and gorges far into the early hours. Now the General's son has bestowed it upon the disciplined Sisters of Mary. Beginning work in the orchards and opening a school and a dispensary for the mountain people, the small band of Sisters are depended for help on the English agent, Mr Dean. But his charm and insolent candour are disconcerting. When he says bluntly 'This is no place for a nunnery', it is as if he already knows their destiny ...

    Among the crying, ash-covered, and shoeless passengers, Gigi, unbelievably, finds someone she recognizes--Harry Harrison, a British man and a regular at her favorite coffee shop. Gigi brings Harry to her parents' house, where they watch the television replay the planes crashing for hours, and she waits for the phone call that will never come: the call from Frankie, her younger brother.Ten years later, Gigi, now a single mother consumed with bills and unfulfilled ambitions, meets Harry, again by chance, and they fall deeply, headlong in love. But their move to London and their new baby--which Gigi hoped would finally release her from the past--leave her feeling isolated, raw, and alone with her grief. As Gigi comes face-to-face with the anguish of her brother's death and her rage at the unspoken pain of motherhood, she must somehow find the light amid all the darkness. Startlingly honest and shot through with unexpected humor, When I Ran Away is an unforgettable first novel about love--for our partners, our children, our mothers, and ourselves--pushed to its outer limits.

    As she discovers remarkable parallels between this woman’s life and her own, it causes her to question the foundation of her own relationship with her husband–and what it means to be a wife fighting for her place in a patriarchal society.When Alice Hale leaves a career in publicity to become a writer and follows her husband to the New York suburbs, she is unaccustomed to filling her days alone in a big, empty house. But when she finds a vintage cookbook buried in a box in the old home’s basement, she becomes captivated by the cookbook’s previous owner–1950s housewife Nellie Murdoch. As Alice cooks her way through the past, she realizes that within the cookbook’s pages Nellie left clues about her life–including a mysterious series of unsent letters penned to her mother.Soon Alice learns that while baked Alaska and meatloaf five ways may seem harmless, Nellie’s secrets may have been anything but. When Alice uncovers a more sinister–even dangerous–side to Nellie’s marriage, and has become increasingly dissatisfied with the mounting pressures in her own relationship, she begins to take control of her life and protect herself with a few secrets of her own.

    Downsized during the recession and out of work for a year, Chris copes by retreating to a dark place where no one can reach him, not even Claire. When he’s offered a position that will keep him away from home four nights a week, he dismisses Claire’s concern that time apart could be the one thing their fragile union can’t weather. Their suburban life may look idyllic on the outside, but Claire has never felt so disconnected from Chris, or so lonely.Local police officer Daniel Rush used to have it all, but now he goes home to an empty house every night. He pulls Claire over during a routine traffic stop, and they run into each other again at the 4th of July parade. When Claire is hired to do some graphic design work for the police department, her friendship with Daniel grows, and soon they’re spending hours together. Claire loves the way Daniel makes her feel, and the way his face lights up when she walks into the room. Daniel knows that Claire’s marital status means their relationship will never be anything other than platonic. But it doesn’t take long before Claire and Daniel are in way over their heads, and skating close to the line that Claire has sworn she’ll never cross.

    But when she falls in love with and marries Spence Robin, her hotshot young Shakespeare professor, her life takes a turn she couldn't have anticipated.Thirty years later, something is wrong with Spence. The Great Man can't concentrate; he falls asleep reading The New York Review of Books. With their daughter, Sarah, away at medical school, Pru must struggle on her own to care for him. One day, feeling especially isolated, Pru meets a man, and the possibility of new romance blooms. Meanwhile, Spence's estranged son from his first marriage has come back into their lives. Arlo, a wealthy entrepreneur who invests in biotech, may be his father's last, best hope. Morningside Heights is a sweeping and compassionate novel about a marriage surviving hardship. It's about the love between women and men, and children and parents; about the things we give up in the face of adversity; and about how to survive when life turns out differently from what we thought we signed up for.