Free online fiction from the New Yorker.Short story about the father of a thirteen-year-old boy who recalls the violent fantasies he had when he was younger…

    Father & Son, New York City, Grand Central Station.Short story in which the narrator recalls the last time he saw his father.http://downloads.newyorker.com/mp3/fi...

    Or, rather, in his oblique way, which was perhaps a strategy of shyness, he’d simply told her that he was going hiking this weekend, and asked if she wanted to join him. The woman had been introduced to the man several weeks earlier, at a dinner party at a mutual friend’s home in the Berkeley Hills. The friend, closer to the man than to the woman, had said to the man, “You’ll like Mariella. You’ll like her face,” and to the woman, “Simon’s an extraordinary person, but it may not be evident immediately. Give him time.”

    My attention often drifts during readings, but Wolff’s voice has this melodious and steely combination that simultaneously coaxes and commands my focus.Among other things, Treisman and Wolff talk about the almost accidental nature of the emergence of the story. Johnson, Treisman says, “was just writing down some anecdotes and bar stories he’d told, and not necessarily constructing this as a masterwork of literature.” It was a bit of a surprise that one of the touchstones of the contemporary short story emerged. This seems appropriate when we talk about Denis Johnson, a writer whose stories seem so desperate, whose narrators exist so much in the margins, and yet who has become a writer comfortably in the accepted canon of modern literature.In a bit of ironic disclosure, I should tell you that Deborah is my boss in the fiction department. I tell you this because the podcast got me thinking about the nature of what we do, and how it coexists with what writers do. There’s a similar lack of intentionality, though it comes from different sources. We publish almost fifty stories a year, and like them all, and some of them we think are just completely awesome. But we go on to the next one, since that’s our job, and then some years go by and we look back and realize, wow, that one was a classic.Anyway, listen to the podcast.Read more: http://www.newyorker.com/online/blogs...

    “Stone Mattress,” from her collection of the same name is witty, grotesque, and utterly hilarious—an exemplar of Atwood’s tremendous capacity for capturing our darkest impulses on the page.Verna, aging widow, boards a cruise ship bound for the Arctic in search of her next husband. The last four had suffered regrettable tragedies and left Verna wickedly wealthy in their wake. But, instead of finding another wealthy suitor, Verna finds unwitting Bob, the first man to have ever wronged her. Single, reasonably near his grave, ordinary, and attracted to her like all the others—Bob is all-too-easy prey for Verna’s merciless revenge. An ebook short.

    

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    I pretended to be asleep.”Time 40:39

    Butler’s shattering meditation on symbiosis, love, power and tough choices. It won the Hugo, Locus, Nebula and Science Fiction Chronicle awards and is widely regarded as one of her greatest works.Years ago, a group known as the Terrans left Earth in search of a life free of persecution. Now they live alongside the Tlic, an alien race who face extinction; their only chance of survival is to plant their larvae inside the bodies of the humans.When Gan, a young boy, is chosen as a carrier of Tlic eggs, he faces an impossible dilemma: can he really help the species he has grown up with, even if it means sacrificing his own life?Perfect for fans of the thrilling Arrival and the works of Ursula Le Guin.

    All of Magnus Mills' darkly comic and hugely entertaining stories are here collected in one book for the first time.

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    Brodkey was hailed as an 'unusually gifted writer' (The Atlantic) and a 'rich talent' (San Francisco Chronicle), whose stories read like 'murmured confidences, highly personal yet carefully contrived' (Chicago Tribune).In First Love and Other Sorrows, the young Brodkey chronicles the world of the educated and affluent middle class of the 1950s, at leisure and in love. He establishes the themes that would appear throughout his career: the painful uncertainties of childhood, the halting intimacies of social life, with rare terseness, humor, and haunting insight. Two new stories, never before collected, from Brodkey's early writings, join the original volume to complete a much-loved classic.

    In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.'Dahl is too good a storyteller to become predictable' Daily TelegraphRoald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    Girl was originally published in the June 26, 1978 issue of The New Yorker and subsequently included in the short story collection At the Bottom of the River in 1983.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.