Throughout his career he produced eight certified platinum albums and had numerous singles and LPs debut at No. 1 on the charts. This folio features Tupac's most successful works spanning his career. Titles are: R U Still Down? * Brenda's Got a Baby * California Love * Changes * Dear Mama * Do for Love * How Do U Want It * I Ain't Mad at Cha * I Get Around * I Wonder If Heaven Got a Ghetto * Me Against the World * Papa'z Song * So Many Tears * To Live & Die in L.A. * 2 of Amerikaz Most Wanted.

    Originally published in Munich in 1912 and edited by Kandinsky and Marc-- the movements's almanac presented their synthesis of international culture to the European avant garde at large. In both the selection of essays and its innovative interplay of word and image, The Blaue Reiter Almanac remains one of our most critically important works of literature on the art theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of Modernism, simulates the original German format, and includes documents, and musical notations, as well as seminal essays by Kandinsky, Schoenberg, Marc and others. Nearly 150 illustrations, from ancient and contemporary sources, capture the wide-ranging interests and passions that inspired Kandinsky's and Marc's programmatic attempt to make Modernism accessible across national and chronological boundaries. Also included is Klaus Lankheit's extensive critical introduction, which places the Blaue Reiter in context for contemporary readers."The almanac remains unique among European writings on art; no other country produced a comparable work capturing the excitement and tension of the years before World War I." (Will Grohmann)

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Thompson collaborator Ralph Steadman delivers a heaping helping of anti-American vitriol with trademarked bombast, based on his travels throughout the Land of the Free and Home of the Brave.

    It also includes stories some reprinted for the first time about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture. The volume s dozen critical essays illuminate Clowes s comics by locating them within biographical, artistic, and socio-historical contexts, including the Indie and DIY movements, Generation X philosophy, and the history of American cartooning. Selections by artists who influenced Clowes and a detailed chronology of his work round out the collection, and extensive annotations shed light on the cartoonist s sources and cultural references. Perfect for the college literature/graphic narrative classroom.

    She shows the shocking and hilarious sketches that didn’t make the cut and explains how these are essential stages in the evolution of a cover that stands the test of time but retains its edge. Her book captures contemporary history—from the farce of Monica Lewinsky to the adventures of Michelle and Barack to nuclear meltdown in Japan—in images that are as acute as they are outrageous. More than that, it shows how the magazine that exemplifies journalistic excellence in America also dares to cultivate a sense of humor when grappling with complex moral and political issues.Praise for Blown Covers:“Interesting failures are the driving force behind BLOWN COVERS: New Yorker Covers You Were Never Meant to See (Abrams, $24.95), by Françoise Mouly. Mouly is the art editor of The New Yorker, and paging through this book is like standing in the corner of her office as she pins up rejected covers on the wall. Mouly has dozens of tales about images that failed for one reason or another. Now, presumably with the approval of her bosses at Condé Nast, she has created a tell-all (or tell-most) that even non–illustrators and designers will find enlightening.” —New York Times Book Review “Yes, Blown Covers sometimes offends—and that’s the audacious joy of it.” —NPR.org“[New Yorker] art editor Mouly offers some true delights.” —Sacramento Bee

    And when she accompanies the magnificent Italian to his Tuscan palazzo, Katie feels like a lamb facing a wolf… Relax in Rome Seeing Bethany Maguire one fateful night in Rome decked in captivating silk, billionaire Cristiano De Angelis indulges in a night of passion with the beauty. But Bethany is not a society heiress, born to a jet-set life…

     The books included are: Stand By Your Wolf When werewolf Juliet goes on a camping trip with her human girlfriends, the last thing she wants to run into is a group of male wolves on the prowl for mates. She’s been acclimating herself into the human world just to avoid the cocky-as-all-get-out type of men who break her heart. But when she meets Roman, her life without a true mate is about to change. 
Roman is the alpha of his pack, and with pressure from all sides, he’s in search of a mate who can handle the challenge of a strong leader. When he finds her in Juliet, he discovers the very woman who can steal his heart and help lead a pack is also the kind who will challenge him in ways that could cost one or both of them their lives. Save a Horse, Ride a Werewolf As a child, Jayden used to imagine finding her true love and having a storybook wedding. As an adult, she never expected it to come true. She grew up with a single mother and knew the harsh reality of not-so-happy endings. Meeting Alex and discovering the true-mate love of a werewolf was a dream come true. Now Jayden’s planning her wedding and looking forward to becoming a werewolf and part of a big family in the form of a wolf pack. 
But Jayden’s picture-perfect life is threatened the day her mother comes to town. While Rosemary doesn’t know about werewolves, a secret that has to be kept in order to keep the Smokey Falls pack safe, that’s the least of Jayden’s problems. Rosemary has a way of getting what she wants, and in the process of fighting to have the wedding of her dreams, Jayden alienates Alex. When he tells Jayden he’s no longer sure she’s fit to be a werewolf, she has to learn to accept the most important thing of all – the love of family. Werewolf on Your Mind When Alisha learned Juliet, her former college roommate, was a werewolf, she wasn’t afraid. She was intrigued. And now, months later, she’s obsessed with becoming one too. All she needs is a mate to change her, and she knows Juliet’s pack is where she can find one. Luck is on Alisha’s side, and within hours of arriving in Smokey Falls, she meets her true mate, Jackson. But he isn’t the kind of man she'd imagined. Jackson is a feral werewolf firefighter who’d rather not deal with people, while Alisha is accustomed to a country-club lifestyle. True mate attraction doesn’t care, though, and it makes Alisha decide all Jackson needs is a little training. Too bad Jackson has other ideas. Sweet Summer Werewolf Chelsea’s job as an assistant to the producer of a popular reality TV show is a dream come true. It also consumes her life. So when she gets a month off, she decides to visit her college girlfriends and recharge in the sleepy werewolf town of Smokey Falls. After two travels days from hell, Chelsea makes it to the mountains where she can finally breathe again, and her vacation gets even better when she meets Quinten. With a voice sent down from heaven, she discovers the dreamy werewolf is a hot prospect for her show and a sure career booster for her. He’s also her true mate, but no matter how great werewolf life is for her friends, becoming one is the last thing Chelsea will ever do. But because the true-mate attraction is nearly impossible to resist, Chelsea decides to deal with it by allowing herself a summer fling. And when she opens her heart to love, she finds she never wants to let Quinten go, even though she’s not willing to leave her career.

    The outrageous humor of cult favorite and syndicated cartoonist Lynda Barry--one of the world's "shrewdest chroniclers of sex, love and romance" (Mother Jones).

    Its editor, Vin Sullivan, also drew the debut issue's cover. It features the character "Fui Onyui" who served as the "yellow peril" villain (battled by Slam Bradley and his humourous sidekick Shorty Morgan).No Batman until issue #27.

    The first book to feature the original paintings created for American pulp magazine covers, this unique reference offers an authoritative text, historical surveys, vintage letters, 125 full-page images, and much more.

    An art form that has grown hand-in-hand with the independent music scene, heralding small and large gigs alike, the posters have emerged from visually creative street-level notices to prized collectibles rendered in a variety of styles and media. Today's poster artists combine the expressive freedom pioneered in the poster revolution of the 1960s with the attitude and the do-it-yourself approach of the punk scene, creating an unprecedented surge of innovative poster production on an international scale. Featuring over 1,600 exemplary rock posters and flyers from over 200 international studios and artists, Art of Modern Rock is the long-anticipated sequel to coauthor Paul Grushkin's The Art of Rock. Profiles and quotes from the pioneers in the field and their emerging heirs share nearly 500 gloriously packed pages of poster after mind-blowing poster. As brash and colorful as the burgeoning scene it documents, Art of Modern Rock is the must-have book for music and poster fans and collectors.

    All these memories are still haunting me and I often get lost in day dreaming about the horrible past.

    McGinnis began his career in 1947 as a cartoonist, and produced his first cover illustrations for 1956 issues of the magazines True Detective and Master Detective. Then in 1958, he painted his first paperback book cover, and from that day forward his work was in demand.   The emergence of the “McGinnis Woman”—long-legged, intelligent, alluring, and enigmatic—established him as the go-to artist for detective novels. His work appeared on Mike Shayne titles and the Perry Mason series, and he produced 100 paintings for the Carter Brown adventures. Yet McGinnis became famous for his work in other genres as well: espionage, romance, historicals, gothics, and Westerns.   McGinnis’s first major magazine assignments were for The Saturday Evening Post, and his work has graced the pages of Cosmopolitan, National Geographic, Good Housekeeping, Guideposts, and others. McGinnis women frequently cropped up in the men’s magazines of the ’60s and ’70s.   His first movie poster was for Breakfast at Tiffany’s, with an iconic rendering of Audrey Hepburn. Almost instantly, his poster artwork could be seen everywhere—in theaters, on billboards, in newspapers, and even on soundtrack albums. His work for Hollywood became a who’s-who, with posters for James Bond, The Odd Couple, Woody Allen, The Private Life of Sherlock Holmes, and many more.   Some of his most ambitious works have been his gallery paintings, often depicting stunning American landscapes, vast Western vistas, and of course, beautiful women. The Art of Robert E. McGinnis collection reveals the full scope and beauty of the work of a true American master—one whose legacy continues today.

    This beautiful, oversized art book features the distinct, classic style of Eisner Award-winning writer/artist Darwyn Cooke.  Best known for the ambitious epic THE NEW FRONTIER, a six-issue miniseries bridging the gap between the end of the Golden Age of comics and the beginnings of the Silver Age, Cooke has also worked on BEFORE WATCHMEN, BATMAN: EGO, CATWOMAN with Ed Brubaker, as well as Batman: The Animated Series, Superman: The Animated Series and Men In Black: The Series.