En route Van Horne must also contend with ecological guilt, a militant girlfriend, sabotage both natural and spiritual, and greedy hucksters of oil, condoms, and doubtful ideas. Winner of a 1995 World Fantasy Award.

    The unbeatable national team have reached the final of the Qatar World Cup. But one journalist is convinced there is a scandalous secret behind England’s incredible form. His lifetime’s dream is to see the Three Lions win the World Cup. But if he pursues and exposes the shocking truth, his beloved England could be sent home in disgrace.Suddenly this is much more than England vs Germany; it’s Love vs Duty, it’s Truth vs Happiness. The pressure of the penalty shoot-out is nothing compared to this.There’s Only Two David Beckhams is John O’Farrell’s love-letter to football; part-detective story, part-sports memoir, part-satire on the whole corrupt FIFA circus; it just made the final for the funniest football fiction ever written...

    Macedonio (known to everyone by his unusual first name) worked on this novel in the 1930s and early '40s, during the heyday of Argentine literary culture, and around the same time that At Swim-Two-Birds was published, a novel that has quite a bit in common with Macedonio's masterpiece. In many ways, Museum is an "anti-novel." It opens with more than fifty prologues—including ones addressed "To My Authorial Persona," "To the Critics," and "To Readers Who Will Perish If They Don’t Know What the Novel Is About"—that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart "skip-around readers" (by writing a book that’s defies linearity!). The second half of the book is the novel itself, a novel about a group of characters (some borrowed from other texts) who live on an estancia called "la novella" . . . A hilarious and often quite moving book, The Museum of Eterna's Novelredefined the limits of the genre, and has had a lasting impact on Latin American literature. Authors such as Jorge Luis Borges, Julio Cortázar, and Ricardo Piglia have all fallen under its charm and high-concepts, and, at long last, English-speaking readers can experience the book that helped build the reputation of Borges's mentor.

    During the San Francisco earthquake of 1906, seven-year-old Thomas Moran finds himself accidentally embarking on a career in pick-pocketing. In the following years he becomes a master of his dubious craft and grows to manhood traveling from state to state across America. His picaresque journey takes him through Prohibition and the Depression; into the desperate highs of the Hootchy-Kootchy and the dying vineyards of California, accompanied by an array of richly drawn characters frantically clutching at the crumbling American Dream. Italian and Chinese gangsters, con-artists, corrupt clergy, and speak-easy bootleggers all have a part to play in Tommy's destiny, but it is Effie, the great love of his life, who offers him the chance to change his future, and tries to save him from himself. Colorfully written, engaging and richly evocative of an extraordinary period in American history, The Sucker's Kiss marks the literary debut of a master storyteller.

    Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives.Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.Outline is a novel about writing and talking, about self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.

    But trouble looms large when a big-money free daily comes to the west-coast campus, threatening to swallow what remains of their readership whole.It’ll take the scoop of a lifetime to save their beloved campus rag. An exposé about the mysterious filmed-on-campus viral video? Some good old-fashioned libel? Or what about that fallen Hollywood star, the one who’s just announced he’s returning to Simon Fraser University to finish his degree?With savage wit, intoxicating energy, and a fine-tuned ear for the absurd, Michael Hingston drags the campus novel, kicking and screaming, into the 21st century.

    Then came the letter that turned his trading plans upside-down. "Find out what has happened to Monique, please, " and the faded image with it seemed to leave him no alternative. The letter took him to the Camorra, to pay the bloody ransom for a life.

    The title is Latin for "Our earth". Modeled on James Joyce's Finnegans Wake, Terra Nostra shifts unpredictably between the sixteenth century and the twentieth, seeking the roots of contemporary Latin American society in the struggle between the conquistadors and indigenous Americans. -Terra Nostra is the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say.- Milan Kundera

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    Each book describes a classic novel and drama by explaining themes, elaborating on characters, and discussing each author's unique literary style, use of language, and point of view. Extensive illustrations and imaginative, enlightening use of graphics help to make each book in this series livelier, easier, and more fun to use than ordinary literature plot summaries. An unusual feature, "Mind Map" is a diagram that summarizes and interrelates the most important details that students need to understand about a given work. Appropriate for middle and high school students.

     Amazon UK reviews for Steven's first book, No Place Like Home, Thank God: "A superb book I devoured in two days." "This book made me laugh out loud." "Great read. Laugh out loud funny." "I really enjoyed this book!" "Steven's style of writing made me laugh out loud." "I couldn't put it down." "One of the best books I've read in a long time." "Found his one liners very funny." "A highly entertaining read." "So well written with brilliant humour." Seventy year-old British ex-pat miserymonger George Pearly lives on the Costa del Sol, all alone except for his ancient, three-legged dog, Ambrose. George hates his life and everybody in it. These feelings are mutual. Everyone hates George too. From this unhappy equilibrium the situation quickly deteriorates. First, George discovers he is dying of a mystery illness. Then his 35 year-old ape-child nephew, Kevin, moves into George's tiny and once tranquil home with a passion for Vimto, Coco Pops and slobbing around in his greying underpants. Worst of all, George's neighbours start to disappear and all accusing fingers point towards George. Pull up a sun lounger, grab yourself a piña colada and enjoy a murder-mystery romp on Spain's sunny southern coast.

    Structured as an index, the work is a collage of excerpted conversations, letters, quotations, moments, and dreams. An exploration of longing and desire, the story follows a moment of crisis in a marriage and in the life of a woman who remains haunted by an unassimilable past. Allan Gurganus called an early version of the work a "thoroughly engrossing almanac of desire" when it was published by The Iowa Review.

    She clears your path of all those merciless judgments pronounced by the Quilting Queens. She invites you to make quilts that are full of life. This funny book offers these nine principles for the 20 million quilters in America:           1. Pretty fabric is not acceptable. Go right back to the quilt shop and exchange it for something you feel sorry for.           2. Realize that patterns and templates are only someone's opinion and should be loosely translated. Personally, I've never thought much of a person who could only make a triangle with three sides.           3. When choosing a color plan for your quilt, keep in mind that the colors will fade after a hundred years or so. This being the case, you will need to start with really bright colors.           4. You should plan on cutting off about half your triangle or star points. Any more than that is showing off.           5. If you are doing applique, remember that bigger is dorkier. Flowers should be huge. Animals should possess really big eyes.           6. Throw away your seam ripper and repeat after me: "Oops. Oh, no one will notice."           7. Plan on running out of border fabric when you are three-quarters of the way finished. Complete the remaining border with something else you have a lot of, preferably in an unrelated color family.           8. You should be able to quilt equally well in all directions. I had to really work on this one. It was difficult to make my forward stitching look as bad as my backward stitching, but closing my eyes helped.           9. When you have put your last stitch in the binding, you are still only half finished. Your quilt must now undergo a thorough conditioning. Give it to someone you love dearly—to drag around the house, wrap up in, spill something on, and wash and dry until it is properly lumpy.           "No reason not to have quiltmaking be a pleasure", says Lisa Boyer, who has as firm a grip on her sense of humor as she does on her quilting needles. "If we didn't make Dorky Homemade quilts, all the quilts in the world would end up in the Beautiful Quilt Museum, untouched and intact. Quilts would just be something to look at. We would forget that quilts are lovable, touchable, shreddable, squeezable, chewable, and huggable -- made to wrap up in when the world seems to be falling down around us."

    In the short story, “FUBAR,” we’re taken to a desolate building in a drab industrial complex, where a lonely office worker gains a fresh perspective on life thanks to the intervention of his free-spirited new female assistant. “FUBAR” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.

    And for a disparate, disconnected clutch of wanderers - many thousands of miles apart but linked by a common goal - four parallel journeys are just beginning.Gorych and his driver, rolling through water, sand and snow on an empty petrol tank; the occupant of a black airship, looking down benevolently as he floats above his Fatherland; young Andrey, who leaves his religious community in search of a new life; and Kharitonov, who trudges from the Sea of Japan to Leningrad, carrying a fuse that, when lit, could blow all and sundry to smithereens.Written in the final years of Communism, The Bickford Fuse is a satirical epic of the Soviet soul, exploring the origins and dead-ends of the Russian mentality from the end of World War Two to the Union's collapse. Blending allegory and fable with real events, and as deliriously absurd as anything Kurkov has written, it is both an elegy for lost years and a song of hope for a future not yet set in stone.