When soldiers force the royal family out of the Glass Palace and into exile, Rajkumar befriends Dolly, a young woman in the court of the Burmese Queen, whose love will shape his life. He cannot forget her, and years later, as a rich man, he goes in search of her. The struggles that have made Burma, India, and Malaya the places they are today are illuminated in this wonderful novel by the writer Chitra Divakaruni calls “a master storyteller.”

    “A potpourri of beggars and billionaires and determinedly laid-back ways,” Bangalore, India’s own Silicon Valley, is a crucible for prosperity, and at the chaotic crossroads between past and present. Here, American-trained professionals like Tara return to their old-fashioned families with heads full of Quentin Tarantino dialogue; a successful entrepreneur is shaken when his partner suddenly reneges on their plan to return to America; a traditional Indian mother slyly circumvents her Western-educated daughter’s resistance to marriage; a neighborhood gossip is determined to discover what goes on behind the closed curtains of the hip young couple across the street; a chauffeur must reconcile his more orthodox credos with his employer’s miniskirt lifestyle.Witty, affectionate, and wonderfully wise, Lavanya Sankaran’s first collection attests to her remarkable literary talent.

    The simple and lively stories compel you to take a look back at your own life, and remember when you put these incidences at the back of your mind. Its not just a collection of stories and a true incident, but also a reflection of what every one of us has seen sometime or the other, in our lives. The characters come alive, time and again as people we may have met, or as a persona of our own self.Not too many works in recent years have managed to capture the nuances of ordinary, daily lives as effortlessly and fluently as Terms and Conditions Apply has done. A wonderful assortment of 13 short stories and a true incident, Whether it is highs and lows of a relationship, chaos and bedlam of school life, petty or harmless office gossips, or the buzz of a salon; all stories are strongly steeped in reality and yet they take a superb flight of fancy in the hands of a master craftsman. Rich in imagination, broad in its scope and elegant in its style, Terms and Conditions Apply is arguably one of the best debut works in recent Hindi literature.

    Revolving around the life of Sanichari, a poor lowcaste woman, it is an ironic tale of exploitation, struggle and survival. In 1992, it was adapted into a play by Usha Ganguli, a leading theatre director of Calcutta, and instantly became one of the most acclaimed productions of its time. Both the short story and the play are included in this volume.

    Pranab loves Sujata, the awkward, prickly, younger sister but, out of obligation, marries Aloka, the gracious, beautiful, older sister. When all of their secrets are revealed, the three are forced to leave Darjeeling. Aloka and Pranab flee to New York City and Sujata to Canada. The story opens ten years later, when their Grandmother summons everyone home to the family tea plantation to celebrate her birthday. Despite the fact that Aloka is still very much in love with Pranab, they are in the process of getting a divorce. Sujata, who is still single, runs a successful business importing tea, a business that doesn't fill her broken heart. This trip forces the sisters to wrestle with their bitterness and anger and to try to heal old wounds. What complicates matters is that Pranab, too, is going to India and is intent on rekindling his relationship with Sujata now that his marriage is over.Although filled with the rich foods, smells, and social confines of another culture, Darjeeling is really about the universally human emotions of jealousy, rivalry, love, and honor. It is a complex novel about family, exile, sisterly relations, and how one incident can haunt us for the rest of our lives.

    The characters -- rootless, often en route to someplace else -- find themselves variously attracted to or repelled by unfamiliar landscapes where every object seems strange and every emotion is heightened. Living according to alien rules, these characters are also vulnerable in unexpected ways: in the title story, a young woman who has been involved in an affair with an Indian man feels bound to both her memories and her adopted country after his death; the protagonist of 'Outside the Eastern Gate' returns to her childhood home in Delhi to find a house still inhabited by the impulsive, desperate spirit of her mother.

    In one of the three sketches, which form part of this collection, the author brilliantly reveals himself to the world in a schizophrenic piece titled 'Saadat Hasan' calling 'Manto the writer' a liar, a thief and a failure! And in another titled 'In a Letter to Uncle Sam', Manto superbly couches his anti-imperialistic views in an innocent letter from a poor nephew to a capitalist and prosperous uncle in America.

    From being a household name in the Calcutta of 1930s, when he first created, to a popular face on TV in the 1990s, Byomkesh along with his friend-cum-foil Ajit is perhaps the best-loved of India's literary detectives. This collection brings together three of his classic whodunnits. From a murder in a boarding house with too many suspects to a mystery with a supernatural twist, and then busting a black - marketeering ring in rural bengal, these stories take the super sleuth to different locales on his quest for truth, and bring out his ingenuity and astuteness. Translated into English for the first time by award-winning translator Arunava Sinha, the breathless pace and thrilling plots of these action-packed adventures will win Byomkesh a new genertion of admirers.

    They are hired todispense a batch of stolen scooters to different corners of the city; not until the city rocks with scooter bombs does Imran realize that they have been involved in a terrorist act.One of the prime accused in the 11/11 serial blasts, Imranis destined to live in captivity for the next fourteen years. He kills time plotting jailbreak until he is assigned to the bookmaking section of the prison. The new job equips him with a new facility: each time he opens a book and stares at its blank pages, he sees them scribbled with tales from Vanity Bagh. Imran thus traces the history of animosity between Vanity Bagh, nicknamed Little Pakistan, and Mehendi, a Hindu neighbourhood.The solitude and reflection that characterize Imran’snarrative is undercut by communal tension and a simmeringviolence. Touched with a wistful small-town feeling in themidst of a teeming city, Vanity Bagh is a darkly comic tale.

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    She is found to be a research scientist working with the Vatican Observatory, one of the oldest astronomical research institutions in the world. Hawa Singh, a senior inspector from Delhi crime branch on a visit to Benares, gets embroiled in the case. He finds that the murdered woman had been researching the Bhrigu-Samhita, an astrological classic dating back to pre-Vedic times, believed to be lost. The FBI sends in Ruby Malik, a Pakistani-American to investigate the murder. Soon, more bodies are found with bizarre connections to both the Bhrigu-Samhita and Christian orthodoxy. The Vatican seems to be carrying out a clandestine operation, seeking the secrets of Hindu astrology in the city most sacred to it. Secrets that the Vatican would kill to know. Hawa Singh, hardened by many gunfights and with a bullet already lodged near his brain in a previous encounter, teams up with Ruby Malik to unravel the mystery. Nothing is the same any more. The temple bells fade in the perpetual winter fog. There is blood on the streets of Benares, which becomes a battleground where faith and science collide. The worlds of astronomy and astrology come. Hawa Singh and Ruby search the opium dens and the domains of Naga sadhus, Aghoris and Doms in the cremation grounds, hunt a cannibal lurking in the maze that is Benares and clash with the figurehead king of the city, Kashi Naresh Maharaj Abhay Narayan Singh. The killer could be anyone. Only Hawa Singh and his beautiful co-runner on the chase, Ruby Malik, possess the mindset and the indomitable courage, to find the murderer at the heart of this mystery and in the process, find themselves.

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    This selection features twenty-one of the very best stories from the region.Here, the reader will find one of Rabindranath Tagore’s most revered stories ‘The Kabuliwallah’ in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay’s wrenching study of Bengali society, ‘Mahesh’, as well as over a dozen other astounding stories by some of the greatest practitioners of the form—Buddhadeva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.

    His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.

    Guiding these tales are a motley group of characters ranging from a side hero who day-dreams about Mithun and Bacchan, to kids who believe in the reality of Nagraj, Ajooba and Super Commando Dhruv. ‘Namak Swadanusar’ as the name suggests will add salt to your palate and increase the taste of your literary collection.