Drawing on new discoveries in particle physics and thermodynamics as well as on readings in history and philosophy, Eric J. Lerner confronts the values behind the Big Bang theory: the belief that mathematical formulae are superior to empirical observation; that the universe is finite and decaying; and that it could only come into being through some outside force. With inspiring boldness and scientific rigor, he offers a brilliantly orchestrated argument that generates explosive intellectual debate.

    Why does the hostess leave a perfectly charming bedroom unoccupied? Why does Arthur Inglis present our hero with a caterpillar in a cardboard pill-box one lunchtime? And rather more bizarrely, why do luminous, bloated and gigantic versions of this creature haunt his dreams? Or could it possibly be that he is wide awake?

    Supported by a glossary of Islamic terms, a time line, and maps, this book traces the architecture, calligraphy, book illumination, painting, ceramics, textiles, and metalwork of a vastly accomplished and influential civilization.

    Its author, Hans Christian Andersen, made the literary fairy tale so much his own that even today no writer has surpassed him.This collection, with an introduction and fresh new renderings of the tales by Neil Philip, includes not just "The Little Mermaid" but also such favorites as "The Tinderbox," "The Emperor's New Clothes," "The Steadfast Tin Soldier," and "The Little Match Girl."Philip also includes some lesser known tales that reflect different facets of Andersen's genius, such as the tall tale "The Flying Trunk," with its witty story-within-a-story, the charming fantasy of "Little Ida's Flowers," the comic fable "The Collar," and a story about the magic of everyday reality, "The Gardener and His Master."A special feature of the book is the inclusion of several fairy tales of spiritual search and redemption, including "The Bell," "The Toad," and, of course, "The Little Mermaid."The book is illustrated throughout by Isabelle Brent's magical watercolors, lavishly embellished with gold leaf, making this handsome volume a book the whole family will treasure.

    Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.

    This edition presents the unabridged version of the Grimms' tale, with an original interpretation by renowned artist Camille Rose Garcia that artfully combines wit and dark romance

    This collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world - from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.

    R. James, was an English author, medievalist scholar and provost of King's College, Cambridge (1905-1918), and of Eton College (1918-1936). He is best remembered for his ghost stories, which are regarded as among the best in the genre. James redefined the ghost story for the new century by abandoning many of the formal Gothic cliches of his predecessors and using more realistic contemporary settings. However, James's protagonists and plots tend to reflect his own antiquarian interests. Accordingly, he is known as the originator of the "antiquarian ghost story." James was born in Goodnestone Parsonage, near Dover in Kent, England, although his parents had associations with Aldeburgh in Suffolk. From the age of three (1865) until 1909 his home, if not always his residence, was at the Rectory in Great Livermere, Suffolk. This had also been the childhood home of another eminent Suffolk antiquary, "Honest Tom" Martin (1696-1771) "of Palgrave." Several of his ghost stories are set in Suffolk, including "'Oh, Whistle, and I'll Come to You, My Lad'" (Felixstowe), "A Warning to the Curious" (Aldeburgh), "Rats" and "A Vignette" (Great Livermere). He lived for many years, first as an undergraduate, then as a don and provost, at King's College, Cambridge, where he was also a member of the Pitt Club. The university provides settings for several of his tales. Apart from medieval subjects, James studied the classics and appeared very successfully in a staging of Aristophanes' play The Birds, with music by Hubert Parry. His ability as an actor was also apparent when he read his new ghost stories to friends at Christmas time. In September 1873 he arrived as a boarder at Temple Grove School, one of the leading boys' preparatory schools of the day. James is best known for his ghost stories, but his work as a medievalist scholar was prodigious and remains highly respected in scholarly circles. Indeed, the success of his stories was founded on his antiquarian talents and knowledge. His discovery of a manuscript fragment led to excavations in the ruins of the abbey at Bury St Edmunds, West Suffolk, in 1902, in which the graves of several twelfth-century abbots described by Jocelyn de Brakelond (a contemporary chronicler) were rediscovered, having been lost since the Dissolution. His 1917 edition of the Latin Lives of Saint Aethelberht, king and martyr (English Historical Review 32), remains authoritative. He catalogued many of the manuscript libraries of the Cambridge colleges. Among his other scholarly works, he wrote The Apocalypse in Art, which placed illuminated Apocalypse manuscripts into families. He also translated the New Testament Apocrypha and contributed to the Encyclopaedia Biblica (1903). His ability to wear his learning lightly is apparent in his Suffolk and Norfolk (Dent, 1930), in which a great deal of knowledge is presented in a popular and accessible form, and in Abbeys (Great Western Railway, 1925). James also achieved a great deal during his directorship of the Fitzwilliam Museum in Cambridge (1893-1908). He managed to secure a large number of important paintings and manuscripts, including notable portraits by Titian. James was Provost of Eton College from 1918 to 1936. He died in 1936 and was buried in Eton town cemetery.

    I loved these.” ―Kelly Link, author of Get in Trouble“This inventive, enchanting collection reads like the fairy tales of old, hushed stories passed woman to woman, before the Grimms came and wiped away all the blood.” ―Laura Ruby, author of Thirteen Doorways, Wolves Behind Them All“The writing is as spare and precise as poetry, connected to the darker, edgier elements of fairy-tale conventions. Albert’s rich and tightly focused collection forms the core of the mythology created in her novels, and her fans will be thrilled at this further glimpse into that world.” ―Booklist, starred review “Stories fueled by feminist rage, the frustration of being unnderestimated, and the insatiable longing to experience more mark this collection as timely and universal.” ―SLJ

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    From the Barnes and Noble Classic Leather Bound edition of 'Fairy Tales from Around the World' and originally published 'The Blue Fairy Book' by Andrew Lang.

    "Well-I never! what a dunderhead I am!" he said to himself-"fancy sleeping like that, why such a thing has never happened to me before! I had meant to go to have supper and stay the night at the new hotel in Elm. I have heard the landlord's daughter is an uncommonly pretty girl!" "Heigho!" he went on, stretching himself, "there's nothing for it, but to walk home. I might wait a long time before a motor-car came to pick[...].

    In this lavishly illustrated retelling of the classic fairytale, Camille Rose Garcia reimagines Cinderella through her distinctive visual aesthetic. Hers is a Cinderella for the twenty-first century: Dark, compelling, vibrant, and enthralling.

    ContentsJorinda and JoringelPuss in BootsThe Emperor's New ClothesBilly Beg and His BullLittle One Eye, Little Two Eyes, and Little Three EyesThe Red ShoesThe Steadfast Tin SoldierSnegourka, the Snow MaidenThe Three Little PigsThe Shoemaker and the ElvesDoctor Know-It-AllThe Six SwansDick Whittington and His CatRapunzelAladdin and the Wonderful LampThe Three BearsRumpelstiltzkinThe Golden Headed FishHansel and GretelThe Brave Little TailorThe Gingerbread ManA Horned GoatSeven SimonsThe Little Match-GirlEast of the Sun and West of the MoonThe Musicians of BremenBlue BeardThe Princess on the Glass HillThe Half-ChickSleeping BeautyThe Magic CarpetJack the Giant KillerTwelve Dancing PrincessesLittle Claus and Big ClausThe Colony of CatsSindbad the Sailor