Some claimed she had been arrested for masterminding the murder of the grand Mullah, her uncle. Others echoed her words, and passed her poems from hand to hand. Everyone spoke of her beauty, and her dazzling intelligence. But most alarming to the Shah and the court was how the poetess could read. As her warnings and predictions became prophecies fulfilled, about the assassination of the Shah, the hanging of the Mayor, and the murder of the Grand Vazir, many wondered whether she was not only reading history but writing it as well. Was she herself guilty of the crimes she was foretelling?Set in the world of the Qajar monarchs, mayors, ministers, and mullahs, this book explores the dangerous and at the same time luminous legacy left by a remarkable person. Bahiyyih Nakhjavani offers a gripping tale that is at once a compelling history of a pioneering woman, a story of nineteenth century Iran told from the street level up, and a work that is universally relevant to our times.

    “They have given your photo to snipers,” a government source warned her. Soon after, with undercover agents closing in, Fathi fled the country with her husband and two children, beginning a life of exile.In 'The Lonely War', Fathi interweaves her story with that of the country she left behind, showing how Iran is locked in a battle between hardliners and reformers that dates back to the country’s 1979 revolution. Fathi was nine years old when that uprising replaced the Iranian shah with a radical Islamic regime. Her father, an official at a government ministry, was fired for wearing a necktie and knowing English; to support his family he was forced to labor in an orchard hundreds of miles from Tehran. At the same time, the family’s destitute, uneducated housekeeper was able to retire and purchase a modern apartment—all because her family supported the new regime.As Fathi shows, changes like these caused decades of inequality—especially for the poor and for women—to vanish overnight. Yet a new breed of tyranny took its place, as she discovered when she began her journalistic career. Fathi quickly confronted the upper limits of opportunity for women in the new Iran and earned the enmity of the country’s ruthless intelligence service. But while she and many other Iranians have fled for the safety of the West, millions of their middleclass countrymen—many of them the same people whom the regime once lifted out of poverty—continue pushing for more personal freedoms and a renewed relationship with the outside world.Drawing on over two decades of reporting and extensive interviews with both ordinary Iranians and high-level officials before and since her departure, Fathi describes Iran’s awakening alongside her own, revealing how moderates are steadily retaking the country.

    BUT WHO IS THE REAL ENEMY? Eli Amiram is Mossad’s star spy runner and the man responsible for bringing unparalleled intelligence to the Israeli agency. Now, he’s leading an audacious operation in the UK that feeds his ambition but threatens his conscience.The British and the Americans have intel Mossad desperately need. To force MI6 and the CIA into sharing their priceless information, Eli and his maverick colleague Rafi undertake a risky mission to trick their allies: faking a terrorist plot on British soil.But in the world of espionage, the game is treacherous, opaque and deadly... A twisting international spy novel, The Righteous Spy is an intriguing tale of espionage that portrays a clandestine world in which moral transgressions serve higher causes. A must-read for fans of Homeland, Fauda and NCIS, it will also appeal to readers of Charles Cumming and John le Carré. 'Intriguing and atmospheric. Merle Nygate is a writer to watch' - Charles Cumming'A tense, compelling thriller, The Righteous Spy combines the high drama of a spy story with a clear-eyed telling of the grubby compromises and betrayals that are the reality of agents’ lives. With vividly drawn characterisation and a gripping plot, I couldn’t put it down' - Harriet Tyce, author of Blood Orange'Relentless - goes where le Carré fears to tread. Merle Nygate’s characters, their tradecraft and their dramas leap off the page in a spy tale that is as gripping as it is authentic' - Martin Fletcher, author of Promised Land'Gripping from the start, The Righteous Spy is a must read for fans of fast paced and intelligent thrillers' - Leigh Russell, author of the million-copy selling DI Geraldine Steel series

    The translators, noted Persian literature scholars Ahmad Karimi-Hakkak and Michael Beard, contribute an illuminating introduction to Kiarostami's poetic enterprise, examining its relationship to his unique cinematic corpus and to the traditions of classic and contemporary Persian poetry.

    She also grew up in a Persian-Jewish household, the American-born daughter of parents who had fled Mashhad, Iran. In Concealed, she tells the story of being caught between these two worlds: the dutiful daughter of tradition-bound parents who hungers for more self-determination than tradition allows.Exploring the roots of her father's deep silences and explosive temper, her mother's flamboyance and flights from home, and her own sense of indebtedness to her Iranian-born brothers, Amini uncovers the story of her parents' early years in Mashhad, Iran's holiest Muslim city; the little-known history of Mashhad's underground Jews; the incident that steeled her mother's resolve to leave; and her parents' arduous journey to the U.S., where they faced a new threat to their traditions: the threat of freedom. Determined to protect his daughter from corruption, Amini's father prohibits talk, books, education, and pushes an early Persian marriage instead. Can she resist? Should she? Focused intently on what she stands to gain, Amini comes to see what she also stands to lose: a family and community bound by food, celebrations, sibling escapades, and unexpected acts of devotion by parents to whom she feels invisible.In this poignant, funny, entertaining, and uplifting memoir, Amini documents with keen eye, quick wit, and warm heart how family members build, buoy, wound, and save one another across generations; how lives are shaped by the demands and burdens of loyalty and legacy; and how she rose to the challenge of deciding what to keep and what to discard.Praise for Concealed"In this beautifully crafted memoir, Esther Amini weaves a riveting portrait of her family life as the daughter of Iranian-Jewish immigrants in New York City.... It is a deeply personal tale, painfully honest and brilliantly told."--Susan Mailer, psychoanalyst and author of In Another Place"Concealed is a heart-wrenching...memoir by the daughter of...Iranian Jews who...never escape the emotional prison of their previous existence. You will cheer for her as you ponder the eternal question: how do we survive our families?"--Sally Koslow, author of Another Side of Paradise"Concealed is Esther Amini's remarkable account of growing up in a house where books and education are for boys and prearranged marriage is supposed to be her destiny....Lucky for us she grew up to be a writer...who has produced a wonderful memoir." --Patty Dann, author of Mermaids"A moving, honest and compelling memoir that unveils the little-known world of Persian-Jewish immigrants in America.... Amini's characters leap off the page right into your heart." --Ronda Spinak, Artistic Director, Jewish Women's TheatreEsther Amini is a writer, painter, and psychoanalytic psychotherapist in private practice. Her short stories have appeared in Elle, Lilith, Tablet, The Jewish Week, and Proximity. She was awarded Aspen Words' Emerging Writer Fellowship in 2016 based on an early draft of this memoir. Her pieces have been performed by Jewish Women's Theatre, which name her Artist-in-Residence in 2019. Esther Amini lives in New York City with her husband. Concealed is her debut memoir.

    A book of searing drama as well as lucid, incisive analysis, The Great War for Civilisation is a work of major importance for today's world.

    A teenage boy makes the mistake of falling in love with the much-protected daughter of his uncle, mischievously nicknamed after his hero Napoleon Bonaparte, the curmudgeonly self-appointed patriarch of a large and extended Iranian family in 1940s Tehran.

    Their father, a self–made man, had worked his way up from nothing to become a colonel in the Shah's army, and their mother, a woman of equally modest roots, had made a career for herself as a respected schoolteacher. But in February, 1979, Colonel Latifi was arrested by members of the newly installed Khomeini regime, and publicly pilloried as an "Enemy of God." Some months later, after having been shunted from one prison cell to another, and without benefit of a legitimate trial, Colonel Latifi was summarily executed.Fearing for the safety of her children, Mrs. Latifi made a wrenching decision: to send her daughters, ages ten and eleven, to the west, splitting up the family until they could safely reunite. Out on their own, Afschineh and her sister, Afsaneh, were forced to become strong young women before they'd even had a childhood.Even After All This Time is a story of hope and heartache, a story of a family torn apart for six harrowing years, and finally coming together to rebuild in America. In the richly evocative tradition of the bestselling Reading Lolita in Tehran, this is a story of a family that had the courage to dream impossible dreams and to make them come true against impossible odds.

    Once there, he was to copy a three-thousand-year-old cuneiform inscription—an order of the first king of Persia—as a means of freeing himself from his emotional confinement. For the remainder of his life, Aga Akbar used these cuneiform characters to fill a notebook with writings only he could understand. Years later, his son, Ishmael—a political dissident in exile—is attempting to translate the notebook . . . and in the process tells his father's story, his own, and the story of twentieth-century Iran.A stunning and ambitious novel by a singular literary talent, My Father's Notebook is at once a masterful chronicle of a culture's troubled voyage into modernity and the poignant, timeless tale of a son's enduring love.

    Still essential and still timely ten years after its original publication, The Shia Revival provides a unique and objective understanding of the 1,400-year bitter struggle between Shias and Sunnis and sheds crucial light on its modern-day consequences. A new epilogue elucidates the rise of ISIS and ongoing tensions between Iran and Saudi Arabia.

    Orphaned as an infant, he’s taken into a Sufi order, where he meets an assortment of dervishes and embarks on a path toward spiritual awakening.Along the way, Nouri will find himself in the sumptuous court of a sultan, a barren farm in the hills of Spain, a bustling city on the north coast of Africa, and a monastery perched high in the mountains. He will fall in love—and encounteran adversary who will try to destroy that love.As Nouri stumbles from one experience to the next, he grows into manhood. Each trial he endures will shatter another obstacle within—and lead him toward transcendence.Michael Golding’s previous work has been described as “brilliant” (The Cleveland Plain Dealer) and “so lavish and so colorful, it’s like a meal in the open air, laid out on brocade” (Los Angeles Times). With this new novel, seven years in the writing, he has created a gripping tale that deals with many of life’s deepest questions. A Poet of the Invisible World will astonish readers as it awakens them to the poetry inside themselves.

    In The Last Great Revolution, Wright meticulously describes the ongoing transformation of society, politics and religion that ranges from the empowerment of women to the blossoming of a movie industry and an independent press. She demonstrates why Iran's Islamic revolution equals the French and Russian revolutions in new ideas and impact, while standing alone as "the last great revolution" of the modern era.

    The legends first emerged in the 12th and 13th centuries, when Crusaders in Syria came into contact with the Nazari Isma'ilis, one of the communities of Shi'ite Islam who, at the behest of their leader Hassan Sabaa (mythologized as the "Old Man of the Mountain"), engaged in dangerous missions to kill their enemies. Elaborated over the years, the tales culminated in Marco Polo's claim that the "Old Man" controlled the behaviour of his self-sacrificing devotees through the use of hashish and a secret garden of paradise. So influential were these tales that the word "assassin" entered European languages as a common noun meaning "murderer".Daftary traces the origins and early development of the legends - as well as investigating the historical context in which they were fabricated and transmitted. As such, this book reveals an extraordinary programme of propaganda rooted in the medieval Muslim world and medieval Europe's ignorance of this world. This book also provides the first English translation of French orientalist Silvestre de Sacy's famous 19th-century "Memoire" on the Assassins.

    Feasting her way through an Italian honeymoon, Jen Lin-Liu was struck by culinary echoes of the delicacies she ate and cooked back in China, where she’d lived for more than a decade. Who really invented the noodle? she wondered, like many before her. But also: How had food and culture moved along the Silk Road, the ancient trade route linking Asia to Europe—and what could still be felt of those long-ago migrations? With her new husband’s blessing, she set out to discover the connections, both historical and personal, eating a path through western China and on into Central Asia, Iran, Turkey, and across the Mediterranean. The journey takes Lin-Liu into the private kitchens where the headscarves come off and women not only knead and simmer but also confess and confide. The thin rounds of dough stuffed with meat that are dumplings in Beijing evolve into manti in Turkey—their tiny size the measure of a bride’s worth—and end as tortellini in Italy. And as she stirs and samples, listening to the women talk about their lives and longings, Lin-Liu gains a new appreciation of her own marriage, learning to savor the sweetness of love freely chosen.

    Their challenge in the Middle East has been intensified by the rise of a political Islam that too often condemns women’s empowerment as Western cultural imperialism or, worse, anti-Islamic. In Paradise Beneath Her Feet, Isobel Coleman shows how Muslim women and men are fighting back with progressive interpretations of Islam to support women’s rights in a growing movement of Islamic feminism. In this timely book, Coleman journeys through the strategic crescent of the greater Middle East—Saudi Arabia, Iraq, Iran, Afghanistan, and Pakistan—to reveal how activists are working within the tenets of Islam to create economic, political, and educational opportunities for women. Coleman argues that these efforts are critical to bridging the conflict between those championing reform and those seeking to oppress women in the name of religious tradition. Success will bring greater stability and prosperity to the Middle East and stands to transform the region.    Coleman highlights a number of Muslim men and women who are among the most influential Islamic feminist thinkers, and brilliantly illuminates the on-the-ground experiences of women who are driving change: Sakena Yacoobi, an Afghan educator, runs more than forty women’s centers across Afghanistan, providing hundreds of thousands of women with literacy and health classes and teaching them about their rights within Islam. Madawi al-Hassoon, a successful businesswoman, is challenging conservative conventions to break new ground for Saudi professional women. Salama al-Khafaji, a devout dentist-turned-politician, relies on moderate interpretations of Islam to promote opportunities for women in Iraq’s religiously charged environment. These quiet revolutionaries are using Islamic feminism to change the terms of religious debate, to fight for women’s rights within Islam instead of against it. There is no mistaking that women and women’s issues are very much on the front lines of a war that is taking place between advocates of innovation, tolerance, and plurality and those who use violence to reject modernity in Muslim communities around the world. Ultimately,  Paradise Beneath Her Feet offers a message of hope: Change is happening—and more often than not, it is being led by women.