Medusa wasn't always a monster... Medusa is ruled by duty, to her Titan father and the Goddess Athena. She's no room for the tenderness her warrior guard, Ariston, stirs. When Olympus frees her from service, her heart leads her into the arms of the guard she loves... and curses her as the creature with serpent locks.Ariston goes to war with a full heart... and dreadful foreboding. He learns too late of the danger Medusa faces, alone, and a Persian blade sends him into the Underworld. But death, curses, nor the wrath of the Gods will keep him from returning to her.Poseidon will use Greece's war to get what he wants: Medusa. He does not care that she belongs to another. He does not care that she will be damned. He is a God, an Olympian, and she will be his.

    Book by Colleen McCullough

    Need. Desire. Hades, the Lord of the Underworld, has never felt any of these in his long life until a chance encounter with the Goddess of Spring. For as long as she can remember, Persephone has always been told what to do, her life dictated by people who believe they know what is best for her without taking the time to understand or listen to her. However, the opportunity to truly be herself awaits her in the most unlikely of places, sparking one of the most famous and enduring relationships that history has ever known...

    Half-man, half-god, musician, magician, theologian, poet and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men.In this extraordinary work Ann Wroe goes in search of Orpheus, from the forests where he walked and the mountains where he worshipped to the artefacts, texts and philosophies built up round him. She traces the man, and the power he represents, through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and journey to Hades, and his terrible death. We see him tantalising Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalising the Fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death.

    She's been keeping secrets her whole life. Two, actually. First, that she ages five times slower than average people, so that while she looks eighteen years old, she's well over eighty. Second, that her blood has a mysterious power to heal. For Elyse, these things don't make her special. They make life dangerous. After the death of her parents, she's been careful to keep her secret as closely guarded as possible. Now, only one other person in the world knows about her age and ability. Or so she thinks. Elyse is not the only one keeping secrets. There are others like her all over the world, descendants of the very people the Greeks considered gods. She is one of them, and they have been waiting for her for a long time. Some are waiting for her to put an end to centuries of traditions that have oppressed their people under the guise of safeguarding them. Others are determined to keep her from doing just that. But for Elyse, the game is just beginning-and she's not entirely willing to play by their rules.

    The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East, the Ultimate Encyclopedia of Mythology is a comprehensive A to Z of the classic stories of gods and goddesses, heroes and mythical beasts, wizards and warriors.

    This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth.Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.

    No qualifications. Go out and buy it everybody."Kenneth Rexroth, The Nation"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."Times Education Supplement"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."Warren D. Anderson, American Oxonian"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."Commonweal"Grene is one of the great translators."Conor Cruise O'Brien, London Sunday Times"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."Dudley Fitts, New York Times Book Review

    In reality, mythology is more screwed up than a schizophrenic shaman doing hits of unidentified. Wait, it all makes sense now. In Zeus Grants Stupid Wishes, Cory O’Brien, creator of Myths RETOLD!, sets the stories straight. These are rude, crude, totally sacred texts told the way they were meant to be told: loudly, and with lots of four-letter words. Skeptical? Here are just a few gems to consider: � Zeus once stuffed an unborn fetus inside his thigh to save its life after he exploded its mother by being too good in bed. � The entire Egyptian universe was saved because Sekhmet just got too hammered to keep murdering everyone. � The Hindu universe is run by a married couple who only stop murdering in order to throw sweet dance parties…on the corpses of their enemies. � The Norse goddess Freyja once consented to a four-dwarf gangbang in exchange for one shiny necklace. And there’s more dysfunctional goodness where that came from.

    

    Through the ages and around the world, the Green Man and other nature spirits have appeared in stories, songs, and artwork, as well as many beloved fantasy novels, including Tolkien's Lord of the Rings. Now Ellen Datlow and Terri Windling, the acclaimed editors of over thirty anthologies, have gathered some of today's finest writers of magical fiction to interpret the spirits of nature in short stories and poetry. Folklorist and artist Charles Vess brings his stellar eye and brush to the decorations, and Windling provides an introduction exploring Green Man symbolism and forest myth. The Green Man is required reading, not only for fans of fantasy fiction but for those interested in mythology and the mysteries of the wilderness.

    Alternate cover edition can be found here, here, here, hereIn the Oresteia—the only trilogy in Greek drama which survives from antiquity—Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos.Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.

    Her fate? Fall in love with the one creature even the gods fear.As she feels herself slipping closer into the arms of the prophecy, Psyche must choose between the terrifyingly tender touch she feels almost powerless to resist and the one constant she's come to expect out of life: you cannot escape what is destined.

    When their illustrious war queen Antiope fell in love with Theseus and fled to Athens with the king and his followers, so denying her people, the Amazon tribes were outraged. Seeking revenge, they raised a vast army and marched on Athens. History tells us they could not win, but for a brief and glorious moment, the Amazons held the Attic world in thrall before vanishing into the immortal realms of myth and legend.

    What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality? This introduction to the classics begins with a visit to the British Museum to view the frieze which once decorated the Apollo Temple a Bassae. Through these sculptures John Henderson and Mary Beard prompt us to consider the significance of the study of Classics as a means of discovery and enquiry, its value in terms of literature, philosophy, and culture, its source of imagery, and the reasons for the continuation of these images into and beyond the twentieth century. Designed for the general reader and student alike, A Very Short Introduction to Classics challenges readers to adopt a fresh approach to the Classics as a major cultural influence, both in the ancient world and twentieth-century--emphasizing the continuing need to understand and investigate this enduring subject.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.