This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole.A Friends Fund Publication.

    In a philosophical approach to color, William Gass explores man's perception of the color blue as well as its common erotic, symbolic, and emotional associations.

    In the decade since the tiny limited-edition volume sold out its print run, its devotees have pressed it upon their friends, students, and colleagues, only to find themselves begging for their copy’s safe return. For anyone familiar with D’Ambrosio’s writing, this enthusiasm should come as no surprise. His work is exacting and emotionally generous, often as funny as it is devastating. Loitering gathers those eleven original essays with new and previously uncollected work so that a broader audience might discover one of our great living essayists. No matter his subject — Native American whaling, a Pentecostal “hell house,” Mary Kay Letourneau, the work of J. D. Salinger, or, most often, his own family — D’Ambrosio approaches each piece with a singular voice and point of view; each essay, while unique and surprising, is unmistakably his own.

    Robert Bly, James Hillman, and Michael Meade challenge the assumptions of our poetry-deprived society in this powerful collection of more than 400 deeply moving poems from renowned artists including Robert Frost, Emily Dickinson, Langston Hughes, Theodore Roethke, Rainer Maria Rilke, Marianne Moore, Thomas Wolfe, Czeslaw Milosz, and Henry David Thoreau.

    Included are his Pulitzer Prize and National Book Award winners The Walking, Words for the Wind, and The Far Field.

    A collaboration between writer, filmmaker and artist Miranda July and Harrell Fletcher, this book brings together the best of the popular website learningtoloveyoumore.com, which asks ordinary people to contribute to assignments posted on the site and features responses that are surprising, touching, imaginative, and often hilarious.

    With this unusual volume, arranged in six carefully paced movements to suggest the journey from death to recovery, Gallagher charges language with its utmost responsibilities: here poetry aspires deeply and urgently beyond its cultural marginality to embrace the paradox of sharing unshareable pain and to assume again an Orphic voice and a communal necessity.

    Using the architecture, sculpture, and stained glass of the two locales as a starting point, Adams breathes life into what others might see merely as monuments of a past civilization. With daring and inventive conceits, Adams looks at the ordinary people, places, and events in the context of the social conventions and systems of thought and belief of the thirteenth century turning the study of history into a kind of theater.As Raymond Carney discusses in his introduction, Adams' freeedom from the European traditions of study lends an exuberance—and puckish wit—to his writings.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.

    "They make us pay attention in new ways." In his second new and selected collection, Dunn subtly enlarges our sense of possibility. His new poems, suffused with affection and rue for our world, occasionally address the metaphysical, as in these lines—from “Talk to God”Ease into your misgivingsAsk him if in his weaknesshe was ever responsiblefor a pettiness—some weather, say,brought in to show who’s bosswhen no one seemed sufficiently movedby a sunset or the shape of an egg.Ask him if when he gave us desirehe had underestimated its power.

    This is the definitive edition of his poetry, including all 135 poems, published and unpublished during his lifetime, as well as a substantial introduction by Joseph Katz.

    As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.

    Collins’ emotional complexity and uncommon range make this debut both thrillingly imaginative and ethical in its uncompromising attention to detail. In her Foreword, contest judge Louise Glück observes, “I know no poet whose sense of fraud, the inflated emptiness that substitutes for feeling, is more acute.” Glück calls Collins’ volume “savage, desolate, brutally ironic . . . a book of astonishing originality and intensity, unprecedented, unrepeatable.”

    But do we know exactly what this book is? We do not. The original purpose of the collection was to introduce younger readers--high school and college-age people, more or less--to good writing from contemporary writers. But then the book came out and we discovered that the readership was not what we'd expected. Sure, there were some high school and college readers, but there were also older readers, and younger readers, and readers from every walk of life--police officers, firefighters, animal control experts, air-conditioning repair technicians, and prisoners. It runs the gamut. Now, your questions answered: What is the purpose of this book? --Dominique, Santa Monica, CA Thank you for your question, Dominique. (Such a lovely name!) The purpose of this book is to collect good work of any kind--fiction, humor, essays, comics, journalism--in one place, for the English-reading consumer. The other books in the Best American series are limited by their categories, most particularly the popular but constraining Best American Catholic Badger Mystery Writing. This collection is not so limited, which is why, we think, it dominates all similar collections, making them whimper and cower in a way that is shameful. Why aren't there more pieces about badgers? --Reginald, Myrtle Beach, SC We had plans to include at least seven pieces about badgers--their manufacture, appearance, and care--but were prevented from doing so by Zadie Smith. This was a condition of her inclusion in this volume. In addition to the pieces included in the collection, and Ms. Smith's introduction--or whatever it is--will there be a piece by the editor about a young man with a crush on a sixty-five-year-old woman whose lawn he cuts? --Peter and Nam Mee, Washington, DC We might have such a piece. It might be immediately following this sentence. (From the Foreword by Dave Eggers) Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, the very best pieces are selected by an editor who is widely recognized as a leading writer in his or her field, making the Best American series the most respected--and most popular--of its kind. Dave Eggers, who will be editing The Best American Nonrequired Reading annually, has once again chosen the best and least-expected fiction, nonfiction, satire, investigative reporting, alternative comics, and more from publications large, small, and on-line--The Onion, The New Yorker, Shout, Time, Zoetrope, Tin House, Nerve.com, and McSweeney's, to name just a few. Read on for "Some of the best literature you haven't been reading . . . And it's fantastic. All of it." (St. Petersburg Times). Lynda Barry Jonathan Safran Foer Lisa Gabriele Andrea Lee J. T. Leroy Nasdijj ZZ Packer David Sedaris

    When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear--they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.Finalist for the T. S. Eliot PrizeFinalist for the Forward Prize for Best Collection