Meanwhile, she’s struggling to start a family, but her husband is distracted by the disappearance of his best friend, Nick. As stresses weigh her down in her professional and personal lives, Liza escapes into writing the chilling exploits of her latest heroine, Beth.Beth, a new mother, suspects her husband is cheating on her while she’s home caring for their newborn. Angry and betrayed, she aims to catch him in the act and make him pay for shattering the illusion of their perfect life. But before she realizes what she’s doing, she’s tossing the body of her husband’s mistress into the East River.Then, the lines between Liza’s fiction and her reality eerily blur. Nick’s body is dragged from the East River, and Liza’s husband is arrested for his murder. Before her deadline is up, Liza will have to face up to the truths about the people around her, including her own. If she doesn’t, the end of her heroine’s story could be the end of her own.

    His mother, April, is haunted by her own demons, a secret trauma she has carried for years. Between them is Aiden McCall, loyal to both but unable to hold them together. Connected by bonds of circumstance and duty, friendship and love, these three lives are blown apart when Aiden and Thad witness the accidental death of their drug dealer and a riot of dope and cash drops in their laps. On a meth-fueled journey to nowhere, they will either find the grit to overcome the darkness or be consumed by it.

    The case rocked the small farm town of Penny Gate, Iowa, where Jack was raised, and for years Jack avoided returning home. But when his beloved aunt Julia is in an accident, hospitalized in a coma, Jack and Sarah are forced to confront the past that they have long evaded. Upon arriving in Penny Gate, Sarah and Jack are welcomed by the family Jack left behind all those years ago—barely a trace of the wounds that had once devastated them all. But as facts about Julia's accident begin to surface, Sarah realizes that nothing about the Quinlans is what it seems. Caught in a flurry of unanswered questions, Sarah dives deep into the puzzling rabbit hole of Jack's past. But the farther in she climbs, the harder it is for her to get out. And soon she is faced with a deadly truth she may not be prepared for.

    A destitute man has been found dead on the property of a wealthy socialite. Who is he? Why did he go there to die? A reporter investigates the man's identity--and is swiftly ensnared in a web of deception as tangled and complex as the hearts and minds that spun it...--back cover

    It meant the end.As Exeter suffers a rising count of gruesome deaths, troubled DS Imogen Grey and DS Adrian Miles must solve the case and make their city safe again.But as they’re drawn into a network of corruption, lies and exploitation, every step brings them closer to grim secrets hidden at the heart of their community.And once they learn what’s motivating this killer, will they truly want to stop him?SMART. GRIPPING. GRUESOME.This is a psychological crime thriller in a class of its own.WARNING: Most definitely not for the faint-hearted!

    Parrish follows that success with an addictive novel filled with shocking twists about the aftermath of a brutal high-society murder.Dr. Kate English has it all. Not only is she the heiress to a large fortune; she has a gorgeous husband and daughter, a high-flying career, and a beautiful home anyone would envy.But all that changes the night Kate’s mother, Lily, is found dead, brutally murdered in her own home. Heartbroken and distraught, Kate reaches out to her estranged best friend, Blaire Barrington, who rushes to her side for the funeral, where the years of distance between them are forgotten in a moment.That evening, Kate’s grief turns to horror when she receives an anonymous text: You think you’re sad now, just wait. By the time I’m finished with you, you’ll wish you had been buried today. More than ever, Kate needs her old friend’s help.Once Blaire decides to take the investigation into her own hands, it becomes clear that all is not as it seems in Baltimore high society. As infidelity, lies, and betrayals come to light, and tensions rise to a boiling point, she begins to alienate Kate’s friends and relatives with her relentless, accusatory questions, as she tries to find Lily’s killer. The murderer could be anyone—friend, neighbor, loved one. But whoever it is, it’s clear that Kate is next on their list. . .In The Last Time I Saw You, Liv Constantine takes the lightning pace of The Last Mrs. Parrish and raises the stakes, creating an exquisitely tension-filled and absorbing tale of psychological suspense in which innocent lives—and one woman’s sanity—hang in the balance.

    A lot of them. She’s a con artist, a master of disguise, and a sophomore at Chicago’s swanky St. Agatha High, where her father, an old-school grifter with a weakness for the ponies, sends her to so she can learn to mingle with the upper crust. For extra spending money Julep doesn’t rely on her dad—she runs petty scams for her classmates while dodging the dean of students and maintaining an A+ (okay, A-) average.But when she comes home one day to a ransacked apartment and her father gone, Julep’s carefully laid plans for an expenses-paid golden ticket to Yale start to unravel. Even with help from St. Agatha’s resident Prince Charming, Tyler Richland, and her loyal hacker sidekick, Sam, Julep struggles to trace her dad’s trail of clues through a maze of creepy stalkers, hit attempts, family secrets, and worse, the threat of foster care. With everything she has at stake, Julep’s in way over her head . . . but that’s not going to stop her from using every trick in the book to find her dad before his mark finds her. Because that would be criminal.Fans of Ally Carter, especially her Heist Society readers, will love this teen mystery/thriller with sarcastic wit, a hint of romance, and Ocean’s Eleven–inspired action.

    The tale of a terrible event that devastates three families, after two young girls discovery of an unsupervised baby on an empty street, Every Secret Thing is a bravura demonstration of the extraordinary storytelling skill that has won Laura Lippman every major literary prize bestowed upon mystery writers, including the Edgar®, the Anthony, the Shamus, and the Agatha Awards.

    A life he could have easily lost long ago.When a con man steals his houseful of possessions in a sophisticated moving-day scam, Peke wanders helplessly through his empty New England home, inevitably reminded of another helpless time: decades in Peke’s past, a cold and threadbare Stanislaw Shmuel Pecoskowitz eked out a desperate existence in the war-torn Polish countryside, subsisting on scraps and dodging Nazi soldiers. Now, the seventy-two-year-old Peke—who survived, came to America, and succeeded—must summon his original grit and determination to track down the thieves, retrieve his things, and restore the life he made for himself.Peke and his wife, Rose, trace the path of the thieves’ truck across America, to the wilds of Montana, and to an ultimate, chilling confrontation with not only the thieves but also with Peke’s brutal, unresolved past.

    You tell him who. You tell him where. He doesn't care about why...Until he gets involved with Midori Kawamura, a beautiful jazz pianist--and the daughter of his latest kill.

    A former CIA operative, he is now an agent for hire by foreign powers on the hunt for dangerous fugitives. It’s a lethal world at the best of times, and Dan knows his number is almost up. His next job could be his last—and his next job is his biggest yet.The target sounds trackable enough: Jacques Fillon, who gave up his life trying to save a fellow passenger following a bus crash in northern Sweden. But the man was something of an enigma in this rural community, and his death exposes his greatest secret: Jacques Fillon never existed at all.Dan is tasked with uncovering Fillon’s true identity—but can he do so before his own past catches up with him?

    Falling into a downward spiral of prostitution, drugs and drink, she is picked up by a journalist who has discovered that it was a bomb that caused the crash. And it is his murder that pulls her out of herself.The Rhythm Section is not a thriller about the hunt for a terrorist, although that is the path Stephanie takes, and it’s not a story about revenge, although justice for her family is her initial motivation. Rather, The Rhythm Section is the story of Stephanie’s attempt to reclaim herself. She has to rediscover who she is through a series of roles that she is forced to play; she is never herself. As a prostitute, she is Lisa, the chemical blonde. Later, she is Petra Reuter, German anarchist turned mercenary terrorist. Sometimes, she is Marina Gaudenzi, a Swiss businesswoman, or she’s Susan Branch, an American student, or Elizabeth Shepherd, an English management consultant.But whoever she is, she’s never herself because her life depends on her being someone else. This is the way she is trained by the intelligence service that recruits her, but it’s also the way she’s taught herself to be; being someone else has always worked for her and so it does now, until she begins to fall in love for the first time with Frank White. This undermines her completely and poses new questions: which of the many people she has become is the one to have fallen in love? Stephanie? Petra? Or one of the others? With whom has Frank fallen in love? Marina? Or the real Stephanie? More than anything, The Rhythm Section is about a catastrophic crisis of identity.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    the wry wit of The Gold Coast...this is vintage Nelson DeMille at the peak of his originality and the height of his powers.Wounded in the line of duty, NYPD homicide cop John Corey is convalescing in rural eastern Long Island when an attractive young couple he knows is found shot to death on the family patio. The victims were biologists at Plum Island, a research site rumored to be an incubator for germ warfare.Suddenly, a local double murder takes on shattering global implications -- and thrusts Corey and two extraordinary women into a dangerous search for the secret of PLUM ISLAND....

    A famous bestselling author who appears a modest everyman. A loving, devoted husband even though he could have any woman he desires. A generous friend and coworker. But Henry Hayden is a construction, a mask. His past is a secret, his methods more so. No one besides him and his wife know that she is the actual writer of the novels that made him famous.For most of Henry’s life, it hasn’t been a problem. But when his hidden-in-plain-sight mistress becomes pregnant and his carefully constructed facade is about to crumble, he tries to find a permanent solution, only to make a terrible mistake.Now not only are the police after Henry, but his past—which he has painstakingly kept hidden—threatens to catch up with him as well. Henry is an ingenious man and he works out an ingenious plan. He weaves lies, truths, and half-truths into a story that might help him survive. But bit by bit the noose still tightens.Smart, sardonic, and compulsively readable, here is the story of a man whose cunning allows him to evade the consequences of his every action, even when he’s standing on the edge of the abyss.