Taking the advice (and financial support) of a wealthy aunt, he decides to "toss the tiara and get a life." Unfortunately, Daniel's only degrees are in "extensive show tune knowledge, advanced lip-synch, and how to cover up a five o'clock shadow." With his best friend beginning to die from AIDS, his ex-boyfriend prowling around, and his ex-boyfriend's new boyfriend making a pass at Daniel, what's a boy to do but throw himself into intensive weeding and planting of his new apartment garden? And if a handsome stranger should smile down at him from a nearby window, so much the better. Timothy James Beck's debut novel is detailed, realistic, and continually interesting. His main character spends so much energy exhaustively "processing" what happens to him, however, that this might as well have been a lesbian novel. With a little editing, It Had to Be You would have been a much stronger book, but patient readers will agree that Beck shows great promise along the lines of Felice Picano and Neal Drinnan. --Regina Marler

    Luca, the complex and conflicted assistant, will sacrifice all to save Donatello, even his master’s friend--the great patron of art, Cosimo de’ Medici. John L’Heureux’s long-awaited novel delivers both a monumental and intimate narrative of the creative genius, Donatello, at the height of his powers. With incisive detail, L’Heureux beautifully renders the master sculptor’s forbidden homosexual passions, and the artistry that enthralled the powerful and highly competitive Medici and Albizzi families. The finished work is a sumptuous historical novel that entertains while it delves deeply into both the sacred and the profane within one of the Italian Renaissance’s most consequential cities, fifteenth century Florence.

    "We have traded tales, my buddies and I; of affairs, encounters, secrets, fears, self-promotion-of fantasies that we make real in the telling." In this, the first volume in Ethan Mordden's acclaimed trilogy on Manhattan gay life, he introduces a small group of friends-Dennis Savage, Little Kiwi, Carlos, and the narrator, Bud-and chronicles their exploration of the new world of gay life and the new people they are in the process of becoming.In a voice at once ironic, wistful, witty, and profound, Mordden investigates his suspicion that all of gay life is stories and that, somehow or other, all these stories are about love.

    Written with extraordinary insight, honesty, and a master writer's creative sensibility.

    Others call it MU or mutual understanding. Pseudo relationships. Pseudo boyfriends. Flings. Almost like a relationship, but not quite. It is a phase where the persons involved are more than friends, but not quite lovers.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.

    But, all that changes when she befriends and becomes intrigued with Clara, her widowed neighbor and the village’s social outcast. When their friendship grows into the “unnatural”, Sam is forced to examine her upbringing and come to terms with who she really is.

    You'll be good at it. And I had said, 'Are you on crack?' And he replied, continuing to fold a blue twill jacket, ""Yes, a little.""--Lorrie Moore'Hey,' Paul yelled out. 'Why's everybody talking behind the patient's back?' 'Shut up, we're having sex,' she called back. She poured a cup for herself. 'He seems pretty chipper this morning.' 'Yeah, I don't know what to hope for,' I said. 'Quality, I guess. And then not too much quantity.' --David Gates'If everything we said had been a poem, the index of first lines would have formed a pattern: 'Do you remember', 'Tell me if I remember wrong', 'There was that time', 'Wasn't it funny when' --Anne BeattieAnd Abeer Ayyoub, Bernard Cooper, Olivia Laing, Laura Kasischke, Thomas McGuane, Colin McAdam, Katherine Faw Morris, Melinda Moustakis, Norman Rush, Edmund White and Joy Williams

    Pick up a copy today and find out what makes Pinoys stand out in a crowd!

    It brings together (but is not limited to) estranged lovers, despairing mothers and the avenging spirits of murdered women, in an assortment of words that celebrate queer desire, obsessive longing and a general disregard for "proper" subject matter. Comprising selected work written over the course of a decade, the largely confessional collection has been described as dark and hysterical ... but in a good way.

    Follow the travails of a dog walker enchanted with his new client, a restaurant owner who catches the eye of his most loyal customer, a blind date fix-up, and other seekers of the lost flame as they stumble upon romance and a possible chance at love. Showcasing new work from some of today’s best-known gay writers, including Trebor Healey, Felice Picano, Joel Derfner, Andrew Holleran, and Greg Herren, the stories in Fool for Love are a funny, sweet, and sometimes wrenching reminder of the joy romance brings to the human heart.

    In each chapter, titled after a letter of the alphabet, an anonymous narrator details his experiences, travelling to cruising grounds and sex clubs, exploring the boundaries of sex, desire, pleasure, and the body, while reflecting on the limits of language and the act of writing.In the tradition of Georges Bataille, Kathy Acker and Jean Genet, these pieces take us to places language doesn't often go. Kemp powerfully stages a series of anonymous encounters, describing the relentless pursuit of sexual pleasure with luminous intensity, while at the same time facing the impossibility of capturing the moments he describes. This is a bold and challenging work, unashamedly sensual and searching. Kemp beautifully counterpoises explicit description with a searing interrogation of the extreme measures taken in the quest for sexual fulfillment.

    Although her mother labels her life in exile a diminished one, Amparo believes her struggles are a small price to pay for freedom...Like Amparo, Beverly Obejas—an impoverished Filipina waitress—forsakes Manila and comes to Oakland as a mail-order bride in search of a better life. Yet even in the land of plenty, Beverly fails to find the happiness and prosperity she envisioned.As Amparo works to build the immigrant's dream, she becomes entangled in the chaos of Beverly's immigrant nightmare. Their unexpected collision forces them both to make terrible choices and confront a life-changing secret, but through it all they hold fast to family, in all its enduring and surprising transformations.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.