Sometimes it feels like we are all on a different planet earth. Sometimes we are!

    Native American Studies. Erika T. Wurth's BUCKSKIN COCAINE is a wild, beautiful ride into the seedy underworld of Native American film. These are stories about men maddened by fame, actors desperate for their next buckskin gig, directors grown cynical and cruel, and dancers who leave everything behind in order to make it, only to realize at thirty that there is nothing left. Poetic and strange, Wurth's characters and vivid language will burn themselves into your mind, and linger. This is the raw stuff, the loud stuff, the hard stuff, the true stuff. It'll infect you in a way you won't realize at first, too. Not until days later, when you can't remember if you read this or you lived it. Trust me: you did both.-- Stephen Graham Jones BUCKSKIN COCAINE is a big voicey chorus of drugs, sex, booze, movies, and most of all the drumbeat of want, need, and desire.-- Kyle Minor

    They aspire, they plot, they hope, they destroy, they fail, they love. These wonderful small stories animate new realities and make us see our reality anew. Reading Alomar’s sly moral fables and sharp political allegories, the reader always sits up a little straighter, and a little wiser. Here is the title story:Some of the teeth of the comb were envious of the class differences that exist between humans. They strived desperately to increase their height, and, when they succeeded, began to look with disdain on their colleagues below.After a little while the comb’s owner felt a desire to comb his hair. But when he found the comb in this state he threw it in the garbage.

    With the sheer brilliance of her imagination, Grealy leads us on delightful journeys with her wit, unflinching honesty and peerless intelligence. As Seen On TV breaks the mould of the essay, and is destined, like the memoir that preceded it, to become a modern classic.You are here: a map to this book --As seen on TV --Nerve --Mirrorings --What it takes --Fool in boots --The country of childhood --My God --A brief sketch of myself at fourteen --Written in four voices for the Hungry Mind Review issue on regional writing --The story so far --The right language --The present tense --Twin world --The girls --The yellow house

    Matthew Olzmann's poetry is that rare thing that embraces complication while, at every turn, fil....

    By the author of the bestselling gothic novel  The Asylum for Wayward Victorian Girls , “The Gown” is a chilling example of how a seemingly innocuous event can tragically erode the psyche of a sensitive child.This disturbing short story follows a nameless girl as she attempts to make a normal life for herself while struggling to escape the debilitating fear that preys upon her in her most vulnerable moments.But is this fear borne of the rational awareness of a sentient evil, or merely the terrifying echo of a misperceived experience? Is the titular gown the source of madness, or the manifestation of it? “The Gown” continues Emilie Autumn’s exploration of the nature of reality, the disintegration of identity, and the horrific effects of misplaced shame.

    Not since Terry McMillan's Breaking Ice have so many African-American writers been brought together in one volume. A stellar collection of works from more than fifty hot names in fiction, Gumbo represents remarkable synergy. Edited by bestselling luminaries Marita Golden and E. Lynn Harris, this collection spans new and previously published tales of love and luck, inspiration and violation, hip new worlds and hallowed heritage from voices such as: Edwidge Danticat , Eric Jerome Dickey, Kenji Jasper, John Edgar Wideman, Terry McMillan, David Anthony Durham, Bertice Berry, and many, many more. Also featuring original stories by Golden and Harris themselves, Gumbo heralds the debut of the Hurston / Wright Legacy Awards for Published Black Writers (scheduled for October 2002), and all advances and royalties from the book will support the Hurston/ Wright Foundation. Combining authors with a variety of flavorful writing, Gumbo will have readers clamoring for second helpings.

    In “The Liberace Museum,” a mixed-race couple leave the South toward the destination of Vegas, crossing miles of road and history to the promised land of consumption; in “Rogues,” a young man on break from college lands in his brother’s Inland Empire neighborhood during a rash of unexplained robberies; in “She Deserves Everything She Gets,” a woman listens to the strict advice given to her spoiled niece about going away to college, reflecting on her own experience and the night she lost her best friend; and in the collection’s title story, a man setting down roots in downtown L.A. is haunted by the specter of both gentrification and a young female tourist, whose body was found in the water tower of a neighboring building.With deep insight into character, intimate relationships, and the modern search for personal freedom, In the Not Quite Dark is powerful new work that feels both urgent and timeless.

    . . Munoz writes elegantly and sympathetically . . . [his stories] have a softly glowing, melancholy beauty." —The New York Times Book Review Manuel Munoz's dazzling collection is set in a Mexican-American neighborhood in central California—a place where misunderstandings and secrets shape people's lives. From a set of triplets with three distinct fates to a father who places his hope—and life savings—in the hands of a faith healer, the characters in these stories cross paths in unexpected ways. As they do, they reveal a community that is both embracing and unforgiving, and they discover a truth about the nature of home: you always live with its history. Munoz is an explosive new talent who joins the ranks of such acclaimed authors as Junot Diaz and Daniel Alarcon.

    Hoffman, however, things are not quite as ordinary as they seem. Quickly, these scenarios are flung down a surreal rabbit hole filled with bizarre taxidermy museums, and an outrageous relationship involving a silverback gorilla. Yet, amid all of its convention-smashing glee, Secrets of the Wild reveals a generous and moving portrait of a family, a family doing their best to keep it together—to play-act at normalcy, even sanity—in an American landscape slipping into madness.

    He told her he would make her his wife and protect her. In her state of haze, she agreed.The stranger was her savior and she was thankful but was he really her husband? How did the handsome, charming man end up becoming Her Unexpected Husband?Note: This is a short and sweet romance with a happy ending.

    Everyone thinks he's a laughing stock now, including his ex-wife and even his agent. When it seems things couldn't get any worse, a chance encounter results in Robinson moonlighting as a hitman. But that's when things take a surprising turn, because the more people he kills, the more the art world seems to fall back in love with him. This blackly comic short story was first published in "Ellery Queen's Mystery Magazine" in August, 2005.

    Lisa hears a knock at the door. When she opens it, she finds a mysterious man in need of shelter. He got caught out in the storm while hunting, unaware of the storm that was bearing down on the small town. Lisa gives him shelter, happy to have some company to ride out the storm. Both people are there for their own reasons and as they get to know each other, the storm outside is matched by the one inside the small cabin. Late at night, Will goes to Lisa and the two find something to keep themselves warm during the long, cold night.

    Makayla Young has over a thousand rules. She has rules about love, life and even sex. When will she ever learn you cannot control and keep a man with rules. Will her rules cause her to loose another man?