In 55 poems that swerve and crackle with a rare music, Inua Ellams unleashes a full-throated assault on empire and its legacies of racism, injustice and toxic masculinity.Written on the author's phone, in transit, between meetings, before falling asleep and just after waking, this is poetry as polemic, as an act of resistance, but also as dream-vision. At its heart, this book confronts the absolutism and 'foolish machismo' of hero culture-from Perseus to Trump, from Batman to Boko Haram. Through the thick gauze of history, these breathtaking poems look the world square in the face and ask, "What the actual - ?".'This is what poetry looks like when you have nothing to lose, when you speak from the heart, when you have spent years honing your craft so that you can be free. This is what poetry looks like when you are a word sorcerer, a linguistic swordsman, a metaphor-dazzler, a passionate creator of poetry as fire, as lament, as beauty, as reflection, as argument, as home. I was blown away by this book' Bernadine Evaristo'This first collections is a masterclass in subtlety: poems that manage to be tender, angry, vulnerable, sad, funny, yearning and interrogating of history, both recent and long ago, all at once. It's a phenomenal piece of work about what it is to exist in this time, and his dissection of pop culture, colonialism, social interactions and the cruelty of the world, of men, of systems will be read and studied for years.' Nikesh Shukla

    These graceful, expertly crafted stories, set in Japan, explore the gray areas between the long shadow of World War II and the rapid advance of Westernization. The women and children who inhabit this terrain have lost husbands and fathers to the war, and ancient traditions to American pop culture. Parents are mystified by the future of forks and knives, hairspray and hip-hop; children embrace it. With these stories of upheaval and renewal, estrangement and reconciliation, Waters provides keen insight into the experience and sensibility of different generations as they confront an altered world. A virtuoso collection infused with warmth, The Laws of Evening announces a stunning new voice in fiction.

    The eighteen stories of Manuel Gonzales’s exhilarating first book render the fantastic commonplace and the ordinary extraordinary, in prose that thrums with energy and shimmers with beauty. In “The Artist’s Voice” we meet one of the world’s foremost composers, a man who speaks through his ears. A hijacked plane circles a city for twenty years in “Pilot, Copilot, Writer.” Sound can kill in “The Sounds of Early Morning.” And, in the title story, a man is at war with the wife he accidentally shrank. For these characters, the phenomenal isn’t necessarily special—but it’s often dangerous. In slightly fantastical settings, Gonzales illustrates very real guilt over small and large marital missteps, the intense desire for the reinvention of self, and the powerful urges we feel to defend and provide for the people we love. With wit and insight, these stories subvert our expectations and challenge us to look at our surroundings with fresh eyes. Brilliantly conceived, strikingly original, and told with the narrative instinct of a born storyteller, The Miniature Wife is an unforgettable debut.

    The book is in two sections, the first a focused collection of wildly inventive lyrics that take as launch pad such far flung subjects as allergenesis, the contents and significance of swamps, a revised notion of marriage, and ancestors—both actual and dreamed. The eponymous second section is a cogent series, or long poem, based on a persona named "the eater," who, along with the poems themselves, storms voraciously through tablefuls of Chinese delicacies (each poem in the series takes its titles from an actual Chinese dish), as well as through doubts and confident proclamations from regions of an exploratory self. Hymn for the Black Terrific has Falstaffian panache; it is a book of pure astonishment.Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    The stories focus on three women, Quinn, Darla, and Stephanie, and their mothers, sisters, daughters, and friends. Originally written for Crusie's MFA in Fiction, they've been updated, edited, and packaged as a special collection for any reader who loves to laugh out loud.Show More Show Less

    From the top of the Berlin Wall to the depths of the darkest seas, gods and monsters battle their enemies and innermost fears, yet mere mortals make the truly difficult choices. A slightly regretful author and a vengeful-but-dilapidated dragon square off over an abandoned narrative; the children of the Shark God demand painful truths from their chronically absent father; and a bereaved women sacrifices herself to change one terrible moment, effortlessly reversed by a shuffle of the deck. Whether melancholic, comedic, or deeply tragic, each new tale is suffused with misdirection and discovery, expressed in the rich and mesmerizing voice of a masterful storyteller.“The Rock in the Park"“Sleight of Hand” “The Children of the Shark God” “The Best Worst Monster” “What Tune the Enchantress Plays” “La Lune T’Attend” “Up the Down Beanstalk: A Wife Remembers” “The Rabbi’s Hobby” “Oakland Dragon Blues” “The Bridge Partner” “Dirae” “Vanishing""The Woman Who Married the Man in the Moon” (A Schmendrick Tale)

    A musician travels to three continents to see her siblings before returning to Johannesburg; her home is plundered every night around her as she composes a requiem. A man follows his male lover from London to Berlin’s clubbing scene and on to a ruined castle in which the lover’s family lives. He is looking for an antidote. The protagonists in SJ Naudé’s South African Literary Award-winning short story collection are listening out for answers that cannot be expressed. Offering fresh perspectives on gay, expat and artistic subcultures and tackling the pain of loss head on, Naudé’s stories go fearlessly and tenderly to the heart of our experiences of desire, love and death.

    In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf.

    Slut Lullabies is unsettling. Like the experience of reading a private diary, these stories leave one feeling slightly traitorous while also imprinting a deep recognition of truths you did not know you felt.It is through beauty, horror, humor and chaos that Frangello has managed to pull these ten stories out of her deep understanding of the human experience. A gay Latino man whose pious relatives are boycotting his commitment ceremony' becomes caught up in hypocrisy and splendor when his lover's Waspy mother hires a glitzy wedding coordinator; a precocious girl seduces her teacher in order to blackmail him into funding her young stepmother's escape from their violent home; a wife turns to infidelity and drugs to distract her from chronic pain following an accident; a teenage boy attempts atonement in Amsterdam after having exploited his naive girlfriend at home; and a socialite must confront her dark past as her husband's deterioration from Huntington's Disease destroys both her bank account and social standing.

    This is the black Midwest of the 1950s, when towns could count their white folks on one hand - the years before the civil rights movement came along and changed everything. In perfectly cadenced vernacular, Maxine Clair speaks to us through the voices of Rattlebone's citizens: October Brown, the new schoolteacher with a camel's walk and shoulder-padded, to-the-nines dresses; Irene Wilson, naive and wise, who must grapple with her parent's failing marriage as she steps eagerly into adulthood; and Thomas Pemberton, owner of the local rooming house, an old man with a young heart. Sparkling with lyricism, Clair's interconnected stories celebrate the natural beauty of the Midwest and the dignity and vitality of these most ordinary lives.

    They paint a novelistic portrait of the fictional town of Rosarita Bay, California, and a diverse cast of complex and moving characters. "Nothing short of wonderful...surprising and wild with life" (Robert Boswell), Yellow "proves that wondering about whether you're a real American is as American as a big bowl of kimchi" (New York Times Book Review).

    She takes us down Kentucky roads in the back of a pickup truck to both truculent and delicate women and rough, rambling men edged with gentleness. A finalist for the Flannery O’Connor Short Fiction Award and the Iowa Short Fiction Award, this collection is a ravishing war of characters laid bare as they look for the glow and fight to stay in the light. As affecting as they are sexy and romantic, these stories burn with sweetness like firecrackers and honey as you throw them back and holler for another round.

    With 16 different stories told through illustrated prose or comic panels, the couple explores the idiosyncratic nature of relationships in a variety of genres from fractured fairy tales to historical fiction to paper dolls. With Niffenegger’s sharp, imaginative prose and Campbell’s diverse comic styles, Bizarre Romance is the debut collection by two of the most important storytellers of our time.