She’s been dining out too long, literally and figuratively, on a culture of celebrity worship and empty punditry. She seeks refuge from her better judgment in endless parties, ritual substance abuse, and half-hearted attempts to get herself fired, but in a libertarian newsroom where outrageous spin is the easiest way to sell papers, her bad-girl behaviour just wins her more accolades.Along this path of self-destruction, Max’s past, comic and poignant, keeps intruding: memories of her mother’s brutal death and her hippie father’s crippling breakdown; the reappearance of an aging vegan idealist who briefly played her stepmom on the West Coast commune where she came of age; tender realizations about the bad artist she was supposed to marry and a long-lost boyfriend who seems exotically sane. When a host of prior indiscretions finally catches up with her, Maxime realizes that any chance at happiness depends on uncovering, at last, her one true story.Set during the madness of the Toronto International Film Festival and weaving back and forth between Max’s commune past and her newsroom present, How Happy to Be portrays with razor-sharp insight and bittersweet wit a modern woman’s descent into — and eventual escape from — the deafening pop culture noise of the early twenty-first century. Intelligent, savvy, this novel marks the arrival of a remarkable new fiction talent.

    The cast includes a penniless, dandified Malquist with a liveried coach; Malquist's Boswellian biographer, Moon, who frantically scribbles as a bomb ticks in his pocket; a couple of cowboys, one being named Jasper Jones; a lion who's banned from the Ritz; an Irishman on a donkey claiming to be the Risen Christ; and three irresistible women.

    Told through the eyes of a young man who yearns to find excitement, truth, and a deeper family bond in his life, Weaver's approachable and revealing stories, lists, fragments, and memories delve into the weird, funny, and sometimes unsettling world of a midwest kid finding his own path."Thank god you can come across a writer like Troy James Weaver. In the future people will just say these stories are like Troy James Weaver stories and you'll know exactly what they mean." --Scott McClanahan "There are moments, reading Witchita Stories, where everything dropped away, and I was speechless, or at least whatever the equivalent of speechless is when you're not talking in the first place. There is a deep sadness to these stories, and humor, but most importantly, honesty. This feels real and heavy and it's just about the best thing I've read in a long time." --J. David Osborne

    This story was first published in THOSE WHO MAKE US: CANADIAN CREATURE, MYTH, AND MONSTER STORIES.

    In his portrait of Abe Spalding, Frederick Philip Grove captures the essence of the pioneering spirit: its single-minded strength, its nobility, and ultimately, its tragedy. A novel of broad scope and perception, Fruits of the Earth displays a dignity and stature rare in contemporary works of fiction.

    Featuring a revolving cast of characters—the newly retired couple, the church warden, the musician, the small-town girl with big city dreams—Carney’s keen observations of the personalities and dramas of coastal life are instantly recognizable to readers who are familiar with life in a small community. With her narrative of dock fights, pet shows, family feuds, logging camps and the ever-present tension between islanders and property-owning “off-islanders,” Carney’s witty and perceptive voice describes how the islanders weather the storms of coastal life.Carney writes evocatively of the magical landscape of the British Columbia coast, where she has lived and worked for five decades. At the same time, she addresses the less-idyllic moments that can also characterize coastal life: power outages, winter storms, isolation. On Island brings the West Coast landscape—human and natural—to life, and gives islanders and mainland dwellers alike a taste of what it means to be “on island.”

    Many of the city's lawyers, businessmen, and other professionals were black, as were all the tradesmen and stevedores. The black community outnumbered the white community by more than two to one. But the white civic leaders, many descended from the antebellum aristocracy, did not consider this progress. They looked around and saw working class white citizens out of jobs. They heard black citizens addressing white neighbors "in the familiar." They hated the fact that local government was run by Republican "Fusionists" sympathetic to the black majority. Rumors began to fly. The newspaper office turned into an arsenal. Secret societies espousing white supremacy were formed. Isolated incidents occurred: a shot was fired through a streetcar bearing white passengers, a black cemetery was desecrated. This incendiary atmosphere was inflamed further by public speeches from an ex-Confederate colonel and a firebrand black preacher. One morning in November, the almost inevitable gunfire began. By the time order was restored, many of the city's most visible black leaders had been literally put on trains and told to leave town, hundreds of black citizens were forced to hide out in the city's cemetery or the nearby swamps to avoid massacre, and dozens of victims lay dead. Based on actual events, Cape Fear Rising tells a story of one city's racial nightmare--a nightmare that was repeated throughout the South at the turn of the century. Although told as fiction, the core of this novel strikes at the heart of racial strife in America.Philip Gerard is the author of five novels and eight books of nonfiction, including Down the Wild Cape Fear: A River Journey Through the Heart of North Carolina and The Patron Saint of Dreams, winner of the 2012 North American Gold Medal in Essay/Creative Nonfiction from The Independent Publisher."[A] complex and convincing . . . story [that] smartly limns the tangled combination of economic, social and visceral elements that led Wilmington to violence . . . " --Publishers Weekly

    The town where roses are difficult is Shelby, in the Alberta foothills, and the time is the 1950s. Matt Stanley, the editor of the local paper, relishes the range of people he meets, from Willie MacCrimmon, the local shoemaker and demon curler, to the oldest resident, Daddy Sherry, all the way to the disreputable Rory Napoleon and his wife, Mame, who once conceived at the top of a ferris wheel “because there was nothing else to do.” But when a sociologist arrives to study the town, Matt takes her under his wing, which produces unexpected results. From scenes of high comedy (as when Santa comes to Shelby, or when Rory Napoleon’s goats invade the town) to gentle sadness, this 1990 novel shows W.O Mitchell at his traditional best.

    When Iain lands a job at a radio station near his childhood home, he decides to take it. But the work is only part time, so he is forced to move back in with his lovable but eccentric parents on their hobby farm. What starts out as a temporary arrangement turns into a year-long extended stay, in which Iain finds himself fighting with the farm fowl, taking fashion advice from the elderly, fattening up on a gluttonous fare of home-cooked food, and ultimately easing (perhaps a little too comfortably) into the semi-retired, rural lifestyle.Capturing the angst and humour of his quasi adulthood, One Bird's Choice announces the funny, original, and fresh new voice of Iain Reid.

    She also cannot forget the day her stepfather sent her away to a group home. Now, years later in Vancouver, she has met a man who can make her forget all that.The God of My Art is layered with unforgettable scenes of youth, obsessive love, and artistic longing. At the core of this coming-of-age tale are the shifting faces of Helene--teenage runaway, university student, and budding artist. Related in her engaging voice, this novel chronicles Helene's seminal love affair with Matthew, a globetrotting mountaineer passionate about Nietzsche, and the art he inspires within her. As she wrestles to become the artist she wants to be, she encounters unforgettable characters along the way, including Hana, a lesbian theatre student fed up with her partner's multiple affairs, and Laurent, a French exchange student who grapples with existential questions of his own.Bold and poetic, sensual and confessional, The God of My Art explores obsessive love as a source of inspiration for art, where the artist is female and the eternal muse, male.

    A gay birthday clown lamenting the loss of his beloved dog. An amateur veterinarian keeping watch over his suicidal daughter. And a bikini model with a barnacle stuck to her butt cheek. These are just a few of the characters who populate the quirky, offbeat world of IF YOU LIVED HERE YOU'D ALREADY BE HOME a world that feels at once alien and strangely familiar. In these twenty-one brief, funny stories, John Jodzio documents his characters disappointment, frustration, and longing for a home that seems forever out of reach. By turns bleak and hopeful, cruel and tender, this is an exciting literary debut by a writer to watch, a writer with a unique and compelling voice. You may think you've read enough stories about penniless gay clowns who can't get over the loss of a dog, but I assure you you have not. John Jodzio is the best kind of modern fiction writer: a thematic traditionalist who feels totally new. --Chuck Klosterman, author of SEX, DRUGS, AND COCOA PUFFS

    But when Cameron finds a patient hanged in the utilities closet, his infatuation with other people's stories becomes an obsession. Assuming the man's identity, Cameron seeks out and forges a relationship with the victim's mentally challenged sister, who lives in a home uptown. As Cameron becomes more involved in the woman's life, he begins to discover truths that will challenge him to the very core of his existence.

    Estranged from her father and two older siblings, she's left a brutal childhood and a psychopathic grandfather behind. She expects her visit home to be short. but then she discovers the diaries written by her mother, a British war bride with a young baby who came to Canada to join a husband she scarcely knew. Rebecca (and the reader) find her heart wrung by her mother's story.Meanwhile, a young girl has gone missing, and the suspicions of the townspeople fall on Rebecca's handsome, charming brother Jimmy. Before long, violence threatens and Rebecca must put aside some long-held grievances to protect Jimmy and find the real killer.This debut novel will appeal to readers of Jacqueline Winspear's Maisie Dobbs and Pip Granger's Not All Tarts Are Apple and its sequels, evoking admiration, respect, and sympathy for members of The Greatest Generation, both English and Canadian.

    The first part of what has come to be known as the Mercer Series, Leaving Home tells the story of a Newfoundland family that has emigrated and lost all sense of its place in the world.Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada.