Through objects, places and actions, the world is revealed as both permanent and ever-changing.

    The boy says he heard that the girl has two dads. The girl says that is right--she has Daddy and Poppa. True to a child’s curiosity, practical questions follow: "Which dad helps when your team needs a coach? / Which dad cooks you eggs and toast?” To which she answers: "Daddy is my soccer coach. / Poppa cooks me eggs and toast.”Intended for 4- to 8-year-olds, this book introduces a type of family increasingly visible in modern society. Neither favoring nor condemning, it reflects a child’s practical and innocent look at the adults who nurture and love her. It becomes clear that the family bond is unburdened by any cultural discomforts.

    Deborah Freedman’s masterful new picture book is at once an introduction to the pieces of a house, a cozy story to share and explore, and a dreamy meditation on the magic of our homes and our world.Before there was this house,there were stones,and mud,and a colossal oak tree—three hugs aroundand as high as the blue.What was your home, once?This poetically simple, thought-provoking, and gorgeously illustrated book invites readers to think about where things come from and what nature provides.

    Instead, Matthew finds Anne awaiting him at the train station — imaginative, brash, redheaded Anne-with-an-e. With her place at the Cuthberts’ at risk — particularly if nosy neighbor Mrs. Lynde has anything to say about it — Anne will have to learn patience, understanding and what it takes to make Green Gables her true home.Lovingly adapted by Kallie George with beautiful, nostalgic illustrations by Abigail Halpin, Anne Arrives is perfect for new fans of Anne and old.

    And now readers can also search for Woof, Wenda, Wizard Whitebeard, Odlaw, and much more—all newly added to this special edition!

    In "Matchless", Maguire adds a different dimension to the story, intertwining the match girl's tale with that of a young boy, Frederik, whose own yearnings are the catalyst for a better future for himself and his family. Maguire uses his storytelling magic to rekindle Andersen's original intentions, and to suggest transcendence, the permanence of spirit, and the continuity that links the living and the dead.

    It is a world in which Christopher Robin and Alice watch the changing of the guard at Buckingham Palace, and where James James Morrison Morrison Weatherby George Dupree takes great care of his Mother, though he is only three. In this timeless wonderland, the Little Black Hen is much too busy to lay eggs for anyone (except Christopher Robin), and the three little foxes play in the forest, keeping their handkerchiefs in cardboard boxes. The King plaintively asks for butter for the Royal slice of bread. And at the end of an active day, a little boy kneels at the foot of his bed: Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. Here in one irresistible volume you will find When We Were Very Young and Now We Are Six, the two collections of verses which A. A. Milne wrote for his only son-verses that are cherished by everyone who has had the good fortune to become acquainted with them. To add to the excitement, Ernest Shepard, whose beloved black-and-white drawings in the original books have delighted millions of children, contributed endpapers and eight full-page illustrations, all in full color. Of course, Pooh, that remarkable bear, refuses to stay out of these pages, even though he has two books of his own. But his appearance here should cause no surprise. After all, he belongs. For as Christopher Robin is fond of saying, Wherever I am, there's always Pooh, There's always Pooh and Me.

    As she soon discovers, her imagination is not far from reality, and the girl realizes that when she is ready to be heard, her voice will ring loud and true.

    The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves uninterrupted, that also means it must save itself when it storms. And so it does.

    It has a biographical Preface by Lear himself, and concludes with some delightful 'heraldic' sketches of his cat, Foss.

    In this parody of a children's classic, a very hungry zombie eats his way through a variety of his favorite foods, including clowns, astronauts, rock stars, fingers, and brains.

    Take Frankenstein, for instance: He just wants to marry his undead bride in peace, but his best man, Dracula, is freaking out about the garlic bread. Then there’s the Headless Horseman, who wishes everyone would stop drooling over his delicious pumpkin head. And can someone please tell Edgar Allan Poe to get the door already before the raven completely loses it? Sheesh.          In a wickedly funny follow-up to the bestselling Frankenstein Makes a Sandwich, Adam Rex once again proves that monsters are just like you and me. (Well, sort of.)

    Drawing upon everyday incidents, common situations and rural imagery, Frost fashioned poetry of great lyrical beauty and potent symbolism. Originally published in 1916 under the title Mountain Interval.

    Take a lighthearted romp through four seasons in the forest with these whimsical poems. Marvel at the overachieving beaver, applaud the race-winning snail and its perfect trail of slime, or head off to be pampered at a squirrel spa. Warning: Deborah Ruddell's quirky cast of animal characters and Joan Rankin's deliciously daffy pictures will cause giggles. The woods have never been so much fun!

    Full color.