From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

    Johnson, this brilliant, compact survey stretches across the centuries, exploring the major literary forms (poetry, novel, drama, essay and more), the many histories and theories of the very idea of literature, and the role of writers in shaping English, British, and post-imperial identities. Bate illuminates the work of Chaucer, Shakespeare, Wordsworth, Dickens, and many other major figures of English literature. He looks at the Renaissance, Romanticism, and Modernism, at the birth of the novel and the Elizabethan invention of the idea of a national literature, and at the nature of writing itself. Ranging from children's literature to biography, this is an indispensable guide and an inspiration for anyone interested in England's magnificent literary heritage.

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    

    But he came from London's East End and settled in the north, a mean, dark, secretive man who was interested only in lining his pockets at the expense of those around him - most especially his wife and daughters. Ellen, his wife, bore with him for years, until she found her children threatened. Then she was prepared to fight like a tigress to protect the four girls, give them a chance of a new and better life, a chance to escape from the evil and oppressive legacy of Billy London. There was Abigail, clever, ambitious, and with an outer shell of steel that life had taught her was necessary if she was to survive. Tishy, overwhelmingly lovely, who lived in a world all her own. Marie, brisk, capable, and nearly strong enough to defy her father on her own. And Theresa, more wounded, more vulnerable, more damaged by Billy than any of them. As the sirens of 1939 heralded the advent of war, so Billy London's girls began their own battle for new, triumphant, and fulfilling lives.

    

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    It is one of those rare books -- concise and compelling, yet based on science. Certain to become a staple in first-year college curricula, The A Game will forever change students' lives.

    But alas! He has no money to do so! Will Deepu end up disappointing his brother? Find out in The Fancy Dress.• Suppandi’s employer rewards him for his honesty when he returns the five rupee note he found. But what will happen when Suppandi continues this honest behaviors? Get ready to laugh with The Adventures of Suppandi: Self Help.• Being around people who love to boast about themselves can be annoying. But what do you do when you’re forced to travel with one of them? Find out what a man does when he is repeatedly slighted by the Proud Man in the Train.• Hodja’s friend just wants some peace and quiet to meditate. But the fascinated villagers won’t let him be! What clever scheme will Hodja come up with to help his friend in Money Power?

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    It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

    Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.

    An Indian scientist on the run. The spy apparatus of three nations after him and the coveted secrets he intends to take to the highest authorities. A girl who has become an unwitting pawn in this deadly game. A mastermind who will stop at nothing. They are up against a man with a troubled past who stands between life and death, victory and defeat. A conspiracy so devious it could forever change the nation. A race against impossible odds and time. Who will get their hands on the secret first? About the Author Abhinav is a columnist, photographer, software professional, Hindi music addict, reader and reviewer, and curator of the Indic Book Club. Abhinav’s writings have been published in DNA, Pioneer, Swarajya, LinkedIn, OpIndia, Medium, and elsewhere. He has worked at technology companies in India, the United States, and Canada. He holds a bachelor’s degree in Computer Engineering from Mumbai University and is a post-graduate from the Indian Institute of Management, Bangalore. He lives in Bangalore with his wife and two daughters.

    Culling over 300 pages of some of today's most thrilling writers, The Best of 2.13.61 Publications hallmarks our company's ten year existence. Excerpts include new material from Henry Rollins and Hubert Selby, Jr, as well as excerpts from Henry Miller's love letters, Nick Zedd's hilarious nihilistic New York urban spelunkings, Ian Shoales' undeniably witty social commentaries and so much more.

    Told by an eclectic group of historical and modern characters in a continuous conversation across ages and generations, Top Girls was hailed as 'the best British play ever from a woman dramatist' by The Guardian.