Open at your own risk. Sarah and Tommy have the same kinds of problems as most any ten-year-old girl and six-year-old boy. Homework, bullies, Dad not going in to work since Mom ran off to fuck the postman. That sort of thing. But they're not going to take their problems lying down. After a quick bus ride into town to buy a gun, they think their problems are all but solved. That is, until a creepy weirdo follows them into an alley. But they aren't the only ones in that alley. What they discover will make you soil your pants in terror. It will make your skin crawl. It might even give you... Shingles.

    Her book practically writes itself. She marries her gorgeous agent. Her name is on all of the best seller lists. Billionaire author Jay McCallister takes an interest in her meteoric rise to fame and invites her into his world of alien-believing celebrities. Her life changes forever when he tells her that they were both created inside of a laboratory. These authors are embedding an alien genetic code within the pages of their novels that originated from Nazi Germany because... The time has come. They are here.

    A British astronomer, Thayer, high on Darwin and other progressive scientists of the age, has come to believe that beings more highly evolved than us are alive on Mars (he has evidence) and that there will be a perfect moment in which we can signal to them that we are here too. He gets the support and funding for a massive project to build the Equilateral, a triangle with sides hundreds of miles long, in the desert of Egypt in time for that perfect window. But as work progresses, the Egyptian workers, less evolved than the British, are also less than cooperative, and a bout of malaria that seems to activate at the worst moments makes it all much more confusing and complex than Thayer ever imagined. We see Thayer also through the eyes of two women--a triangle of another sort--a romantic one that involves a secretary who looks after Thayer but doesn't suffer fools, and Binta, a houseservant he covets but can't communicate with--and through them we catch sight of the depth of self-delusion and the folly of the enterprise. Equilateral is written with a subtle, sly humor, but it's also a model of reserve and historical accuracy; it's about many things, including Empire and colonization and exploration; it's about "the other" and who that other might be. We would like to talk to the stars, and yet we can barely talk to each other.

    This plant is used exclusively to comply with the extremely complicated ritual laws set down in the Tablets of Enku.

    Jarvis may be an all-round irritant, but he's harmless & deep down he's got a heart of gold. As his oldest (& only) friend reflects on his life with Jarvis Ham, he wonders what it would have been like if they had never met.

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    Now Menedemos and Sostratos plan their largest, most audacious trading voyage yet, which will take them from the shores of Asia Minor all the way to the coasts of faraway Italy, and to confrontations with the barbarians of an obscure town called Rome. Along the way they will buy and sell wine, silks, and even to the astonishment of all, peacocks.

    Wissey Jones, a stranger who comes to the town of Pequot on urgent defense business. His business is to buy for his corporation children of a certain sort, in this case a ten-year-old named Barry Rudd, a budding genius of potentially critical value. A hearing is held and questions are asked: exactly why does Mr. Jones' company buy children, and will it succeed in buying Barry?

    Gleick's story begins at the turn of the twentieth century with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation, The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological the electric telegraph, the steam railroad, the discovery of buried civilizations, and the perfection of clocks. Gleick tracks the evolution of time travel as an idea in the culture from Marcel Proust to Doctor Who, from Woody Allen to Jorge Luis Borges. He explores the inevitable looping paradoxes and examines the porous boundary between pulp fiction and modern physics. Finally, he delves into a temporal shift that is unsettling our own moment: the instantaneous wired world, with its all-consuming present and vanishing future.

    Neal Stephenson’s science fiction thriller, depicts the end of the Earth through the destruction of the Moon by an unknown Agent and the attempts to preserve humanity through a multi-millennial gap between times when the surface of the planet will be inhabitable. The preservation efforts soon bog down in political entanglements, both from the doomed world and from within the populations who are meant to carry humanity through thousands of years in space to a planned return to Earth. When, at last, humanity makes to return to the surface of Earth, they find that other populations, not entirely friendly, await them, having endured their own privations across the millennia. Seveneves, by Neal Stephenson, is a substantial piece of apocalyptic and post-apocalyptic science fiction. Well-written and compelling, it offers a convincing account of one of the many scenarios in which Earth might end – only to be reborn millennia later from seeds sown by the seven Eves of the novel’s title and others uncontrolled by them. It is an excellent piece of science fiction. This companion also includes the following: • Book Review • Story Setting Analysis • Story elements you may have missed as we decipher the novel • Details of Characters & Key Character Analysis • Summary of the text, with some analytical comments interspersed • Thought Provoking /or Discussion Questions for both Readers & Book Clubs • Discussion & Analysis of Themes, Symbols… • And Much More! This Analysis of Seveneves fills the gap, making you understand more while enhancing your reading experience.

    Longbottom, the Nebula Award-winning science-fiction and fantasy author and head writer of Mythic Quest. C.W. found literary fame with Inside the Caves of Beneroth and Tears of the Anaren, but even his most loyal fans don’t know that Tears of the Anaren began as a short story he wrote in the early 1970s while interning at Amazing Tales magazine.This never-before-published draft is now yours to discover, complete with C.W.’s (extremely) colorful commentary and an Introduction and Afterword by Ian Grimm, the iconoclastic creator of Mythic Quest. As sparks fly between heroic scoundrel Zeb and space seductress Merrith, we get a glimpse into the mind of a talented young man yearning for greatness. Like early Mozart, it is raw and green — but also magic.From Charlie Day, Megan Ganz, and Rob McElhenney, the Apple TV+ original comedy series, Mythic Quest, goes behind the scenes to follow the game’s creators. In a workplace focused on building worlds, molding heroes, and creating legends, the most hard-fought battles don’t occur in the game — they happen in the office. Rob McElhenney stars as Ian Grimm alongside Charlotte Nicdao and F. Murray Abraham.

    Even more entertaining for its plausibility, this prequel has the same dry wit and humor that makes The Mouse that Roaredso endearing.

     THIS BOOK CONTAINS ADULT CONTENT DANGEROUS BEAUTY... This first novella in an exciting new series will take you to a future unlike anything you’ve ever seen. The world of BRIGAND is as beautiful as it is cruel - a landscape of sharp edges and sharper characters. Sometimes it's funny, sometimes harsh, always sexy, it's a world filled with people who play power games that span multiple planets and the life of a scut can be bought for a few ounces of fresh water. Genetically modified and cybernetically augmented before she even left the womb, Subject 11 was to be one of the Mandate of St. Nicolo's most potent tools of statecraft. With her contract bid out to one of the great families of Marajo Lift, she would become a crucial wheel within the many thousands of wheels that formed the Mandate's legendary engine of intrigue. But 11 had other plans... NOTE: The cover illustration for this novella has been changed to more accurately reflect the main character. DO NOT buy it if you have already purchased The Wraith's Story. ~22,000 words

    A novel by Mark Shipper - The Life and Times of the Beatles: The spurious Chronicle of Their Rise to Stardom, Their Triumphs & Disasters Plus the Amazing Story of Their Ultimate Reunion.