Chris Shepard, a busy young doctor in Natchez, Mississippi, has never seen his new patient Alex Morse before. But the attractive young woman with the scarred face has come to Dr. Shepards office on a mission to catch a killer. This New York Times bestseller is available in a tall Premium Edition.

    The truth doesn't matter in a trial.The only thing that matters is what the prosecution can prove.Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren't that different.It's been over a year since Eddie vowed never to set foot in a courtroom again. But now he doesn't have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie's back and kidnapped his ten-year-old daughter Amy.Eddie only has 48 hours to defend Volchek in an impossible murder trial—and win—if he wants to save his daughter.Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his 'client' and ensure Amy's safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible?Lose this case and he loses everything.

     Joe never wanted to come back to Arnhill. After the way things ended with his old gang—the betrayal, the suicide—and what happened when his sister went missing, the last thing he wanted to do was return to his hometown. But Joe doesn’t have a choice, not after a chilling email surfaces in his inbox: I know what happened to your sister. It’s happening again . . . Lying his way into a teaching job at his former high school is the easy part. Facing off with onetime friends who aren’t too happy to have him back in town—while avoiding the enemies he’s made in the years since—is tougher. But the hardest part of all will be returning to the abandoned mine where his life changed forever, and finally confronting the horrifying truth about Arnhill, his sister, and himself. Because for Joe, the worst moment of his life wasn’t the day his sister went missing. It was the day she came back.

    But behind closed doors, nothing is quite as it seems. That perfect husband has a temper that burns as bright as his promising political career, and he's not above using his staff to track Claire's every move. But what he doesn't know is that Claire has worked for months on a plan to vanish.A chance meeting in an airport bar brings her together with a woman whose circumstances seem equally dire. Together they make a last-minute decision to switch tickets ― Claire taking Eva's flight to Oakland, and Eva traveling to Puerto Rico as Claire. But when the flight to Puerto Rico goes down, Claire realizes it's no longer a head start but a new life. Cut off, out of options, with the news of her death about to explode in the media, Claire will assume Eva's identity, and along with it, the secrets Eva fought so hard to keep hidden.

    She is the spitting image of his college girlfriend, Marissa Minor, who died in a campus house fire twenty years earlier. But when Nick tries to speak to her, she acts skittish and rushes off.The next morning the police arrive at Nick’s house and show him a photo of the woman from the store. She’s been found dead, murdered in a local motel, with Nick’s name and address on a piece of paper in her pocket.Convinced there's a connection between the two women, Nick enlists the help of his college friend Laurel Davidson to investigate the events leading up to the night of Marissa’s death. But the young woman’s murder is only the beginning...and the truths Nick uncovers may make him wish he never doubted the lies.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    This time it could be theirs . . .It isn’t safe. That’s what Joe tells her when he ends their affair—moments before their car skids off an icy road in a blinding snowstorm and hits a tree. Desperate to keep her life intact—her job, her husband, and her precious daughter, Lily—Dorrie will do everything she can to protect herself, even if it means walking away from the wreckage. Dorrie has always been a good actress, pretending to be someone else: the dutiful daughter, the satisfied wife, the woman who can handle anything. Now she’s going to put on the most challenging performance of her life. But details about the accident leave her feeling uneasy and afraid. Why didn’t Joe’s airbag work? Why was his car door open before the EMTs arrived? And now suddenly someone is calling her from her dead lover’s burner phone. . . .Joe’s death has left his wife in free fall as well. Karen knew Joe was cheating—she found some suspicious e-mails. Trying to cope with grief is devastating enough without the constant fear that has overtaken her—this feeling she can’t shake that someone is watching her. And with Joe gone and the kids grown, she’s vulnerable . . . and on her own.Insurance investigator Maggie Devlin is suspicious of the latest claim that’s landed on her desk—a man dying on an icy road shortly after buying a lucrative life insurance policy. Maggie doesn’t believe in coincidences. The former cop knows that things—and people—are never what they seem to be.As the fates of these three women become more tightly entwined, layers of lies and deception begin to peel away, pushing them dangerously to the edge . . . closer to each other . . . to a terrifying truth . . . to a shocking end.

    She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.

    Parrish follows that success with an addictive novel filled with shocking twists about the aftermath of a brutal high-society murder.Dr. Kate English has it all. Not only is she the heiress to a large fortune; she has a gorgeous husband and daughter, a high-flying career, and a beautiful home anyone would envy.But all that changes the night Kate’s mother, Lily, is found dead, brutally murdered in her own home. Heartbroken and distraught, Kate reaches out to her estranged best friend, Blaire Barrington, who rushes to her side for the funeral, where the years of distance between them are forgotten in a moment.That evening, Kate’s grief turns to horror when she receives an anonymous text: You think you’re sad now, just wait. By the time I’m finished with you, you’ll wish you had been buried today. More than ever, Kate needs her old friend’s help.Once Blaire decides to take the investigation into her own hands, it becomes clear that all is not as it seems in Baltimore high society. As infidelity, lies, and betrayals come to light, and tensions rise to a boiling point, she begins to alienate Kate’s friends and relatives with her relentless, accusatory questions, as she tries to find Lily’s killer. The murderer could be anyone—friend, neighbor, loved one. But whoever it is, it’s clear that Kate is next on their list. . .In The Last Time I Saw You, Liv Constantine takes the lightning pace of The Last Mrs. Parrish and raises the stakes, creating an exquisitely tension-filled and absorbing tale of psychological suspense in which innocent lives—and one woman’s sanity—hang in the balance.

    Clive tells his story--one involving the ill-fated Donner Party, who became permanently lodged in the American consciousness in the winter of 1847, when the first skeletonized survivors of the party stumbled out of the California mountains, replete with tales of courage, resourcefulness, bad luck, murder, barbarism--and, finally, starvation and cannibalism.Captivated by the Donner Party, Nora agrees and they venture into the Sierra Nevada in search of the camp. Quickly, they learn that the discovery of the missing starvation camp is just the tip of the iceberg--and that the real truth behind those long-dead pioneers is not only far more complex and surprising than they could have imagined...but it is one that puts them both in mortal danger from a very real, present-day threat in which the search for the lost party, and its fabled fortune in gold, are merely means to a horrifying end.

    A confounding investigation. At a time when the King brand has never been stronger, he has delivered one of his most unsettling and compulsively readable stories.An eleven-year-old boy’s violated corpse is found in a town park. Eyewitnesses and fingerprints point unmistakably to one of Flint City’s most popular citizens. He is Terry Maitland, Little League coach, English teacher, husband, and father of two girls. Detective Ralph Anderson, whose son Maitland once coached, orders a quick and very public arrest. Maitland has an alibi, but Anderson and the district attorney soon add DNA evidence to go with the fingerprints and witnesses. Their case seems ironclad.As the investigation expands and horrifying answers begin to emerge, King’s propulsive story kicks into high gear, generating strong tension and almost unbearable suspense. Terry Maitland seems like a nice guy, but is he wearing another face? When the answer comes, it will shock you as only Stephen King can.

    Diana was exquisitely polite, and properly friendly, but Lucy knew that she was not what Diana envisioned. But who could fault Diana? She was a pillar of the community, an advocate for social justice who helped female refugees assimilate to their new country. Diana was happily married to Tom, and lived in wedded bliss for decades. Lucy wanted so much to please her new mother-in-law. That was five years ago.Now, Diana has been found dead, a suicide note near her body. Diana claims that she no longer wanted to live because of a battle with cancer.But the autopsy finds no cancer.The autopsy does find traces of poison and suffocation. Who could possibly want Diana dead? Why was her will changed at the eleventh hour to disinherit both of her adult children and their spouses?With Lucy's secrets getting deeper and her relationship with her mother-in-law growing more complex as the pages turn, this new novel from Sally Hepworth is sure to add to her growing legion of fans.

    She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, already counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets. Afraid to call the police—she's a single woman alone in a hotel room far from home—Cassie begins to lie. She lies as she joins the other flight attendants and pilots in the van. She lies on the way to Paris as she works the first class cabin. She lies to the FBI agents in New York who meet her at the gate. Soon it's too late to come clean—or face the truth about what really happened back in Dubai. Could she have killed him? If not, who did?

    Now one of them is dead. Could this be the perfect murder?56 DAYS AGOCiara and Oliver meet in a supermarket queue in Dublin the same week Covid-19 reaches Irish shores.35 DAYS AGOWhen lockdown threatens to keep them apart, Oliver suggests that Ciara move in with him. She sees a unique opportunity for a new relationship to flourish without the pressure of scrutiny of family and friends. He sees it as an opportunity to hide who - and what - he really is.TODAYDetectives arrive at Oliver's apartment to discover a decomposing body inside.Will they be able to determine what really happened, or has lockdown provided someone with the opportunity to commit the perfect crime?

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?