Schiller wrote many philosophical papers on ethics and aesthetics. He developed the concept of the Schöne Seele (beautiful soul), a human being whose emotions have been educated by his reason, so that Pflicht und Neigung (duty and inclination) are no longer in conflict with one another; thus "beauty," for Schiller, is not merely a sensual experience, but a moral one as well: the Good is the Beautiful. His philosophical work was also particularly concerned with the question of human freedom, a preoccupation which also guided his historical researches. Schiller is considered by most Germans to be Germany's most important classical playwright. Critics have noted his innovative use of dramatic structure and his creation of new forms, such as the melodrama and the bourgeois tragedy. Amongst his famous works are Love and Intrigue (1784), Don Carlos (1787), The Minister (1796), The Death of Wallenstein (1799), The Piccolomini (1800) and Mary Stuart (1800).

    The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip . . . under the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages.Edgar Allan Poe, the master of the horror story and the chiming lyric poem, opens the volume with his best-loved stories: "The Murders in the Rue Morgue," "The Black Cat," "The Fall of the House of Usher," "The Pit and the Pendulum," "The Premature Burial," "The Tell-Tale Heart," "Berenice," and "Ligeia." Every bit as chilling now as on the day they were written, these tales retain their power to stir the reader again and again. Poe, who was as well known for his poems as for his stories, is also represented by such verse standards as "The Raven," "Lenore," "To Helen," "Ulalume," and "Annabel Lee," among others.Numerous other practitioners of the supernatural story are included: Edith Wharton, with her gripping "Afterward"; Charles Dickens and his famed ghost story "The Signalman"; W. W. Jacobs, with this compilation's inspiration, "The Monkey's Paw." Also here are Saki's engrossing "Sredni Vashtar"; O. Henry's story of love lost and hopes dashed, "The Furnished Room"; Wilkie Collins's lively "A Terribly Strange Bed"; and "The Boarded Window," Ambrose Bierce's tale of the bizarre. A year-round collection for reading aloud--and frightening your friends--The Raven and the Monkey's Paw will gratify all manner of thrill-seekers.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

    Snatches of calypso compete with hymn tunes, drums and street cries as neighbours drink, brawl, pass judgment, make love, look out for each other and crave a better life. But Ephraim is no dreamer and nothing, not even the seductive Rosa, is going to stop him escaping his dead-end job for a fresh start in England.Set as returning troops from the Second World War fill the town with their raucous celebrations, Erroll John's Moon on a Rainbow Shawl depicts a vibrant, cosmopolitan world that is as harsh as it is filled with colour and warmth.

    At first, life is blissfully sweet, but when her first novel turns brings overnight fame, the women's life changes out of all recognition.

    Neither the affection that surrounds him, nor the good living conditions can make him overcome his innermost desire to go back to his roots...

    Alligator Pie, which remains the classic Canadian bedtime book, is written as if Mother Goose had the Latin name Branta canadensis, from William Lyon Mackenzie King, who "loved his mother like anything," to Trois-Rivières, which, of course, rhymes with "eat you hair."

    They fall in love, Carolyn becomes pregnant, and they request to exit the facility.... Josh squeezed through the little gap between the…

    

    Born in Charlottetown, Prince Edward Island, he grew up in the rural community of Hazel Grove. Wells attended high school in Ottawa, Ontario and university in Halifax, Nova Scotia. As an undergraduate, he spent summers working in Iqaluit, Nunavut as an airline cargo handler. After a brief stint at graduate school in Montreal, Quebec, he returned to Iqaluit in 2001 and later that year transferred to the remote settlement of Resolute, on Cornwallis Island, where he worked until 2003, when he moved to Halifax with his wife, Rachel Lebowitz. At this point he started contributing book reviews and essays on Canadian poetry to periodicals including Books in Canada, Quill & Quire and Maisonneuve. In the spring of 2004, his first chapbook of poems, Fool's Errand, appeared. In the fall of that year, Toronto's Insomniac Press published his full-length collection of Arctic poems, Unsettled, under Paul Vermeersch's 4 AM Books imprint. In 2004, Wells started working for Via Rail Canada as a service attendant. In 2006 he became the Reviews Editor for Canadian Notes & Queries. In 2007, after moving to Vancouver, he published Sealift, a CD recording of 24 poems from Unsettled; "Achromatope," a letterpress broadside; and After the Blizzard, a limited edition chapbook. In the spring of 2008, Jailbreaks, his anthology of Canadian sonnets, was published. Anything But Hank!, the children's book he co-wrote with Lebowitz, with illustrations by Eric Orchard, was published in the fall. In 2009, after moving back to Halifax, Wells published Track & Trace, his second trade collection of poems, with illustrations by renowned graphic artist Seth. Track & Trace was shortlisted for the 2010 Atlantic Poetry Prize. In 2010, he published The Essential Kenneth Leslie, the first collection of Leslie's poems to be published since 1972.

    

    Their archaeological record is both substantial and fascinating, including tomb paintings, sculpture, jewelry, and art. In this Very Short Introduction, Christopher Smith explores Etruscan history, culture, language, and customs. Examining the controversial debates about their origins, he explores how they once lived, placing them within the geographical, economic, and political context of the time. Smith concludes by demonstrating how the Etruscans have been studied and perceived throughout the ages, and the impact this has had on our understanding of their place in history.About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

    It is the ideal reference tool for anyone with an interest in the Classics or those seeking to explore the many allusions to its mythology that abound in later literature.

    Short dramatic monologue written in 1972 (20 March to 1 April) by Samuel Beckett which was premiered at the "Samuel Beckett Festival" by the Repertory Theater of Lincoln Center, New York (22 November 1972).

    To a classicist however, the word brings to mind the masterpieces of Sophocles, Shakespeare, and Racine; beautiful dramas featuring romanticized torment. What has tragedy been made to mean by dramatists, storytellers, philosophers, politicians, and journalists over the last two and a half millennia? Why do we still read, re-write, and stage these old plays? This lively and engaging work presents an entirely unique approach which shows the relevance of tragedy to today's world, and extends beyond drama and literature into visual art and everyday experience. Addressing questions about belief, blame, mourning, revenge, pain, and irony, noted scholar Adrian Poole demonstrates the age-old significance of our attempts to make sense of terrible suffering.

    This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.