The book is a behind-the-scenes look at “Big Edie” and “Little Edie” and their bizarre and reclusive life of squalor amidst the tremendous wealth of East Hampton, the family bond that developed between Jerry and them, and the afternoon everything was turned upside down forever with the arrival of documentary filmmakers Albert and David Maysles.What begins as a teenager coming upon what he assumed was an old, abandoned house takes on new dimensions when suddenly Edie appeared on the porch draped in a shower curtain with an apron tied around her head. “You must be the Marble Faun,” she told the stunned Jerry. Rather than chasing him away as he at first feared, she invited Jerry to meet her mother upstairs.So begins a strange and unusually close friendship with the two women as Jerry takes on the task of volunteer gardener of their estate, often sleeping nights in their living room and staying out of the way of mother-daughter arguments. The Marble Faun of Grey Gardens is Jerry’s look back on the filming of Grey Gardens but also how the notoriety the movie achieved changed his life along with the Beales’s as their private world was shared with audiences everywhere.

    Now, after breaking up with his longtime boyfriend, Smith looks back to his painfully normal childhood to see where all the trouble really began. Like every other American kid, Bob's adolescence was marked by alternating moments of blissful ignorance, hazy confusion, and humiliating self-consciousness. And in these pages, Bob evokes his youth with a vividness that will make you shudder and howl with recognition.In these hysterically humorous pages, Bob Smith introduces readers to his comically unsympathetic grandmother, who makes light of his carsickness: "Bob only throws up because he's near the window and he can"; to his first teacher crush, whose "five-o'clock shadow could plunge a room into darkness"; and to his first brush with fame, when he fainted from his chair during a biology filmstrip ("Way to go, Smith!"). Sharp, observant, ingeniously ironic and wholly satisfying, this new Lambda Award-nominated collection is at once bittersweet nostalgic fun and a testament to the unquestionable gifts of a highly original comic writer.

    With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred—amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, "For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say." And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing—through both joy and grief—to wonder.

    When this guy is David Sedaris, the possibilities are endless, but the result is always the same: he will both delight you with twists of humor and intelligence and leave you deeply moved. Sedaris remembers his father's dinnertime attire (shirtsleeves and underpants), his first colonoscopy (remarkably pleasant), and the time he considered buying the skeleton of a murdered Pygmy. With Let's Explore Diabetes with Owls, David Sedaris shows once again why his work has been called "hilarious, elegant, and surprisingly moving" (Washington Post).

    Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next.Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the men who loved them, often abused them, and, nonetheless, shared their destinies. With luminous clarity, Allison explores how desire surprises and what power feels like to a young girl as she confronts abuse. As always, Dorothy Allison is provocative, confrontational, and brutally honest. Two or Three Things I Know for Sure, steeped in the hard-won wisdom of experience, expresses the strength of her unique vision with beauty and eloquence.

    The contours of these relationships shift constantly. Denise and Paul, stretched by the demands of their writing lives, drift apart, and Paul's romance begins to falter. And the world around them is frail: environmental catastrophes like the Deepwater Horizon oil spill, natural disasters like the earthquake in Haiti, and local disturbances make an unsettling backdrop to the pressing concerns of Denise's cancer diagnosis and Paul's impending breakup. Lisicky's compassionate heart and resilience seem all the stronger in the face of such searing losses. His survival--hard-won, unsentimental, authentic--proves that in turning toward loss, we embrace life.*A Rumpus Book Club Selection* “Breathtaking and heartbreaking.” —Publishers Weekly “Lisicky realized a painful truth. The closer he got to people, the more he had to acknowledge their freedom to die and/or leave him. With empathy and emotional finesse, the author renders the fragility of interpersonal connections, and he offers insight into the complicated nature of the human heart. Honest and compassionate." –Kirkus Reviews“Intelligent and intimate, fierce and tender, real and raw, Paul Lisicky’s The Narrow Door is an unforgettable memoir about love and loss, friendship and forgiveness. It had me in its thrall from page one.” —Cheryl Strayed, author of Wild“The most moving account of love among artists I’ve ever read. The Narrow Door is astonishing." —Garth Greenwell, author of What Belongs to You“I love this book so much that I found myself slowing to a crawl as I reached the end, not wanting to part ways quite yet. This is a portrait of a friendship unlike any I've read. In embracing the fluidity of relationships--platonic and romantic, real life and idolatrous, even human and canine--it reminds us that true connection can be as fleeting and precious as true solitude. There is a unique honesty in that revelation, and also a great if surprising comfort." —Megan Daum, author of The Unspeakable “The Narrow Door is a book about a long friendship, which means it’s a book about everything in life: love, hope, longing, death, fallings-out, reconciliation, art, dumb jokes, deep loss. In The Narrow Door, Paul Lisicky proves, again, that he’s one of our finest writers on the intricacies of the human heart. Like all of Lisicky’s work, it’s beautiful and brilliant.” —Elizabeth McCracken, author of Thunderstruck

    It was these concerns that prompted indie icon Michelle Tea--whose memoir The Chelsea Whistle details her own working-class roots in gritty Chelsea, Massachusetts--to collect these fierce, honest, tender essays written by women who can’t go home to the suburbs when their assignment is over. These wide-ranging essays cover everything from stealing and selling blood to make ends meet, to "jumping" class, how if time equals money then being poor means waiting, surviving and returning to the ghetto and how feminine identity is shaped by poverty. Contributors include Dorothy Allison, Diane Di Prima, Terri Griffith, Daisy Hernández, Frances Varian, Tara Hardy, Shawna Kenney, Siobhan Brooks, Terri Ryan, and more.

    Pop culture phenomenon, social rights advocate, and the most prominent LGBTQ+ voice on YouTube, Tyler Oakley brings you his first collection of witty, personal, and hilarious essays written in the voice that’s earned him more than 10 million followers across social media.

    why? But Abbi had always found comfort in solitude, and needed space to step back and hit the reset button. As she spent time in each city and town on her way to Los Angeles, she mulled over the big questions -- What do I really want? What is the worst possible scenario in which I could run into my ex? How has the decision to wear my shirts tucked in been pivotal in my adulthood? In this collection of anecdotes, observations and reflections--all told in the sharp, wildly funny, and relatable voice that has endeared Abbi to critics and fans alike--readers will feel like they're in the passenger seat on a fun and, ultimately, inspiring journey. With some original illustrations by the author.

    But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance--"I don't so much fear death as I do wasting life," he tells Hayes early on--is captured in vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015).

    Charming, funny, and a great listener with a guru's insight, his success in life and business was based on his ability to connect with others, from people recovering in 12-step groups in Upstate New York to those living in the rarified air of Martha's Vineyard. But after 20+ years sober, one slip-up triggered an active addiction that threatened his relationships with his then-wife, singer-songwriter Carly Simon, his recovery friends, his severely disabled son, and even with himself as he began to confront his sexuality.

    Self-taught, introspective, and from a stiflingly boring farm town, he couldn’t relate to his neighbors. While other boys played outside, he stayed indoors reading Greek mythology. And being gay and overweight, he got used to diminishing himself. But little by little, he started learning from all the sad, strange, lonely outcasts in history who had come before him, and he started to feel hope. In this collection of personal essays, Guy talks about finding a sense of belonging at Berkeley—and stirring up controversy in a newspaper column that led to a run‑in with the Secret Service. He recounts the pitfalls of being typecast as the “Sassy Gay Friend,” and how, after taking a wrong turn in life (i.e. law school), he found stand‑up comedy and artistic freedom. He analyzes society’s calculated deprivation of personhood from fat people, and how, though it’s taken him a while to accept who he is, he has learned that with a little patience and a lot of humor, self-acceptance is possible. Written with Guy’s characteristic blend of wit, guile, and rumination, My Life as a Goddess is an unforgettable and deeply moving book by one of today’s most endearing and galvanizing voices in comedy.

    Her mother, a distant relative of William Faulkner, told neighbors and family that her daughter had died. The two never saw each other again. Nearly twenty-five years later, after building her own family and happy home life, a lawyer called to say her mother was dead. In this story about the fragility of memory and the complexity of family, Beam decides to look back at her own dark history, and for the secret to her mother’s madness.

    She became an icon because of her remarkable wisdom as a leader. As the co-captain of the 2015 Women’s World Cup Champion Team, she created a culture not just of excellence, but of honor, commitment, resilience, and sisterhood. She helped transform a group of individual women into one of the most successful, powerful and united Wolfpacks of all time.In her retirement, Abby’s ready to do the same for her new team: All Women Everywhere.In Wolfpack, Abby’s message to women is:We have never been Little Red Riding Hood. We Are the Wolves.We must wander off the path and blaze a new one: together.She insists that women must let go of old rules of leadership that neither include or serve them. She’s created a new set of Wolfpack rules to help women unleash their individual power, unite with their Wolfpack, and change the landscape of their lives and world: from the family room to the board room to the White House.· Make failure your fuel: Transform failure to wisdom and power. · Lead from the bench: Lead from wherever you are. · Champion each other: Claim each woman’s victory as your own. · Demand the effing ball: Don’t ask permission: take what you’ve earned.In Abby’s vision, we are not Little Red Riding Hoods, staying on the path because we’re told to. We are the wolves, fighting for a better tomorrow for ourselves, our pack, and all the future wolves who will come after us.

    The performance becomes so familiar I almost forget that it’s staged.What happens when, aged 30, you understand you’re transgender?This was the question that confronted Yves Rees, a historian whose life was upended by gender transition in 2018. Then known as a woman called Anne, Yves was forced to grapple with the sudden knowledge that they were not, in fact, female at all.But when you’ve lived a lie for so long, how do you discover who you really are? And how do you re-learn to live in the world as a different gender?All About Yves tells their moving journey of re-becoming, at the same time laying bare the messiness of bodies, gender and identity. It shares the challenges and joys of being transgender in Australia today, and reveals how trans experiences like Yves' can teach all of us about what it means to be man or woman.