It was a time when old certainties had been shredded: by popular insurgency, economic crisis, feuding and a corrupt, bankrupt government presided over by the imbecilic, Lancastrian King Henry VI. The country was in need of a new hero. Magnetic, narcissistic, Edward found himself on the throne, and alongside him his two younger brothers: the unstable, petulant George, Duke of Clarence, and the boy who would emerge from his shadow, Richard, Duke of Gloucester.Charismatic, able and ambitious, the brothers would become the figureheads of a spectacular ruling dynasty, one that laid the foundations for a renewal of English royal power. Yet a web of grudges and resentments grew between them, generating a destructive sequence of conspiracy, rebellion, deposition, fratricide, usurpation and regicide. The house of York's brutal end came on 22August 1485 at Bosworth Field, with the death of the youngest brother, now Richard III, at the hands of a new usurper, Henry Tudor.Brothers York is the story of three remarkable brothers, two of whom were crowned kings of England and the other an heir presumptive, whose antagonism was fuelled by the mistrust and vendettas of the age that brought their family to power. The house of York should have been the dynasty that the Tudors became. Its tragedy was that it devoured itself.

    * Tom Holland, author of RUBICON and PERSIAN FIRE, gives a thrilling panoramic account of the birth of the new Western Europe in the year 1000

    But what was it like to actually live in those extraordinary times? Now you can find out.These 36 lectures provide a different perspective on the society and culture of the Middle Ages - one that entrenches you in the daily human experience of living during this underappreciated era. Drawing on history, literature, the arts, technology, and science, these lectures will deepen the way you understand not only the Middle Ages but everything that came afterward: From the Renaissance, to the Enlightenment, to your own world.Filled with amazing insights, this series brings you closer than ever before to life as it was lived and felt. You'll meet the likes of William Caxton, England's first printer who not only printed and distributed a variety of works but also often had to translate them himself; learn about Hugh of Payns and the role of his Knights Templar - organized for the protection of pilgrims traveling to Jerusalem - in the creation of the first modern bank; see how communities dealt with marriage in a time when the church had not yet drawn this institution into its orbit; and much more.Rich with information and period detail (including revealing examples of medieval literature from the English, French, Norse, Icelandic, and Italian worlds), these lectures will dramatically increase your understanding of how lives in the Middle Ages were really lived.

    At the center of this fascinating period is the document that has become the root of modern freedom: the Magna Carta. It was a time of political revolution and domestic change that saw the Crusades, Richard the Lionheart, King John, and—in legend—Robin Hood all make their marks on history.The events leading up to King John’s setting his seal to the famous document at Runnymede in June 1215 form this rich and riveting narrative that vividly describes everyday life from castle to countryside, from school to church, and from hunting in the forest to trial by ordeal. For instance, women wore no underwear (though men did), the average temperatures were actually higher than they are now, and the austere kitchen at Westminster Abbey allowed each monk two pounds of meat and a gallon of ale per day. Broad in scope and rich in detail, 1215 ingeniously illuminates what may have been the most important year of our history.

    The book presents the presuppositions of medieval society in a systematic fashion by integrating brief, self-contained selections from primary texts and carefully captioned photographs into a narrative of the medieval world and its foundations. The text is divided into three parts. Treating both the classical and biblical antecedents of the Middle Ages and ending in Late Antiquity, Part 1 includes a thorough discussion of the monumental figure of St. Augustine. Part 2 deals with the early Middle Ages, beginning with the disintegration of the Roman Empire and continuing through the German invasions, the sixth- and seventh-century founders, and the renaissance associated with the reign of Charlemagne. Part 3 examines the High Middle Ages and beyond, following developments in the Church, in politics, and in arts and culture from the twelfth century through the end of the fourteenth century. This second edition has been thoroughly updated to reflect recent scholarship in the field. It adds a new chapter covering the fourteenth century and pays greater attention to women and gender-related issues. The bibliography has been updated and revised and now provides a useful guide to electronic resources. The Medieval World View, 2/e, handles sophisticated issues with great clarity and ease, making this an ideal text for courses in Medieval history, literature, or art history.

    His head filled with tales of chivalry, instead he is branded a thief, and must make do with being squire to his childhood friend Sir Robert, a knight determined to make a name for himself as a man at arms in France. While William himself slowly acquires the skills of knightly combat, he remains an outsider - until the Battle of Poitiers when Sir Robert is cut down by the greatest knight of the age, Sir Geoffry de Charny, and William, his lowly squire, revenges him. But with his own knight dead, no honour acrrues to William for this feat of arms, and he is forced to become a mercenary. Scavenging a mis-matched set of armour from the knightly corpses, he joins one of the mercenary companies now set to pillage a defenceless France, and so begins a bloody career that sees William joining forces with the infamous Sir John Hawkwood and immersing himself in a treacherous clandestine war among the Italian city states. But paradoxically it is there, among the spies, assassins and hired killers serving their ruthless masters, that William finally discovers the true meaning of chivalry - and his destiny as a knight.

    England is engulfed in war as King Stephen and his cousin, the Empress Matilda, vie for the crown. In this dangerous world, not even Emma, an eleven-year-old peasant, is safe. A depraved monk obsessed with redheads kidnaps the ginger-haired girl from her village and leaves her for dead. When an archer for hire named Gwyl finds her, she has no memory of her previous life. Unable to abandon her, Gwyl takes the girl with him, dressing her as a boy, giving her a new name—Penda—and teaching her to use a bow. But Gwyn knows that the man who hurt Penda roams free, and that a scrap of evidence she possesses could be very valuable.Gwyl and Penda make their way to Kenilworth, a small but strategically important fortress that belongs to fifteen-year-old Maud. Newly wedded to a boorish and much older husband after her father’s death, the fierce and determined young chatelaine tempts fate and Stephen’s murderous wrath when she gives shelter to the empress.Aided by a garrison of mercenaries, including Gwyl and his odd red-headed apprentice, Maud will stave off Stephen’s siege for a long, brutal winter that will bring a host of visitors to Kenilworth—kings, soldiers . . . and a sinister monk with deadly business to finish.

     "I WAS BORN with the ability to prophesize the future. The destinies I dream about are impossible to alter, despite my many attempts to do so...nightly visions forewarn me of good fortune, but also of despair, discord, and death--always death." Matilde of Ringelheim, a paragon of virtue and achievement, a legendary woman of passion, beloved 10th-century queen, and saint of the Germanic states, was one of the most influential and charitable women in European medieval history. Her story of love, family discord, betrayal, prophetic dreams, and political intrigue is an epic account of her history. As the virtuous daughter of a noble family educated in an abbey, young Matilde faces a promising future, but she keeps a secret. Through her dreams, she can predict the future. When Duke Heinrich of Thuringia arrives unannounced at the abbey and wishes to marry Matilde, her childhood is over. At fourteen, she weds the young, enigmatic duke. She must leave everything behind and learn to navigate the intricacies and intrigues of her new life as a duchess, and later as queen. Beset by great political intrigues, a ravaged people, fraught relationships, and yet inspired to a greater calling, Matilde sees what her future could hold if she could seize the moment—if her husband will believe in and act upon her prophetic dreams.

    A young nobleman. And death stalks them both.... The date is 1191 Aumary Belvoir is seventeen. Seventeen, and bound by an oath so holy, he dare not break it.
 Unexpectedly thrust into the position of the Warden of the Savernake; a woodland of one hundred and fifty square miles in Wiltshire, will Aumary succeed in stamping his authority on the forest? He has also acquired a half brother he did not know he had. With the help of his experienced staff and his willing family, things go well. The surprise brother, Robert proves a worthy assistant. Then the deaths begin. Are they accidents as they seem or is there something more sinister happening in the forest? Seventy year old Aumary is dictating his story to a scribe. He can no longer write for himself and wishes to set down for all time, the truth of two mysteries; the death of Arthur Duke of Brittany, King John's nephew and rival, and other more disturbing deaths closer to home. Aumary Belvoir sets off to uncover a plot so dastardly and deadly, so patient and well planned that it takes thirteen years to lay bare.

    His victory, concluded at the Battle of Hastings in 1066, is known as the Norman Conquest.Known for her exhaustive research and ability to bring past eras to life, bestselling author Georgette Heyer tells the story of William the Conqueror, who became King of England in 1066, and his queen Matilda, the high-born noblewoman who at first scornfully spurned him. William was an illegitimate child of a nobleman, who won his dukedom through force of will, and went on to bring European feudalism to England, along with a program of building and fortification that included the building of the Tower of London.The historical novel includes Heyer's brilliant period language and her perfect grasp of the details of the day - clothing, armor, weapons, and food - making for a fascinating and blood-stirring read.

    What could drive a girl on the cusp of womanhood to lock herself away from the world forever?Sarah is just seventeen when she chooses to become an anchoress, a holy woman shut away in a cell that measures only seven by nine paces, at the side of the village church. Fleeing the grief of losing a much-loved sister in childbirth as well as pressure to marry the local lord's son, she decides to renounce the world--with all its dangers, desires, and temptations--and commit herself to a life of prayer.But it soon becomes clear that the thick, unforgiving walls of Sarah's cell cannot protect her as well as she had thought. With the outside world clamoring to get in and the intensity of her isolation driving her toward drastic actions, even madness, her body and soul are still in grave danger. When she starts hearing the voice of the previous anchoress whispering to her from the walls, Sarah finds herself questioning what she thought she knew about the anchorhold, and about the village itself.With the lyricism of Nicola Griffith's Hild and the vivid historical setting of Hannah Kent's Burial Rites, Robyn Cadwallader's powerful debut novel tells an absorbing story of faith, desire, shame, fear, and the very human need for connection and touch. Compelling, evocative, and haunting, The Anchoress is both quietly heartbreaking and thrillingly unpredictable.

    But she was also empress, heir to the English crown—the first woman ever to hold the position—and an able military general. This new biography explores Matilda’s achievements as military and political leader, and sets her life and career in full context. Catherine Hanley provides fresh insight into Matilda's campaign to claim the title of queen, her approach to allied kingdoms and rival rulers, and her role in the succession crisis. Hanley highlights how Matilda fought for the throne, and argues that although she never sat on it herself her reward was to see her son become king. Extraordinarily, her line has continued through every single monarch of England or Britain from that time to the present day.

    At 25, the widowed Maud must marry once again, this time to 14-year-old Geoffrey Plantagenet. But it is with Stephen of Blois, Maud’s fiercest rival for the British throne, that the headstrong princess discovers the true meaning of desire.Stephen, a descendant of William the Conqueror, believes absolutely in his God-given right to rule. Torn between his illicit passion for Maud and his own towering ambition, he knows he must choose. Stephen’s decision will wrench him from the arms of the woman he loves, ignite civil war, and lead to a shattering act of betrayal that, decades later, will come full circle and change the course of English history.

    It is also one of history’s most mysterious and compelling works of art. This haunting stitched account of the battle that redrew the map of medieval Europe has inspired dreams of theft, waves of nationalism, visions of limitless power, and esthetic rapture. In his fascinating new book, Yale professor R. Howard Bloch reveals the history, the hidden meaning, the deep beauty, and the enduring allure of this astonishing piece of cloth.Bloch opens with a gripping account of the event that inspired the Tapestry: the swift, bloody Battle of Hastings, in which the Norman bastard William defeated the Anglo-Saxon king, Harold, and laid claim to England under his new title, William the Conqueror. But to truly understand the connection between battle and embroidery, one must retrace the web of international intrigue and scandal that climaxed at Hastings. Bloch demonstrates how, with astonishing intimacy and immediacy, the artisans who fashioned this work of textile art brought to life a moment that changed the course of British culture and history. Every age has cherished the Tapestry for different reasons and read new meaning into its enigmatic words and images. French nationalists in the mid-nineteenth century, fired by Tapestry’s evocation of military glory, unearthed the lost French epic “The Song of Roland,” which Norman troops sang as they marched to victory in 1066. As the Nazis tightened their grip on Europe, Hitler sent a team to France to study the Tapestry, decode its Nordic elements, and, at the end of the war, with Paris under siege, bring the precious cloth to Berlin. The richest horde of buried Anglo-Saxon treasure, the matchless beauty of Byzantine silk, Aesop’s strange fable “The Swallow and the Linseed,” the colony that Anglo-Saxon nobles founded in the Middle East following their defeat at Hastings–all are brilliantly woven into Bloch’s riveting narrative.Seamlessly integrating Norman, Anglo-Saxon, Viking, and Byzantine elements, the Bayeux Tapestry ranks with Chartres and the Tower of London as a crowning achievement of medieval Europe. And yet, more than a work of art, the Tapestry served as the suture that bound up the wounds of 1066. Enhanced by a stunning full-color insert that includes reproductions of the complete Tapestry, A Needle in the Right Hand of God will stand with The Professor and the Madman and How the Irish Saved Civilization as a triumph of popular history.From the Hardcover edition.

    According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th-century English literature. The Index of Middle English Verse shows that in the era before the printing press it was one of the most-often copied manuscripts (59 copies) along with Canterbury Tales (72 copies) and Piers Plowman (63 copies).In genre it is usually considered a poem of consolation, a medieval form inspired by Boethius' Consolation of Philosophy and typified by works such as Pearl. Despite this, it is more usually studied alongside other tale collections with similar structures, such as the Decameron of Boccaccio, and particularly Chaucer's Canterbury Tales, with which the Confessio has several stories in common.[Wikipedia]